The Copier as Canvas

 Study Group zine cover

“Zines are not a new idea. They have been around under different names (ChapBooks, Pamphlets, Flyers). People with independent ideas have been getting their word out since there were printing presses.” ― Mark Todd, Whatcha Mean, What’s a Zine?

As institutions traditionally charged with gathering and providing access to the broadest range of information, libraries have in large part transitioned their focus from the physical to the digital realm of resources. But there are pockets of attention that remain fixed on collecting those materials that hold significantly greater value in a corporeal state.

Laura Schwartz shares zines with an studio art class.In 2010, Fine Arts Library (FAL) Head Librarian Laura Schwartz joined a fledgling movement of librarians across the country in establishing a collection of DIY pamphlets, popularly known as “zines.”

Zines — short for “fanzines” — take a variety of forms, but are generally self-published and noncommercial, homemade or online publications often devoted to specialized or unconventional subject matter. Traditionally, zines have been published in small runs — less than 1000 copies — and most are produced on photocopiers or by other, more economical means.

At a time when virtually anyone with access to the web can reach an audience, the idea that your local Kinko’s still has the patronage of a subculture of the most indie of independent publishers seems almost absurd.

And yet, the niche market continues to thrive, and has even seen a degree of proliferation, especially in the area of social justice, an association which would no doubt have pleased Thomas Paine.

Schwartz is determined about her motivation to build the collection. “This is a form of art,” she says. “Museums or galleries do not typically collect this format, so it is incumbent upon libraries to do so.”

“Libraries have a history of collecting ephemeral and personal materials,” says Schwartz. “That is the essence of archives.  Libraries are capturing a slice of history and culture of a particular time period by collecting zines.”

Thing Bad zine coverThe FAL’s zine collection currently maintains over 200 items of state, regional and national origin, and recent donations will potentially double the size of the resource. The content of the materials covers a range of subjects including art, photography, music, skateboarding and Texas culture.

Schwartz was fortunate at the time of the collection’s inception to have a ready resource for development in the form of the manager of a specialized local bookstore, Russell Etchen of Domy Books. Being an artist and autodidact in zine history — as well as a curator/manager for the shop/gallery —  Etchen had an informed perspective on the significance of the genre, and offered his insights as a service to preserving the form.

“Laura had an innate sense for what would and wouldn’t work when she started building the collection,” says Etchen. “We would walk through the store together a couple times a year, and I would share the works that I felt, at the time, were most deserving of preservation.”

“When it comes to the underground, there are no ‘right zines’,” says Etchen. “There is a very decentralized history behind self-publishing and generally we chose works that I felt had a unique history behind them or ahead of them.” Continue reading

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Going the Extra Mile

Student posing in photoboothWhen we started planning for our HornRaiser (crowd-funding) project for the Fine Arts Library Recording Studio everyone said to make sure and have a stretch-goal.

A stretch-goal? That would imply that we would cross the finish line before our campaign was over!

Thankfully, we took their advice because this week we surged past our original goal of $10,000!

Since we about two weeks left, we have announced our stretch-goal: $15,000. That’s just $4,445 in the next 14 days. The extra funds will enable us to build an even better Fine Arts Library Recording Studio with better sound-proofing, software, and hopefully new carpet and furniture.

We’ve come so far, so please help us go even further by broadcasting our message through Facebook, Instagram, Twitter, E-mail, or word of mouth, and consider making a contribution if you haven’t already.*

We’ve started planning an end-of-campaign show at Tom’s Tabooley on the last day of our campaign, Friday, May 1, so save the date! More details to come!

If you haven’t already, make sure and check out our most recent video featuring some images of what the Fine Arts Library Recording Studio might look like.


 

* If you or your company are interested in contributing a matching gift during the campaign, don’t worry, there is still time! Please contact Gregory Perrin for more information.

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Libraries Get NEH Funding from Partner Proposal

Photo of archivesAmong the National Endowment for the Humanities (NEH) recent announcement of $22.8 million in grants for 232 humanities projects in the second round of its grant awards this fiscal year was included funding provided to the Libraries as one of the recipients for the Texas Archival Resources Online’s (TARO) proposal the “Texas Archival Resources Online (TARO) to the 21st Century Collaborative Planning Project.

