The repository is undergoing an upgrade, so the Libraries are holding a naming contest now through June 12, 2015, to upgrade the resource’s name, as well. Anyone can enter, but only one will win and there’s a grand prize for the winner, but also opportunities to win for other entrants. See the Libraries’ Open Access blog for complete details.
For those unfamiliar with the repository, UTDR is the open access gateway to The University of Texas at Austin’s research and scholarship and a digital archive for the preservation of these works for future generations. It links together and preserves both historical and contemporary data generated by the intellectual and academic community of university, providing a central internet access point and interactive multimedia tools for interacting with these resources.
As well as preserving selected works of research and scholarship, UTDR also holds materials that reflect the intellectual and service environment of our campus community.
Last week, the Texas Exes Dallas Chapter hosted a reception featuring Dr. Lorraine Haricombe, Vice Provost and Director of University of Texas Libraries.
Lorraine shared her highest priorities to:
Strengthen UT Libraries core mission to support UT’s mission of teaching, research and learning in new and creative ways.
Fill key positions to align with new roles for libraries in teaching, learning and in the digital environment and to expand collaborative partnerships on campus (and beyond) and re-purpose prime real estate in our libraries to meet the expectations of 21st century learners.
Position UT Libraries to help transform teaching, learning and research at the University through open access to ensure that the ground breaking research conducted at our University will reach beyond the Forty Acres, nationally and globally.
To close, Lorraine reminded everyone, “supporting the Libraries has the potential to touch the lives of every student, staff and faculty member to ensure that what starts here really does change the world.”
Looking forward, UT Libraries plans to partner with Texas Exes Chapters across the country to host similar events that showcase the work being done at UT. If you are interested in hosting a similar event, please contact Gregory Perrin.
It’s certainly the case that our perception of the world’s geography is rooted in our experience with the maps we’ve encountered, developed and designed over eons by both hand and machine. Even though we may have become increasingly reliant on disembodied voices to lead us where we need to go, the archetype for understanding the concept of location which we carry in our minds was instilled by the road guides of family vacations, massive retractable world maps of the elementary classroom and spinning globes of our past.
Equal parts art and science, maps are one of the most effective methods for conveying information visually in virtually any field of inquiry. In the miniaturization of space that is necessary to explain vast areas on a personal scale is a documentation of history and of change; of character and personality, value and values; of plant and animal; of health and illness, feast and famine; of motion and stasis; and of nearly any aspect of life and place that can be categorized for better understanding the world in which we live.
And that, perhaps, is what makes the map collection at the Perry-Castañeda Library so incredibly valuable. Its scope in both size and subject is immense enough to maintain an intrinsic value — both as historical artifact and as a tool of modern research and reference — that goes unaffected by the passage of time.
Though the Perry-Castañeda Library Map Collection is considered a general collection, it’s anything but. Residing on the first floor of the university’s flagship library, it features more than 250,000 cartographic items representing all areas of the world. And its online component is not only one of the most highly visited websites at the university — garnering nearly 8 million visits annually — but is in the top ten most popular results for a Google search of “maps.”
The university began informally collecting maps previously — at the General Libraries, but also through efforts at the Geology Library, the Barker Texas History Center and the Benson Latin American Collection — but it wasn’t until the PCL opened in 1977 that the Map Collection was established on the first floor of the building as an independent collection.
The core of the collection emerged with the acquisition of the U.S. Geological Survey topographic maps, which date from the late 19th century and cover the entire United States, U.S. territories and other parts of the world where governments contracted U.S.G.S. for mapping, such as Saudi Arabia.
The collection also houses an extensive collection of atlases, from a street atlas of El Paso to the National Atlas of India. The library also purchases commercial and foreign government-issued topographic map series, country, city and thematic maps. The collection also includes a small but popular collection of plastic raised-relief maps and globes, not only of earth, but of the Moon, planets and other various celestial bodies.
Most of the maps in the collection date from 1900 to the present, and the collection is constantly being updated with newer materials, and complements a number of significant historical map collections housed on campus in the Center for American History (historical maps of Texas), the Benson Latin American Collection, the Harry Ransom Center and the Walter Geology Library.
Paul Rascoe — the Libraries’ Documents, Maps, & Electronic Info Services Librarian — has been the driving force behind the collection at PCL, especially in the formulation and execution of the collection’s online component. And it hasn’t hurt to have the planets align, at times.
