The University of Texas Libraries wants to send you to OpenCon 2016 in Washington, DC.
If you’re a graduate student with interest in Open Access (OA), Open Educational Resources (OERs) and Open Data who wants to help shape the future of research and education at UT, consider applying for a travel scholarship being provided by the Libraries to attend this year’s OpenCon — an academic conference for students and early career researchers taking place November 12–14, 2016 in the nation’s capital.
The scholarship winner will receive a $2000 stipend — an amount that planners designed cover all expenses for attendees. OpenCon is an excellent opportunity to learn more about open access, open education and open data, to learn how to advocate for these issues, and to network with people from across the globe. The program includes keynote talks, panel discussions, workshops, hackathons, and an opportunity to lobby at the US Congress. It truly is an international conference — last year’s conference included attendees from 5 continents!
In exchange for the stipend, the winner will participate in campus discussions about their experiences at the conference, and share ideas with Libraries administration, faculty and student government leaders about how to make Open Access a campus priority.
UT Austin graduate student or postdoctoral researcher. Attendee agrees to engage in the open discussion on campus and to give updates to undergraduate and graduate student government upon their return.
Please send a statement (no longer than 500 words) discussing how you would work with the Libraries to engage the campus community in discussions of an open agenda for UT.
Submit your statement and resume/CV to Scholarly Communications Librarian Colleen Lyon by Thursday, June 30, 2016. Applicants will be notified with a decision by July 15, 2016. If you have questions about the conference or about the application process, please contact Colleen at 512-495-4244 or firstname.lastname@example.org.
Thank you for supporting the University of Texas Libraries during the 40 Hours for the Forty Acres campaign!
We are excited to report that we received 101 gifts raising a total of $21,718.
Your gift will have a meaningful impact on all students across campus. For students, using the libraries is part of their trajectory of success in college; whether it is utilizing our collections for research, or tapping resources like the Undergraduate Writing Center, Think Space, our Scholars Commons facility, or our state-of-the-art collaborative spaces and technology labs.
We couldn’t have done it without you!
See one of the ways your gift impacts student success in the video below.
Those words of Thomas Edison are representative of a sentiment that is increasingly reflected in the way that libraries are evolving to meet modern needs. In a departure from the traditional notion as a place where people go to simply gather information, the modern library is becoming a vibrant space where knowledge is partnered with tools that allow users to immediately synthesize ideas into creative output.
The University of Texas Libraries have, in recent years, been working with campus partners and administrators to reimagine spaces to meet these new expectations, and the results have been worth noting. The opening of the Learning Commons on the entry level of the Perry-Castañeda Library (PCL) provides students with onsite support for writing projects through a partnership with the University Writing Center, and a substantial new Media Lab offers users the opportunity to create the kind of dynamic multimedia projects that are gradually replacing project papers as a measure of student understanding. The Scholars Commons — opened earlier this spring, also in PCL — provides a space for both isolated study and cross-discipline collaboration, and includes a Data Lab for greater capacity for complex data visualization, making synthesis of information possible within arm’s reach of essential resources.
With the launch of the new undergraduate major in the Center for Arts and Entertainment Technologies (CAET) announced in February by the College of Fine Arts (COFA), the Libraries are partnering with the college to develop a new kind of creative space in the Fine Arts Library (FAL) to support the specialized needs of students in the new program. “The Foundry” will occupy space in the main level of the FAL, and will consist of a series of interconnected studios designed to support audio recording, video production, fabrication, 3D printing, animatronics, game design and fiber arts where students can gather to create independently or collaboratively, and where they’ll have immediate access to traditional library resources and services to augment their work. Although it was developed primarily to support CAET, The Foundry is open to every student at the university.
The focus of the space redevelopment is to provide advanced technological systems for all aspects of performance, game development, music production, digital visual arts, and other forms of digital entertainment. The project is funded by the Office of the Provost, the Libraries, the College of Fine Arts and by a generous grant from the Hearst Foundations.
It’s not quite Menlo Park (yet), but libraries are finding ways to become a larger part of the creative process by providing the materials and tools that allow ideas the potential to be realized at the point of conception. Edison might even be impressed.
Construction on The Foundry began with the close of the spring semester and is slated to open in time for the students’ return in the fall. Check back for progress reports on the renovation throughout the summer.