The NEH will provide $35,204 in direct funding for a Humanities Collections and Reference Resources Foundations grant to conduct strategic planning that will address researchers’ need for better intellectual access to TARO’s holdings. The Libraries, in partnership with the TARO Steering Committee and their respective institutions will use the funds to assist with the one-year collaborative planning, assessment and pilot testing project. The project will begin July 1, 2015.

TARO is a freely accessible platform for searching over 7,200 finding aids describing collections held by cultural heritage institutions in Texas. TARO has proven a rich resource for historians, documentarians, educators and students since its establishment in 1999, with participating institutions including the state’s larger repositories such as the Texas State Library and Archives, Texas A&M University, and Rice University, and smaller archives including the Old Jail Art Center and San Jacinto Museum of History, as well as over thirty other archives and libraries around the state.

In his announcement of the awards, NEH Chair William Adams said, “In the 50 years since NEH’s founding, the Endowment has supported excellence in the humanities by funding far-reaching research, preservation projects and public programs. The grants announced today continue that tradition, making valuable humanities collections, exhibitions, documentaries and educational resources available to communities across the country.”

According to Kelly Kerbow-Hudson, steering committee co-chair, “The award of the NEH planning grant is big news for TARO and its contributors — and it’s great news for the state’s archival researchers, as well.” She points out that the grant will provide the support necessary to plan for a significant update to the TARO online reference resource http://www.lib.utexas.edu/taro/index.html and create best practices to standardize existing finding aids.

The TARO Steering Committee — which includes representatives from repositories across the state — worked extensively to research for and prepare the grant proposal. Special thanks go to key contributors Amy Bowman of UT’s Briscoe Center for American History, Amanda Focke of Rice University’s Woodson Research Center, and Jennifer Hecker of UT Libraries.  A special thanks, as well, to additional Libraries staff involved in the process: Donna Coates, Minnie Rangel, Linda Abbey, Dr. Fred Heath as Project Director and Dr. Lorraine Haricombe as Project Director moving forward.

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All the Library’s a Stage

New Works Festival posterSpring 2015 has been an exciting semester at the Fine Arts Library (FAL). We have hosted a record number of events — 13 to be exact. They’ve included exhibit receptions, lectures, book readings, concerts, and performances. The events for this week are particularly novel as we have opened our space to the Department of Theatre and Dance’s Cohen New Works Festival.

During the Fall semester, an exuberant student by the name of Mahalia Dinglasan approached Beth Kerr, Theatre/Dance Librarian and I about the possibility of setting a play that she was proposing at the Fine Arts Library. The story is set in a library and, thinking outside the box, she thought the Fine Arts Library would make a great venue. As I am eager to activate the Fine Arts Library spaces and engage with our audiences and patrons in new and innovative ways, I was excited for the Fine Arts Library to participate in the Festival.

A few weeks after we agreed to host the performance, Mahalia began working on casting her play. She asked Beth if she would be interested in playing Nan the librarian in the play. Beth declined as she is a theatre person but her role has always been behind the scenes. Mahalia then defaulted to me. I thought to myself that I have never been asked to do anything so unusual as a professional librarian and I may never be asked to do anything like it again. As I am one for new experiences, I was excited to say yes.

Monday evening was opening night of Emanation. What a fantastic journey I have been on over the last few months! The students in the company have taught me so much about acting, about confidence, about patience, about hard work, about respect, about community, about myself.

The show runs Tuesday 4/14 at 8:30pm, Wednesday 4/15 at 8:30pm, and Friday 4/17 at 7pm. Tickets are sold out but they are letting walk-ups attend as space is available. If you are interested in experiencing library space in a whole new way, I would recommend heading over to the Fine Arts Library for one of the performances. I don’t think you will be disappointed (unless you don’t get in!).