“In 1994, we decided that we were going to scan maps,” says Rascoe. “We had a Macintosh computer and a Mac scanner, which I believe cost $100. We had a plan to put them in sort of a web menuing system called Gopher, but fortunately, simultaneously with our wanting to put maps online, the first web browser was introduced in that year.” Continue reading →
The Libraries recently joined a national program to deepen and diversify the national collection for South Asian Studies and focused on a new niche for collection efforts: pulp fiction in South Asian languages.
While the Libraries holds one of the largest and broadest collections of South Asian material in the country, there is also a recognized need to remain active and creative in supporting the sometimes idiosyncratic but always deep research of the scholars at our universities — research that could not be undertaken without unique, international and multilingual collections at their disposal.
Beyond our local needs, however, we also feel the imperative to acquire and preserve materials in US research libraries, lest the ever present dangers of politics, funding and environment threaten them being lost forever — recent news stories of tragic weather events or the destruction of objects from art museums only further drive this point home.
Thus, large research libraries are striving to keep these deep, distinctive collections at the forefront through cooperative collection development initiatives across institutions. In 2014, the Libraries joined a national collaboration for South Asian collections through which librarians across the country seek to leverage existing practices in order to develop simultaneously a robust national collection and unique local collections. There’s a recognition that materials supporting the long-tail of research do not need to be duplicated across many U.S. institutions; rather, harnessing individual skill sets, building upon local interests and working with backroom technical support, the Libraries have concentrated on local niche specializations to develop.
Recently, Libraries’ collections development staff began exploring a relatively narrowly focused pulp fiction collection that the Libraries can provide in support of this distributed national collection. While on a brief acquisitions trip to India in early 2015, I was able to seek out and acquire a number of popular literature titles in Telugu language (one of the languages we teach here at UT) that would not have been represented in the national collection if I had not picked them up while in Hyderabad. That booksellers were reluctant to sell them to a research library as they are not “proper literature” and are “really for time pass for women” is another story for another time; for now, let’s remind ourselves that approved subjects of research change over time — what was once dismissed (women’s literature, popular culture, and the like) is now hot stuff.
The Telugu materials that were chosen for acquisition parallel the pulp detective novels that were prevalent and popular in the American 1930s and 1940s — an era that produced the likes of Dashiell Hammett and Edgar Rice Burroughs. Regional expressions of the genre exist in many South Asian languages; for example, Hindi pulp emerged in the 1950s and became extremely popular — especially as a diversion for train passengers — and remained so until the digital age. Capturing and preserving as many examples of the genre from the region will help us further understand pulp as both a literary movement and cultural documentation.
In light of current trends in scholarship that indicate a growing interest in unconventional or non-traditional subject matter, it only makes sense to focus efforts on collections practices that enhance these underrepresented areas for the benefit of research and casual interest.
There’s a growing scholarly interest in everyday and popular literature as a venue to explore and understand the production of culture. For examples of efforts in this vein, the work of recent UT graduate Laura Brueck or recent publications such as the Blaft Anthology of Tamil Pulp Fiction. There’s also an increasing recognition and appreciation for the cultural artifactual value of common materials. The covers of recently acquired pulp fiction titles in Telugu are suggestive in many ways — ways common to printed literature everywhere, as a recent library presentation by English professor Janine Barchas suggests.
The Libraries are excited about this new collecting area and through foreign acquisitions trips in 2016, with plans to develop it in other languages as well, most notably Tamil and Malayalam. Stay tuned to keep watching this unique and distinctive collection grow….
Again this year, the Libraries took measures to help our hardworking students survive the end of another (or for some, a first) academic school year by providing some de-stressors during the weeks leading up to finals.
As papers and projects came due and the looming shadow of finals all but enveloped the collective population of the campus, we were again fortunate to have a ready partner in Austin Dog Alliance who was willing to provide a much-needed visit by their four-legged staff members, and whose mere presence can be diversion enough to lighten the mood and reorient Longhorns in the throes of all-nighters and marathon cram sessions. (See the full story over at KEYE.)
