Labor in America has shaped the industrial industry to create jobs for every American but it is our right, granted to us by ourselves, to strike for the means of a better life. The Railroad Industry has been been very prominent throughout history as it has been the most influential in linking the United States together. In this cartoon “The Railroad Industry has a Labor Policy” depicts a man, which says “Public” on his wiast, talking to Abraham Lincoln saying “Why not try it in other Industries”. He is pointing to three man sitting around a table and each of them are labeled differently. From left to right these words are branded with each of these men respectively: Collective Bargaining, Voluntary Arbitration, and Mediation Board. The men which have the names “Collective Bargaining” and “Voluntary Arbitration” disputing a big paper named “Settling labor disputes”. The man directly to the right named “Mediation Board” is watching them look at this paper throughtly. There is one final phrase above these men around the table indicting “No serious strike in over ten years in the R.R Industry”. As these men are around the table something to note is that there is a frame around them and that last quote foreshadowing what needs to take place in society.
As Abraham Lincoln was not alive in 1937 there would be no way for him to solve labor disputes that where apperent. Abraham Lincoln was also a friend/lawyer setting the foundation to the Transcontental Railroad. He was sadely not alive when this was built but as the “Public” wants to ask him for advice for how to deal with anything railroad affilated it could not happen. His knowledge will be most useful in helping any labor disputes between unions and the major companies behind these people.
By Jane Seaberry Washington Post,Staff Writer. “Legal Dispute Arbitration Service Opens.” The Washington Post (1974-Current file): 2. Oct 25 1980. ProQuest.Web. 30 Nov. 2016 .
“Collective Bargaining.” Gale Encyclopedia of American Law. Ed. Donna Batten. 3rd ed. Vol. 2. Detroit: Gale, 2010. 516-521. Gale Virtual Reference Library. Web. 30 Nov. 2016.
“Collective Bargaining.” The Blackwell Encyclopedia of Management. Ed. Susan Cartwright. 2nd ed. Vol. 5: Human Resource Management. Malden, MA: Blackwell, 2005. 61-62. Gale Virtual Reference Library. Web. 30 Nov. 2016.
Knott, John. “The Railroad Industry has a Labor Policy” Dallas Morning News 9 Apr. 1937. Print.
Shmoop Editorial Team. “Abraham Lincoln in Transcontinental Railroad.” Shmoop. Shmoop University, Inc., 11 Nov. 2008. Web. 29 Nov. 2016.
The first major international conflict to occur after World War I took place in 1931 when Japan invaded Manchuria, a region then governed by China. Following this event, the League of Nations, a coalition of nations functioning to prevent war, failed to take action to punish Japan for committing this act of war. In May of 1936, another member of the League of Nations, Italy, conquered Ethiopia, a weaker, less influential ally of the League of Nations that had been a member since 1923 (“League of Nations”). As in Manchuria, the League failed to protect Ethiopia, discrediting the League. Ultimately, Italian victory in the Second Italo-Ethiopian War destroyed the global perception of the League of Nations in the years leading up to World War II, especially creating tension among prominent League members like England and France.
In John Knott’s political cartoon titled “Drunk with Power,” published in May of 1936, Knott clearly demonstrates this tense dynamic between England, France, and Italy. In this cartoon, Benito Mussolini, dictator of Italy at the time, sits drinking wine from a bottle that says “African Victory Celebration.” He drunkenly gestures to Britain and France and says “You ‘pologize an’ we’re all frein’s again- am I right?-” Britain and France are standing together off to the side, looking back at Mussolini with eyes of resentment. Hitler sits alone at a table in the background, drinking alone (Knott). Mussolini’s statement alludes to Britain and France’s desire to maintain positive relations with Italy in spite of Italy’s divisive decision to enter war with a League Ally. Additionally, the caption reads “The Prodigal Son Returns,” which is also the title of the accompanying editorial, published alongside Knott’s cartoon in the May 8, 1936 edition of the Dallas Morning News, which examines Italy’s foreign policy after conquering Ethiopia, and disobeying the fundamental doctrines of the League.