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Help Build a Recording Studio at Fine Arts

Donate Button for the FAL Recording Studio As you may recall from my last post, UT Libraries has launched our very first HornRaiser (crowd-funding) campaign to raise $10,000 for the Fine Arts Library Recording Studio. The campaign has been active for just over a week now and 29 donors have helps us raise $2,400! That is 24% of our goal! Special thanks to Tom + Regina Nichols for generously matching $500 during the campaign. * Every dollar counts as we make our way closer and closer toward our goal. Are you a social media ninja? Help us spread the word through Facebook, Twitter, and Instagram. Keep an eye out! We will have special contests throughout the campaign! Reactions from current UT students who can’t wait to start using the Fine Arts Library Recording Studio:

Justin Lavergne
Justin Lavergne

Justin LaVergne Theatre, fourth year student with two more years to go

Recording studio would benefit me by being able to create voice overs for theatrical productions. As well as record songs to send out as demos to help me pay for school.

Ian Price
Ian Price

Ian Price Theatre and Dance and Radio & Television, and Film, junior

As an aspiring Voice-Over Actor, I myself have my own Mic that I use for recording lines for audio-dramas, audiobooks, online-cartoons, ect. However, I also live with 3 other roommates, in an apartment that, well, isn’t soundproof. Whenever someone is simply watching TV in the living room, I cannot record. And don’t even get me started about recording lines that require yelling. Basically, a recording studio, open and free to students would not only clear up those types of problems, but could also give good startups for the next ‘Welcome to Night Vale’, or Beyonce. There are many here who have talent but just don’t have the money, or the space to record in their home or in a private recording studio. As a college who prides itself on changing the world, its only right for us to have the resources to get started.


*If you or your company are interested in contributing a matching gift during the campaign, please contact Gregory Perrin To learn more or to support this effort visit https://hornraiser.utexas.edu/createut

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Herzstein Legacy Survives in Benson Collection

Robert E. Herzstein
Robert E. Herzstein

Attorney Robert E. Herzstein recently passed away at the age of 83.

Herzstein served as lead counsel to Mexico in negotiations over the North American Free Trade Agreement (NAFTA), which went into effect in 1994.

The Benson Latin American Collection holds the Robert E. Herzstein Records of the Mexico­–U.S. Business Committee. These materials, consisting of 14.5 linear feet of press clippings, industry testimony, and U.S. government policy advisory reports, document NAFTA’s development and implementation during the years 1991–1996.

Read more about Herzstein’s contributions and collection at the Benson website. 

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A Hidden Musicians’ History of the UT Libraries

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Being that we have a few music aficionados (and some practitioners, at that) on staff at the Libraries, we note that we’re once again amid the academic calendar timeout when the students take a (mostly) well-deserved break from classes and the city becomes a mobility nightmare as vectors from the tech, film and music industries converge on Austin to engage in a gathering of equal parts profile building and navel gazing.

South by Southwest is the place where The Next Big Thing is likely to happen, be it the social media juggernaut of the future (Twitter, SX2007), an Academy Award winner (The Hurt Locker, SX2009) or a game-changing musical act (White Stripes, SX2001).

It’s no easy task to break through, though — be it at an annual conference like SXSW, or just as a matter of standing out in a world where technology has been significantly democratized creating a flood of entertainment options. And refining your craft is somewhat easier when your passion is also your job; the tech sector tends to breed its own winners, and industry experience is almost a prerequisite for succeeding in Hollywood. That fact makes being a pure artist an almost Sisyphean undertaking in the modern world.

More often than not, people with creative dispositions need to find jobs among the ranks of the blue and pink collar working set in order to provide income to support themselves through early (or even permanent) periods of anonymity. In New York, fledgling thespians eye Broadway from behind the mirrored windows of cafes as baristas or bartenders. The young and attractive who trek west with eyes on Hollywood make ends meet working as waitstaff in LA’s swankiest hotspots, hoping to cross paths with an industry bigshot. And many visual artists bide their time in production jobs on Grand Avenue in Chicago waiting for their first big gallery show or positive review to launch their career.

So how do musicians who live in the “Live Music Capital of the World” sustain themselves while they hone their art and build an audience? At least one place you might find a featured act in a new music showcase or subject of a glowing Pitchfork review are among the staff in the libraries on the UT campus.