Along with pups, facilities project manager Frank Meaker amassed a new collection of whiteboard drawings from throughout the PCL over the spring semester, and we gathered those on our Flickr account to document this season of the spontaneous art therapy that provides yet another momentary escape from the serious rigor that occurs in service of developing the next generation of leaders at the UT campus. (More about the whiteboards at the UT Tumblr.)
HornRaiser campaign to build the Fine Arts Library Recording Studio in numbers:
8 matching gifts totaling $4,350
158% of our original goal
We are very excited that this campaign not only exceeded our original goal of raising $10,000, but also exceeded our stretch-goal of raising $15,000.
We are very thankful for those who contributed and helped us broadcast our message throughout the campaign.
So what’s next?
A preliminary meeting has been scheduled to start brainstorming and planning for the actual construction of the Fine Arts Library Recording Studio. We hope to have everything ready for the fall 2015 semester.
As I have mentioned before, this project is a smaller piece of a larger project called the Creativity Commons. We are still fundraising for the other studios in the Creativity Commons:
Video Production Studio, $50,000
Game Developer Studio, $35,000
Maker Workshop, $25,000
3D Design Workspace, $15,000
Recording Studio (funded!)
While these tools are available in other areas on campus, they are restricted to students or a certain major. The Creativity Commons will be fully accessible to all current UT students, faculty, and staff.
To give a gift to support the Creativity Commons, click here, or click here to read a previous post with more detailed funding opportunities for individuals or corporations.
Doing research in a library can be an adventure in serendipitous discovery. For Dr. Denise Spellberg, Professor of History at the University of Texas at Austin, an unexpected search result was the impetus for a research project that resulted in her acclaimed book, Thomas Jefferson’s Qur’an: Islam and the Founders.
Dr. Spellberg shared this recollection—along with other fascinating insights from her research—at the Hamilton Book Awards Author Showcase and Reception, which was held at the Perry-Castañeda Library last Friday. Dr. Spellberg’s book was the 2014 grand-prize winner of the Robert W. Hamilton Book Award.
With presentations nearly as diverse as the PCL’s collection, each faculty author gave the audience an introduction to the themes and motivations that define and drive their research. Both Dr. Lawler and Ms. Lowery spoke of their passion—for clean water and the craft of wig creation, respectively—while Dr. Li described how his experiences in China and the United States allowed him to analyze modern Chinese historical writing. Dr. Spellberg recounted how the discovery of playbill from a 1782 performance of Voltaire’s Mahomet in Baltimore led her to research the role of Islam in early American history.
The University Co-op has sponsored the Hamilton Book Awards since 1997. Winners are determined by a multidisciplinary committee appointed by the Vice President for Research at UT Austin, and the prize is awarded each October. The Hamilton Book Awards Author Showcase and Reception is an extension of the partnership effort by the Co-op and University of Texas Libraries to foster and promote faculty research on campus.
This well-received inaugural Showcase and Reception event was planned by School of Information graduate student and Ask a Librarian intern Katherine Kapsidelis, who graduates this May.
“Zines are not a new idea. They have been around under different names (ChapBooks, Pamphlets, Flyers). People with independent ideas have been getting their word out since there were printing presses.” ― Mark Todd, Whatcha Mean, What’s a Zine?
As institutions traditionally charged with gathering and providing access to the broadest range of information, libraries have in large part transitioned their focus from the physical to the digital realm of resources. But there are pockets of attention that remain fixed on collecting those materials that hold significantly greater value in a corporeal state.
In 2010, Fine Arts Library (FAL) Head Librarian Laura Schwartz joined a fledgling movement of librarians across the country in establishing a collection of DIY pamphlets, popularly known as “zines.”
Zines — short for “fanzines” — take a variety of forms, but are generally self-published and noncommercial, homemade or online publications often devoted to specialized or unconventional subject matter. Traditionally, zines have been published in small runs — less than 1000 copies — and most are produced on photocopiers or by other, more economical means.
At a time when virtually anyone with access to the web can reach an audience, the idea that your local Kinko’s still has the patronage of a subculture of the most indie of independent publishers seems almost absurd.
Schwartz is determined about her motivation to build the collection. “This is a form of art,” she says. “Museums or galleries do not typically collect this format, so it is incumbent upon libraries to do so.”
“Libraries have a history of collecting ephemeral and personal materials,” says Schwartz. “That is the essence of archives. Libraries are capturing a slice of history and culture of a particular time period by collecting zines.”