England and France receive clear representation in this cartoon because they were perceived as the most powerful members of the League of Nations by many countries, especially after their victory in World War I, and their active role as “big four” members in forming the League of Nations (Nichols). Correspondingly, both nations were expected to use the established framework of the League of Nations to resolve the growing conflict between Italy and Ethiopia; however, Britain and France instead chose to work outside of the League, fearing that “decisive action by the League would result in pushing Mussolini into an alliance with Hitler,” (Wemlinger 36). In early 1935, both nations chose to privately assure Mussolini that they would not attempt to prevent him from using military power to carry out his Ethiopian conquests; Mussolini soon after conquered Ethiopia.
This event served as a decisive moment in the history of the League of Nations, and key point in understanding the causes of World War II. Britain and France, founding members of the League, a coalition created with the purpose of “providing avenues of escape from war”, failed to prevent a powerful ally from conquering a smaller ally (“League of Nations”). Although these actions were carried out with the strategic intent of pacifying Italy, they sent a message to the world: the league would not fulfil its obligation to protect any nation or prevent war.
However, international perception of the Italo-Ethiopian conflict strongly favored Ethiopia, which placed Britain and France in a difficult position (Wemlinger 39). In late 1935, the British Foreign Secretary stated that “the League stands, and my country stands with it, for the collective maintenance of the Covenant in its entirety, and particularly for steady and collective resistance to all acts of unprovoked aggression,” (Wemlinger 39). This disparity between Britain and France’s public support for the League’s obligations, and private negotiations with Italy, is cause for the tense dynamic presented in Knott’s cartoon “Drunk with Power.” By May of 1936 when the cartoon was published, Britain, France, and the League of Nations had conceded to Mussolini’s power-hungry objectives.
For this reason, Mussolini becomes “drunk with power” from his African victory wine, accompanied by two particularly sober figures representing Britain and France. Mussolini had succeeded in forgoing his obligations to the League without consequence, whereas Britain and France had only narrowly avoided losing their necessary alliance with Italy to Germany and Hitler; Italy was “ready to quit” the League “if the council [interfered ] in her dispute with Ethiopia”(Associated P). Knott includes the image of Hitler in the background, distant from Britain, France, and Italy, with an unhappy look on his face and a glass that has a swastika on it in his hand. For Hitler, who may have been seeking to weaken opposing European alliances, the preservation of the alliance between the three nations may have served as upsetting news; he is not drinking to celebrate, but instead to mourn his diplomatic loss. Britain and France, similarly unhappy with the League’s failure and Italy’s victory, stand off to the side of Italy. By 1936, both nations had to accept Italy’s victory, and welcome Italy back into the League, as if the nation were a “prodigal son,” returning home after doing wrong, and claiming to reform their actions in the future. In the editorial that was published alongside Knott’s cartoon, “Prodigal Son Returns,” the writer outlines Italy’s claim that it only “[wanted] peace and [wished] to strengthen the league,” even after taking several actions to undermine the League. With this in mind, it’s easy to understand the complex dynamic depicted in the cartoon. Italy expected Britain and France to “‘pologize” for the times they publicly opposed Italy’s actions in Ethiopia, and Britain and France did so, but begrudgingly. The League of Nations had been disgraced, and Britain and France from there on would have to face the consequences of this outcome, all while catering to the whims of a “drunk with power” Italian ally.
After Italy’s victory in the Second Italo-Ethiopian War, the League of Nations was made ineffective in the eyes of nations all over the world. This outcome resonates in modern society, as many view the United Nation’s attempts to prevent humanitarian crises in nations like Syria with anything more than sanctions and ceasefires. In evaluating the events of the past, we must look to present times, and gain understanding of our future.
Associated P. “League is Told to Stay Out of African Tilt.” The Washington Post (1923-1954): 1. Jun 21 1935. ProQuest. Web. 29 Nov. 2016 .
Knott, John. “Drunk with Power.” The Dallas Morning News 8 May 1936, sec. 2: 8. Print.