The Libraries have harbored a substantial lineage of musically-inclined talent among the ranks of its past and present staff, mostly in support positions that provide the heavy lifting — both literally and figuratively — of library work. Beloved Austin singer Marcia Ball worked as a clerk at the Collections Deposit Library on the edge of campus in the early 70s. Before he was placing his stamp on the scene with fellow True Believer Jon Dee Graham, Alejandro Escovedo was checking out books at the Perry-Castañeda Library circulation desk. And there’s a virtual catalog of other personalities from Austin’s music scene — both known and supposed — that have some connection to the libraries on the Forty Acres.

Photo provided by Katherine Strickland.
Photo provided by Katherine Strickland.

How an academic library became a magnet for creatives in Austin makes sense. As the city has grown in fits and starts, much of the wage-earning job opportunities have been in the retail and food service spaces that serve the university community and cater to the student demographic. Likewise, many of the low cost residential rentals have historically been clustered in north and west campus neighborhoods where it provided easy access to campus denizens who didn’t have access to vehicles, or artists who needed to be close to the arts and entertainment venues that afford the best opportunities for exposure. A university community tends to feed the intellectual curiosity of its host city’s population, and those with natural tendencies toward cerebral pursuits, in turn, gravitate to the campus.

Add in an ever-escalating cost of living — especially those costs associated with healthcare — and a university job with its relative security and benefits becomes a much more attractive prospect for an artist who needs income to support their creative habits than most of the other wage-based options available.

Then again, some folks just wind up here because they love the books, or the people, or the place.

Several past and current staffers who also happen to be musicians have offered perspectives on why they landed work at the library, and how that connection impacted their music. Continue reading

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Plaques Unveiled to Honor Lozano Long and Benson

LLILAS Benson Latin American Studies and Collections celebrated the memory of Dr. Nettie Lee Benson and the achievements and generosity of Dr. Teresa Lozano Long at the unveiling of two bronze plaques in Sid Richardson Hall honoring the influential women on Friday, March 6.

LLILAS Benson director Charles Hale provided a warm introduction to attendees, and UT president Bill Powers followed, remarking with admiration of the late Nettie Lee Benson, a librarian and a scholar, whose vision and tenacity built the Benson Collection into one of the world’s premiere collections of Latin American materials. Powers also spoke to the significant contributions — material and intellectual — that Lozano Long and her husband Joe Long have made to Latin American scholarship and to The University of Texas at Austin.

The Longs shared the ceremony with family and friends, and Benson was represented in attendance by her three nephews, Bill, Doug and Joe Benson.

See more photos of the event from the Austin American-Statesman.

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Save the Date!

In radio studio

Hi. I’m Natalie Moore, the development specialist for the Libraries.

Over the past few months, I’ve had the opportunity to participate in a grassroots effort to crowd-fundraise for the Fine Arts Library Recording Studio here at UT. At first mention, this seemed like a really great idea for a really unorthodox place. Don’t get me wrong, I love working in the Libraries, but it seemed like an unlikely place for a recording studio. As I started to identify students, faculty, and other staff members to help with this cause, it became apparent that the Fine Arts Library is the most appropriate place for a recording studio on UT’s campus. While this technology exists on campus, it is locked up, and saved for individuals in certain departments and colleges. Students, faculty, and even my fellow staff members’ eyes lit up as they learned that, “yes, the FAL Recording studio will be open to all current faculty, students, and staff,” and, “no, this isn’t just for musicians.”

I am excited about the Fine Arts Library hosting this incubator for creativity. I can only imagine what types of work will surface as a product of this great initiative.

UT Libraries HornRaiser site will become live Wednesday, March 18. Interested in getting involved? Email me at nmoore@austin.utexas.edu

As we gear up for our HornRaiser campaign, I want to share some reactions from current UT students. Here is the first one:

alex copy

Alex Smith

Music Production, Sophomore

“Well, I work in my shoddy home studio everyday. It’s very low key with the ultimate level of ‘just the essentials.’ Having a place to have access to more equipment, like 2 mics, different kind of mics, instruments, workstations, really awesome sound monitors, would make the biggest difference in the world. Having a professional area adds a level beyond hanging up egg cartons and stuffed animals to help reduce room noise. The possibilities are endless.”