Mexican politician and general Antonio Lopez de Santa Anna wrote these memoirs during his final exile in Havana in 1872.
Sometimes referred to as “the Napolean of the West,” Santa Anna — who served as president of Mexico in multiple, non-consecutive terms — is infamous for losing control of Texas and the extensive territories of the U.S. Southwest in 1836.
As the UT Libraries bibliographer for Hebrew, Jewish, and Israel studies, one of my favorite parts of my job is the selection and acquisition of resources for our collection. I feel lucky that I have the opportunity to shape and enhance our holdings, as other librarians did before me, so that current and future patrons would benefit from a strong and valuable collection. Whereas most of this activity is done at my office, communicating online with local and international vendors, once a year I have the opportunity to go on an acquisition trip and get my hands dirty.
Acquisitiontrips are important because they make possible the purchase of otherwise hard to get unique, non-mainstream items. In addition, cultivating long-term close relationships with local vendors and scholars is essential in order to build a strong collection. Knowledge of the local culture and publishing trends, coupled with personal relationships and ongoing collection work, allow me to better serve faculty and student research needs and requests.
During my last trip to Israel in May 2015, I managed to put my hands on some unique Israeli cinema resources. Some of these titles are unique holdings among academic libraries around the world, i.e. they are held either only by the UT Libraries or by fewer than 3 institutions. For example, the rare journal Omanut ha-kolnoa (“The art of cinema”), which I accidently have found in a dusty second hand book store in Tel Aviv, is held only by the Libraries and the National Library of Israel. Sefer ha-tasrit ha-katsar (“The short screenplay book”), published by the Tel Aviv University Film Department, is held only by the Libraries. Other unique resources in this subject area include Israeli film festival catalogs and short films on DVDs produced by Tel Aviv University students and never published or distributed commercially. These and other resources of Israeli cinema that we hold make our collection in this subject area a unique and distinctive collection among academic institutions in the United States and around the world.
Getting hold of those unique items would sometimes require an extensive leg work, pun intended. While visiting Israel, I spent a significant amount of time canvassing the streets, visiting second hand book stores, looking for those items. Many stores are not necessarily in the big cities — Tel Aviv, Jerusalem, or Haifa — but in the periphery, usually in Kibbutzim (collective communities). Some of these visits were pre-arranged before my trip, and some were done on-the-fly, especially those to stores in remote areas. Some of these second hand stores would have a searchable online inventory, but the advantage of visiting in person is the personal relationship with the owner. By now I am in contact with many of these vendors, who set aside the good stuff for me before adding it to their inventory.
Cultivating personal rapport has a big impact when it comes to acquiring unique or rare materials. One example of this strategy is my encounter with Ms. Leah Bernshtain Gilboa, who wrote a book about her husband’s combat unit during the 1973 Arab-Israeli war. This unique personal narrative was researched, produced, and self-published by the author, printed in only 300 copies, and distributed among former comrades, friends, and relatives. The author’s son was a presenter at a conference I attended in Montreal, just before I left for Israel. When I was chatting with him, he told me about the book and urged me to contact his mother while in Israel, so I did, and we have met one evening in Tel Aviv. The book is now part of the Libraries’ collections, a unique holding among academic libraries around the world! This is a perfect example of a relatively new book (published in 2014) which did not make it to the mainstream market, and which I was able to acquire due to a personal encounter.
“We will do things differently, and we will do different things.”
These were among the first words that Lorraine Haricombe offered to Libraries staff on her arrival one year ago, and that exhortation has been realized in large ways as a new strategic vision becomes reality.
While some changes are more subtle, the way that the human resources of the Libraries are being adapted to the evolving needs of our users and to technological advancements is distinctive. New faces are filling positions that are outside the traditional library mold as a means of addressing new currents and new fields of inquiry in ways that take advantage of opportunities in the digital realm, as well as within traditional institutional frameworks.
Over the past year, the Libraries have hired for a succession of new titles that were necessitated by adjustments in university priorities and developments in the practices of scholarship.
One of the first moves made to reimagine the organizational structure within the Libraries occurred as the result of a vacancy at the Architecture & Planning Library, when head librarian Beth Dodd resumed her curatorial work in the Alexander Architectural Archive. Rather than simply refill the position as was originally planned, Haricombe worked with her executive team to adapt the title to a larger current in the field of digital humanities — an area of research and teaching at the intersection of computing and the disciplines of the humanities. The Libraries hired Katie Pierce Meyer as Humanities Librarian for Architecture and Planning both to take on a role as both administrative lead of the APL and also to focus on how to develop efforts in the digital humanities at a branch level that could be scaled to an organizational-wide scope.
