Poetry can be intimidating – it can be vague, filled with too many metaphors, caught up in form. We’ve tried to de-mystify poetry with our latest display at the UT Poetry Center, Read Like A Librarian: Staff Poetry Recommendations. Library staff found a great range of selections, including 19th century classics by Edgar Allan Poe and Elizabeth Barrett Browning and recently published volumes by poets like Alexis Pauline Gumbs and Peter Macuck.
Here’s a selection of staff recommendations and what they had to say about these books:
Fat Girl Finishing School by Rachel Wiley
Selected by Stephanie Lopez, Weekend & Evening Desk Supervisor
“Fat Girl Finishing School pulled me in with its cheeky cover, and once I started reading I was hooked! Wiley’s words are so powerful and thought-provoking that I found myself looking around to see if anyone else felt the earth shift under them. Before long, I was chasing down everyone I saw so that they, too, could read the words that caused such a visceral reaction in me. Do yourself and favor and read this. Your heart will thank you.”
Aurora Leigh by Elizabeth Barrett Browning
Selected by Sarah Morris, Learning & Assessment Librarian
“Barrett Browning is best known for two things: Marrying Robert Browning and writing Sonnets from the Portuguese. But she’s also the author of Aurora Leigh, a feminist epic that explores issues of class, gender, art, and the challenges women face in finding opportunities for work, and respect for their work, in a restrictive society. Groundbreaking at the time, it’s still a great read today.”
Come visit the UT Poetry Center in PCL 2.500 to see more staff picks and read the books in person!
“Little Chapel in the Woods” at Texas Woman’s University (TWU) in Denton is the next featured work in the archive’s “To Better Know a Building” exhibit series that draws on the rich collections of The University of Texas at Austin’s premiere architecture special collection.
The small nonsectarian chapel — ninety feet long and forty-two feet wide, constructed of grey fieldstone and brick from nearby Bridgeport — was intended to reflect the indigenous style of the region while harkening to more modern sensibilities. The chapel is an early reflection of the role of craft in Ford’s career as well.
A design competition in 1938 resulted in the selection of the newly partnered O’Neil Ford and Arch Swank as architects, with Gerald Rogers chosen to devise a method to formulate the arches for the working drawings for the project. They were to be assisted by college architect Preston M. Geren, Sr., of Fort Worth.
The project was funded by an initial donation of $15,000 from the W. R. Nicholson family of Longview, Texas, with an additional $10,000 raised by students, faculty and alumni of the college.
Despite its relatively low budget, the project benefitted from the participation of a public works’ project — the National Youth Administration — which provided construction trainees as laborers; the workforce was augmented by more than 300 TWU students and faculty members, allowing construction of the chapel to be completed in late 1939.
“To Better Know A Building” seeks to explore buildings through the drawings and other visual items found in the archive and library, promoting the records of a single building. Plans, elevations and sections visually communicate design intent and can also be used as a vehicle in teaching through example.
An opening reception will take place at 6 p.m., Monday, February 16, in the reading room of the Architecture & Planning Library, located in historic Battle Hall. The event is free and open to the public.
UT alumnus Brantley Hightower — an educator, author and founding partner in the San Antonio firm HiWorks — will lead the exhibit opening by offering remarks about the “Little Chapel in the Woods.”
Attendees to the reception will have an opportunity to vote — along with students, faculty and staff in the School of Architecture — to help determine the next building featured in the series, chosen from a list of holdings of the Alexander Architectural Archive.
Last fall, almost sixty beautiful, full-color book cover reproductions in poster form of titles nominated for the University Co-op’s annual Robert W. Hamilton Book Author Awards were put on display in the UFCU Student Learning Commons room at the Perry-Castañeda Library. The posters were originally produced for presentation in folding frame screens at the awards presentation dinner, but through a promotional partnership with the Libraries, the nominees for the university’s highest literary award now have an annual home in the university’s flagship library.
The 2014 grand-prize winner, along with the 4 runner-up prize-winners, were announced Wednesday, October 15, and the Co-op has again provided the Libraries with posters of each of the nominated titles for display at PCL.
The exhibit serves as acknowledgement of the research, scholarly and creative accomplishments of the world-class faculty and staff of the university — many of whom are reliant on the collections, resources and services provided through the Libraries to support their notable contributions to a better understanding of the world.
The posters will be on display until the 2015 winners are announced next year.
Dark clouds gathered in the late afternoon sky in anticipation of the last storm of the summer. Inside, a DJ set the needle down on the 45-rpm version of a Jorge Ben classic just as the rain began to fall. Flecked by the light of a disco ball on the circulation desk, a convivial crowd had gathered to chat, snack, and enjoy the fact that it was almost Friday. The occasion was Field Notes, the fifth annual LLILAS Benson student photography exhibit and competition, held in the Nettie Lee Benson Latin American Collection on the third Thursday in September.
Photographs from a summer of study, both abroad in Latin America and in Latina/o communities in the United States, hung in the Benson’s first-floor corridor, and visitors took in the images with interest and curiosity. The photos themselves expressed the range of experiences, viewpoints, and settings encountered by the student photographers: Ruijie Peng’s prize-winning photograph, taken in Ecuador, depicts Chinese and Ecuadoran workers standing in hard hats among rocky debris at the site of a hydroelectric construction project; the other prize winner, by Mariana Morante Aguirre, was snapped in Guadalajara, Mexico, outside a hostel along a railroad route used by Central American migrants and transient Mexican nationals alike.