“Prodigal Son Returns.” Editorial. The Dallas Morning News 8 May 1936, sec. 2: 8. Print.
Nichols, Christopher McKnight. “Versailles Treaty and the League of Nations.” Encyclopedia of U.S. Political History. Ed. Robert D. Johnston. Vol. 4: From the Gilded Age through the Age of Reform, 1878 to 1920. Washington, DC: CQ Press, 2010. 383-387. Gale Virtual Reference Library. Web. 29 Nov. 2016.
“League of Nations.” Europe Since 1914: Encyclopedia of the Age of War and Reconstruction. Ed. John Merriman and Jay Winter. Vol. 3. Detroit: Charles Scribner’s Sons, 2006. 1628-1631. Gale Virtual Reference Library. Web. 29 Nov. 2016.
The Shrinking Royal Navy, a political cartoon by Iain Green, was created on July 30th, 2013 in response to the news that the Royal Navy was letting go of their commitment to NATO because Great Britain’s budget could not afford it. As Horatio Nelson, a symbol of the once powerful British navy, is sinking, the sailormen of today salute him in farewell. Although the budget of the Royal Navy was continuing to weaken, Great Britain was losing control of their commitments as their ship, or raft, was going under.
The cartoon shows a man in 17th century naval dress, Horatio Nelson, standing on a raft that is sinking in the middle of the sea. The man has three medals hanging around his neck that appear to be weighing on him and a “For Sale” badge on his chest. He wears a hat that reads: “From Nelson to Nothing in 200 Years.” Behind the man, sitting in a rowboat are three faceless naval sailors. The sailor in the middle holds a small blue flag with the letters RN on it, meaning Royal Navy. The two sailors on either side are each holding their ores in attention, as the middle sailor says, “the boy stood on the budget deck, the unrealistic commitments around his neck.” Behind them, the flag of the Royal Navy called the White Ensign flies at half-mast mourning the death of the once greatest navy. In the background, many 17th century style ships line the horizon as the sun sets on them.
The commitments hanging around the naval officer’s neck are the Med, the Mediterranean Sea, the Atlantic, the Atlantic Ocean, and NATO, the North Atlantic Treaty Organization. “Defence ministers have admitted the UK has been forced to pull out of key NATO naval defence groups in a sign of just how stretched the Royal Navy has become.” This quote from an article published on July 30th, 2013 in The Scotsman, Scotland’s National Newspaper, explains how the Royal Navy was no longer fulfilling their commitment to NATO in 2013. Further investigation revealed that they had been failing to provide their promised ships to the maritime group in the Mediterranean since 2010 (Maddox). The navy that once ruled the seas could no longer keep their commitments.
The Royal Navy has been around since 1660, and became recognized as the world’s dominant naval power after the Battle of Trafalgar led by Horatio Nelson on March 15th, 1805 (“Royal Navy History.”). In response to budget cuts in 1931, the Washington Post published a piece on the discontent saying, “For the first time in centuries the crew of a British fleet became recalcitrant this week on account of a reduction in pay, and put a stop to projected maneuvers” (“Britain’s Navy.”). This was not the last time that great Britain balanced the budget at the expense of the navy. In fact, the royal navy has been in a steady decline since the 1930’s (Kuehn). In 2013, when the cartoon was published, there were more admirals then ships (Gallagher).
The Shrinking Royal Navy shows what has come of the Royal Navy since the start of the navy’s decline in 1931. John Francis Knott’s cartoon titled, “Well, I’ll Be Blowed!” mocks the situation that Great Britain was in when their navy first started declining due to the budget cuts during the Great Depression.
The cartoon, The Shrinking Royal Navy, pulls humor from Great Britain’s desperate pride of the navy that they used to have. It is humorous because people find the misfortune of others to be amusing as is explained by the Superiority Theory of Humor. Not only is the idea itself comedic, but the way it is portrayed. Green painted the greatest sea power sinking into the ocean as the sun sets on it’s reign. He also uses bright colors, rhyming in “deck” and “neck”, and the alliterations of “nelson” and “nothing” to make the situation seem trivial. All the way to the “For Sale” sign on his chest, mocking the cuts in the budget and with the flag at half-mast, the sailors in the background are in mourning of their precious navy.