The Libraries were in the process of reviewing its gifts policy even before Lorraine Haricombe arrived, and early decisions about putting controls on the intake of unsolicited gifts meant that head of gifts processing Sean O’Bryan could be redeployed toward another important priority. Sean was hired to the position of Collections Strategist, where he has become the catalyst for development of a new strategic policy for collections management. His work now is core to the improvement of efforts to move from print to electronic resources.
As African & African American Studies has joined the predominant fields at the university, the need for bibliographer support from the Libraries has become clear. Especially relevant to our existing resources is the growing focus on the African Diaspora in Latin America and the Caribbean, and with the recent attention given to our southern neighbors by UT President Greg Fenves, we recently hired Rachel Winston as Black Diaspora Archivist at the Benson Latin American Collection. Winston will work to enhance the Benson’s holdings while developing university collaborations to strengthen scholarship in this burgeoning field.
The importance of digital collections and electronic resources remains on an upward trajectory, so there is a constant need to reconsider strategy for making the most of campus technology for institutional gain. Between the expansion of digitization efforts, the prioritization of Open Access, and the unabated growth of Big Data in research, finding ways to manage a new universe of information has become essential. Jessica Trelogan recently became our new Data Management Coordinator to build, maintain and enhance the data services deployed by the Libraries. She’ll work closely with our campus partners at places like the Texas Advanced Computing Center and Information Technology Services to ensure that we’re making the best use of resources across the Forty Acres.
As digital collections continue to grow, the need has arisen for a dedicated custodian to manage both the born-digital and digitized materials that increasingly are the currency of library collections. Ashley Adair joined the Libraries Preservation Department last year as Digital Archivist to take over stewardship of digitized collections across its various libraries and archives, where she plays an active role in the acquisition, appraisal, arrangement and description of these modern core resources.
Technology has also created new opportunities for study at UT, and not just in the STEM fields. The university recently announced the formation of a degree in Creative Arts and Entertainment Technology within the College of Fine Arts, and the students of that program will rely heavily on a space being developed at the Fine Arts Library. The Foundry — a digitally-focused maker space within the library — will feature a recording studio, fiber art studio, video production studio, gaming studio, digital media lab and more. To support the student needs both within the new program and across relevant technology and design studies at UT, the Libraries created a librarian position for Arts and Creative Technologies, and hired FAL veteran Boris Brodsky. Brodsky will be the custodian of the Foundry, and will build from scratch the liaison role that the Libraries have with students and faculty in this exciting new program.
These are just the initial movements of a transformational time at the University of Texas Libraries, where we’re doing different things and doing things differently.
With 650,000 square feet across ten libraries on campus, UT Libraries has one of the largest footprints on the Forty Acres. To put into context, imagine yourself cheering the longhorns at Darrell K. Royal stadium, then imagine eleven football fields filled with books, reference materials, silent and collaborative study spaces, and technology.
We’re proud of our impact. In 2015, UT Libraries welcomed an astounding 2,492,477 visitors. Our staff provided 105,986 reference sessions for students and faculty. We welcomed 15,329 attendees to Library Instruction Sessions. We hosted the equivalent of 25 home games at full capacity.
The rapid pace of change in academic libraries has been breathtaking, but thanks to gifts both and large and small we were able to renovate about half of a football field worth of library space.
But make no mistake, it’s not about new furniture. An investment in UT Libraries is an investment in helping elevate retention and graduation rates. Your gift has the potential to touch the lives of every student, faculty, and staff member on the Forty Acres.
Our Think Space initiative is about creating a stimulating, supportive, and collaborative environment that enhances student and faculty success. Think Space is a one-stop-hub that connects students with campus experts in research, writing, speech, and digital media technology.
The Scholars Commons pilot has quickly become a favorite spot for students and other scholars. The Scholars Commons inspires scholarship through research consultations. It contains a data lab with advanced software; workshops introducing tools for digital scholarship, data analysis, and scholarly communication; spaces for collaboration; and exhibits and events that provide opportunities for scholars to share their research.