In Mario Mercado’s photo, a trumpeter plays on a San Juan sidewalk in front of exuberant graffiti that invokes the instrument’s brassy sound. In a lovely image by Charles Wight, a lone boat floats on the Rio Negro near Manaus, Brazil. Our gaze turns skyward via the lens of Felipe Fernández Cruz, who photographed airplanes flying in formation against a clear blue sky above the Christ statue in Rio, the wings in identical posture to the outstretched arms of O Redentor. (A history student, Fernández went to Brazil to study how the twentieth-century state built air routes to colonize the interior.) A stunning black-and-white image by MFA film student Álvaro Torres Crespo shows two boys fishing from a pier under a cloudy sky at dusk in Puerto Jiménez, on Costa Rica’s southern Pacific Coast.
Some student researchers encountered roadblocks both expected and unexpected…
The extravagance of the Baroque period in Spanish America is currently on display in an exhibition at the Benson Latin American Collection.
Inside the Baroqueilluminates the splendor and diversity of Mexican arts and letters in the seventeenth and eighteenth centuries, and their enduring legacy. A selection of photographs by Carolyn Brown accompanies rare books and manuscripts from the Benson’s collections to present the Baroque period’s ornate style as it was manifested in the Spanish colonies of the Americas.
A complementary documentary film by Quin Mathews presents arresting views of Mexico’s baroque churches against a backdrop of life in modern-day Mexico. Mathews traveled with photographer Carolyn Brown in 2008, recording scenes of daily devotional and festive practice, and the film captures the centrality of local churches.
Originating in 16th century Italy as a European Catholic response to the austerity of the Protestant Reformation, the Baroque style found purchase in the art, architecture and music of the period, and made its way to the Western Hemisphere by the end of the 1600s.
What made the movement particularly unique as it was expressed in the Americas was the influence of indigenous populations, craftsmanship and resources on the decorative style of religious structures that were erected as monuments to Spanish colonial power in the New World.
The exhibition will be on display through January 31, 2015, in the Benson Second Floor Exhibition Gallery, and is free and open to the public. Check the Benson website for a complete listing of hours.
Concurrently on view in the Benson’s first floor gallery is the 5th Annual LLILAS Benson Student Photography Exhibition featuring photography by University of Texas at Austin graduate and undergraduate students highlighting their expansive research, fieldwork, and volunteer activities within Latin American and U.S. Latina/o communities during the previous year.
“The effects of this fiction have been devastating throughout history,” Jones recently told The Daily Texan. “The idea here is that this myth or idea has been a very powerful one in justifying the exploitation of [people of] African descent and other people as well.”
The thought-provoking talk provided attendees with ample fodder for discussion after Jones exited the dais.
Jones is Walter Prescott Webb Chair in History and Ideas and Mastin Gentry White Professor of Southern History at the University of Texas at Austin. She’s also the recipient of a MacArthur Fellowship and the Bancroft Prize for American History, among many other awards and distinctions. She’s author of Labor of Love, Labor of Sorrow (Basic Books, 1985) and Saving Savannah: The City and the Civil War (Vintage, 2009).
The Distinguished Author Dinner is an invitation-only event to acknowledge and thank major donors, advisory council members and friends for their support and interest in the Libraries.
In addition, it provides an opportunity to reinforce the Libraries role in teaching, learning and research, and to promote the outstanding research of world-class faculty on the campus of The University of Texas at Austin.
Past events have featured Hamilton Book Award winner for Scripting Jesus: The Gospels in RewriteDr. L. Michael White, and acclaimed author, library advocate and Texas favorite, Sarah Bird.
To become a Libraries donor and receive invitations to events like this one, please visit our online giving page.
Included in the exhibit are examples of the exceptional Relaciones Geográficas, elaborate surveys from Latin America requisitioned by King Philip II of Spain in the 16th Century that provide detailed demographic, geographic and sociopolitical information on Spanish colonial life in regions and towns controlled by the crown, many featuring hand-drawn maps that range from simplistic to elaborate.
Mapping Mexican Historyis on view on the 2nd floor of the Faulk Central Library (800 Guadalupe) through October 15. Check the website for hours, or contact the Austin Public Library at 512-974-7400 for more information.
You know you’re doing something right when you get unsolicited praise.
Such is the case with Architecture alumnus Charles “Bud” Franck, who recently jumped at an opportunity presented to him by Tribeza magazine to muse on his favorite Austin haunt for their “Our Little Secret” column.
The centennial celebration of the building – occurring November 11 – offers those who wish to get in on the secret a chance to share in Franck’s experience by joining in the public celebration of the “40 Acres” mainstay that is taking place in the Library.
The Fine Arts Library is participating in AIA Austin’s month-long austin x design program to “celebrate design in both the built and natural environments and demonstrate the ways that design can shape and improve daily life.”
From October 2 – 30, members of the Austin architecture and design community will display their creations alongside the permanent art collection of the Fine Arts Library (FAL) in the exhibit “More Than Architecture.”
An opening reception will be held Friday, October 7, from 5-8 p.m. at the Fine Arts Library, (DFA 3.200).
When Alonso de Léon took his troops from the Rio Grande to the Guadalupe river – and later to the Neches – in search of French settlements, he probably had no idea that his tracks would pave the way for the creation of the state of Texas.