The FAL’s zine collection currently maintains over 200 items of state, regional and national origin, and recent donations will potentially double the size of the resource. The content of the materials covers a range of subjects including art, photography, music, skateboarding and Texas culture.
Schwartz was fortunate at the time of the collection’s inception to have a ready resource for development in the form of the manager of a specialized local bookstore, Russell Etchen of Domy Books. Being an artist and autodidact in zine history — as well as a curator/manager for the shop/gallery — Etchen had an informed perspective on the significance of the genre, and offered his insights as a service to preserving the form.
“Laura had an innate sense for what would and wouldn’t work when she started building the collection,” says Etchen. “We would walk through the store together a couple times a year, and I would share the works that I felt, at the time, were most deserving of preservation.”
“When it comes to the underground, there are no ‘right zines’,” says Etchen. “There is a very decentralized history behind self-publishing and generally we chose works that I felt had a unique history behind them or ahead of them.” Continue reading →
A stretch-goal? That would imply that we would cross the finish line before our campaign was over!
Thankfully, we took their advice because this week we surged past our original goal of $10,000!
Since we about two weeks left, we have announced our stretch-goal: $15,000. That’s just $4,445 in the next 14 days. The extra funds will enable us to build an even better Fine Arts Library Recording Studio with better sound-proofing, software, and hopefully new carpet and furniture.
We’ve come so far, so please help us go even further by broadcasting our message through Facebook, Instagram, Twitter, E-mail, or word of mouth, and consider making a contribution if you haven’t already.*
We’ve started planning an end-of-campaign show at Tom’s Tabooley on the last day of our campaign, Friday, May 1, so save the date! More details to come!
If you haven’t already, make sure and check out our most recent video featuring some images of what the Fine Arts Library Recording Studio might look like.
* If you or your company are interested in contributing a matching gift during the campaign, don’t worry, there is still time! Please contact Gregory Perrin for more information.
Among the National Endowment for the Humanities (NEH) recent announcement of $22.8 million in grants for 232 humanities projects in the second round of its grant awards this fiscal year was included funding provided to the Libraries as one of the recipients for the Texas Archival Resources Online’s (TARO) proposal the “Texas Archival Resources Online (TARO) to the 21st Century Collaborative Planning Project.”
The NEH will provide $35,204 in direct funding for a Humanities Collections and Reference Resources Foundations grant to conduct strategic planning that will address researchers’ need for better intellectual access to TARO’s holdings. The Libraries, in partnership with the TARO Steering Committee and their respective institutions will use the funds to assist with the one-year collaborative planning, assessment and pilot testing project. The project will begin July 1, 2015.
TARO is a freely accessible platform for searching over 7,200 finding aids describing collections held by cultural heritage institutions in Texas. TARO has proven a rich resource for historians, documentarians, educators and students since its establishment in 1999, with participating institutions including the state’s larger repositories such as the Texas State Library and Archives, Texas A&M University, and Rice University, and smaller archives including the Old Jail Art Center and San Jacinto Museum of History, as well as over thirty other archives and libraries around the state.
In his announcement of the awards, NEH Chair William Adams said, “In the 50 years since NEH’s founding, the Endowment has supported excellence in the humanities by funding far-reaching research, preservation projects and public programs. The grants announced today continue that tradition, making valuable humanities collections, exhibitions, documentaries and educational resources available to communities across the country.”
According to Kelly Kerbow-Hudson, steering committee co-chair, “The award of the NEH planning grant is big news for TARO and its contributors — and it’s great news for the state’s archival researchers, as well.” She points out that the grant will provide the support necessary to plan for a significant update to the TARO online reference resource http://www.lib.utexas.edu/taro/index.html and create best practices to standardize existing finding aids.
The TARO Steering Committee — which includes representatives from repositories across the state — worked extensively to research for and prepare the grant proposal. Special thanks go to key contributors Amy Bowman of UT’s Briscoe Center for American History, Amanda Focke of Rice University’s Woodson Research Center, and Jennifer Hecker of UT Libraries. A special thanks, as well, to additional Libraries staff involved in the process: Donna Coates, Minnie Rangel, Linda Abbey, Dr. Fred Heath as Project Director and Dr. Lorraine Haricombe as Project Director moving forward.