Contributions designated for the Black Diaspora Archival Collection will help fund professional development for the archivist, interns/graduate research assistants who assist with processing, the general enhancement of this collection. The Black Diaspora Archive is a vitally important initiative, which affirms the University’s commitment to Black history, and to the communities across the Americas who make that history.
Now in its third year, 40 Hours for the Forty Acres is an annual university-wide, 40-hour fundraising event designed to engage and inspire students, alumni, and friends to donate. If UT Libraries is meaningful to you, we hope you will make a gift between April 27th 4:00am and April 28th 8:00pm.
We encourage you to tell your friends about the campaign, post on social media when you give, or repost our messages from the blog during the campaign.
A facsimile reproduction made in the Florentine workshop of Alejandro Ruffoni of an original early 17th Century drawing of the Port of Acapulco by Dutch engineer Adrian Boot. The reproduction was commissioned by Mexican historian Francisco del Paso y Troncoso.
The panoramic shows the port and fortification at Acapulco, with depictions of the natural flora and geography of the region.
When the Libraries began investigating the possibility of having the University Writing Center (UWC) become the first campus partner to inhabit the new Learning Commons at the Perry-Castañeda Library, there were high hopes that the marriage would reap significant benefits for library users, patrons of the writing center and the larger campus community. One of the primary goals of the effort was to co-locate complementary services and resources in a central location in order to facilitate greater success in referrals from the Libraries to UWC, and vice versa.
So how has the partnership worked so far? We sat down with UWC program coordinator Alice Batt to get her perspective on the first half-year of life at PCL.
What does the landscape look like for UWC six months into life at PCL? Have you settled in?
Alice Batt: Definitely. Right now there are 13 consultations happening outside my door—lots of energetic conversations! And our presentations team is making good use of the Learning Labs. About 10% of our writing presentations last semester were delivered in those labs. It’s great when that happens because, after the presentation, students can come right down to the UWC and make an appointment.
Any takeaways from what you’ve seen so far?
AB: One of the things that strikes me most is what it’s like to be central again, and to be in a library. Collaboration with our library partners is easier, we’re much more convenient for students, joint workshops are easier to plan and put on, and we’ve been able to experiment with programs like Long Night Against Procrastination. We’re seeing more students, and we’re more confident that, when we refer them to a librarian, they’ll actually go.
What’s the most unexpected outcome?
AB: It took us a while to get used to seeing people on the consulting floor when we arrive in the morning—some of them have been here all night! Now we just tap them gently and send them on their way to class, breakfast, or home.
How has the integration with relevant Libraries staff and services worked?
AB: Overall, it’s going beautifully. Trish (UWC Director Patricia Roberts-Miller) and I are part of the Learning Commons Steering Committee, which meets once a month to iron out wrinkles and make sure we’re all pursuing the same goals. Lately we’ve been talking about cross training: we had a well-attended workshop for our consultants conducted by two librarians that gave consultants some of the basics about the services, when to refer students to them, what sorts of resources are available. Since our consultants are students, it was helpful to them in both capacities–as students doing research, and as consultants working with students on researched writing.
Have you changed or adapted in some way you didn’t foresee?
AB: I haven’t checked the data to confirm this, but I get the sense we’re seeing a more diverse group of students coming to the UWC—more diverse ethnically, racially, linguistically, and also more diverse in their majors. We think it’s because this location is where students already are; they don’t have to make a special trip up to FAC.
What’s been the student response to the new space?
AB: Overwhelmingly positive. Everyone—our administrators, consulting staff, and the students we serve—loves working in a bright, cheery environment. And loads of students come here for private study after we close.
Are you considering any developments that you’d like people to know about?
AB: Our first semester working with grad students in College of Liberal Arts has been a big success. Grad students particularly like the 6-week writing groups; nothing improves productivity like being held responsible by a group! We’d like to expand our services to support graduate students throughout the university. Grad students who would like us to support their writing should tell their deans.
Any other thoughts?
AB: In the Learning Commons, we’re right in the path of students who need our services. We’ve always been a busy place, but now our numbers are up 4% from last year—and they’re rising!
Genealogist Mary Henrietta Chase collected almost all of crooner Bing Crosby’s commercial recordings. She also made 200 audio recordings from radio broadcasts from December 1948 to October 1956, though as these are on consumer-grade acetate discs their condition is poor. She catalogued her collection on typed index cards which she kept in a small recipe box.