UT Libraries is about to embark on a HornRaiser (crowd-funding) campaign to equip a recording studio in the Fine Arts Library.  You can check out our funding page here: https://hornraiser.utexas.edu/createut

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Chat with a Rwandan Youth Leader

Aegis Trust Youth Ambassador Dydine Umunyana. Photo by Christian Kelleher.
Aegis Trust Youth Ambassador Dydine Umunyana. Photo by Christian Kelleher.

For a little over two weeks in January and February, UT Libraries was the home base for a visit by Rwandan Dydine Umunyana who works with Aegis Trust, a project partner with the Libraries’ Human Rights Documentation Initiative. HRDI project manager and Benson Collection archivist Christian Kelleher sat down with Dydine to ask her about her work in the U.S.

We’re so excited to have you here, Dydine. Can you tell me what brought you to the U.S.?

I came to the U.S. to advocate for young people from my country and to bring awareness to youth internationally as a Youth Ambassador for Peace from Aegis Trust, a nonprofit organization that combats genocide around the world. Aegis is based in England where they run the National Holocaust Center and Museum, and they help manage the Kigali Genocide Memorial in Rwanda.

UT Libraries connected to Aegis Trust and the Kigali Genocide Memorial through our partnership to preserve documentation of the 1994 Genocide. How did you first get involved with Aegis Trust?

In 2009, I was selected as one of 30 influential students at my high school and they brought us to the Kigali Genocide Memorial to learn the real history of my country and to go through their peace-building education program. The goal of the peace-building education program is to learn from the past, to help to stop cycles of hatred and be able to build the future. A few years later, as a result of what I had learned from the peace-building education program, I started a nonprofit company Umbrella Cinema Promoters that educates young women in Rwanda to share their own stories through film. We had a workshop in 2013 and launched the organization then, and that’s when I reconnected with Aegis Trust and was appointed a Youth Ambassador.

Tell me more about your filmmaking work!

After my high school I wasn’t able to continue my university studies, as so many young people in Rwanda. I had experience as a singer and songwriter, and I was asked to compose a song for a short film. I had to spend a week in the studio composing the song and learning the story of the film, and I also learned how they were doing things about filming and scriptwriting and I became so much interested in how they were making the film. So I went home and began writing a script for my own short film. In Rwanda you can’t do shooting of a film without permission from the government, so I went to the Ministry of Sport and Culture for a recommendation letter but they refused because I didn’t have a company that I worked for. I got the idea that I probably wasn’t the only young person who had ideas but no organization for support, so I decided I should start my own nonprofit company for that purpose, to encourage and empower young women to tell their own stories. I met some students from USC who were in Rwanda and they asked if I had a project and I took my script and called all my friends and we shot my first short film about the problem of HIV in Rwanda.

What have you done during your time visiting the University of Texas?

I’ve done a lot! I toured UT and it was tiring because of how big it is. I’ve been here for more than two weeks and I have had so many meetings engaging and bringing awareness about what’s going on in post conflict countries. I met with students in the White Rose Society at Texas Hillel and from Amnesty International, and with professors in so many departments like Women’s and Gender Studies and Theater and more. And I’ve spent a lot of time in the library because of the partnership between you and Aegis Trust and the Rwanda Genocide Archive.

And beyond UT, what have been some of the things you’ve done in Austin?

I met with Greg Kwedar who is producer of an amazing film Rising From Ashes about the Rwanda cycling team. I’ve experienced different food like barbecue and how Texans are so proud, and with [retired Vice Provost and Director of UT Libraries] Fred and Jean Heath I visited the Capitol building and learned about La Belle and the history of Texas at the Bullock Museum with the giant star. One day in the night I watched Selma, which was a great film for me to see how you can resolve conflict without fighting and I think it should be screened everywhere in the world, and in the morning went to the LBJ Library and saw how was America at that time. I didn’t even know there were libraries for presidents and I was able to listen to his calls with Martin Luther King and others!

Learn more about Dydine on her blog http://dydineadventures.com/, and Aegis Trust at http://www.aegistrust.org/.

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