Once the world’s greatest naval force, Great Britain’s sea power is not what it once was without the resources needed to fulfill their commitments and stay afloat. But as the sun is setting on the British sea power, the beauty of what once was shines reflected on the water.
“Britain’s Navy.” The Washington Post (1923-1954) Sep 17, Washington, D.C., 1931. http://ezproxy.lib.utexas.edu/login?url=http://search.proquest.com/docview/150090962?accountid=7118. Accessed 29 Nov. 2016.
Gallagher, Nicholas M. “When Britain Really Ruled the Waves.” The American Interest. The American Interest LLC, 14 Nov. 2014. Accessed 29 Nov. 2016. http://www.the-american-interest.com/2014/11/14/when-britain-really-ruled-the-waves/.
Green, Iain. “The Shrinking of the Royal Navy.” Cagle.com, edited by Daryl Cagle, Cagle Cartoons, 4 Aug. 2013, www.cagle.com/iain-green/2013/08/the-shrinking-british-royal-navy. Accessed 29 Nov. 2016. Cartoon.
Kuehn, John T. “The Decline and Fall of British Sea Power May Not Be Over.” War on the Rocks. War on the Rocks, 05 Dec. 2015. Accessed 29 Nov. 2016. http://warontherocks.com/2015/12/the-decline-and-fall-of-british-sea-power-may-not-be-over/.
Maddox, David. “Royal Navy Pulls out of Nato Commitments.” The Scotsman. Johnson Publishing, 30 July 2013. Accessed 29 Nov. 2016. http://www.scotsman.com/news/politics/royal-navy-pulls-out-of-nato-commitments-1-3020604.
“Royal Navy History.” Royalnavy.mod.uk. Royal Navy, 2014. Accessed 29 Nov. 2016. http://www.royalnavy.mod.uk/news-and-latest-activity/features/history-timeline.
The military occupation of Ukrainian city Crimea by Vladimir Putin’s russian forces has caused unrest and tension between russian supporters and ukrainian loyalists. The conflict in Ukraine began in 2014 with the decline of an economic deal proposed by the European Union and has since escalated into military intervention.
Depicted in this contemporary political cartoon is a man being threatened by a tank. The man being confronted by the tank is old and dressed in casual clothes with a cap that looks European (for lack of a better term). The man is labeled Crimea and he has his arms raised above his head in surrender and looks alarmed. The man inside the tank is labeled Putin and looks down at the Crimean man threateningly, saying “All those in favor of joining Russia, raise their hands…”.
The beginning of the Russian-Ukrainian conflict started with a proposed economic deal from the European Union. Ukrainians desired involvement with the stronger economies of Western Europe and the European Union wanted connections with more Eastern European economies. However, despite the benefits to both sides, Ukrainian President Viktor Yanukovych started to express his doubts about the agreement. The Ukrainian people saw this hesitation as a sign that the president was giving in to President Vladimir Putin of Russia’s pressure to decline the EU’s deal, which he eventually did, accepting a different economic deal from Russia in it’s place.
This angered the people of Ukraine for two reasons: first, the majority of the population wanted to ally themselves with the more productive western economies, and second, the new agreement showed a strengthened alignment with Russia. Protests broke out in the capital city of Kiev, which was met with harsh retaliation from the Ukrainian government who sent in riot police and armed guards. Conflict between the the Pro-Russian groups and the Anti-Russian groups steadily increased. On April 15, 2014, Crimea, a center of Pro-Russian sentiment in Ukraine, was declared to be a territory under provisional occupation by the Russian military. This military occupation has continued into the present day of 2016. Currently the United Nations has condemned this occupation on the grounds that the condition of human rights has deteriorated in Crimea since the military forces took over.
The humor of this cartoon comes in the irony of Putin’s words. He is talking about Crimea joining Russia as if it was up to them, telling them to raise their hands if they agree. Judging just from his words, it sounds fair and democratic. However, the Crimean man is raising his hands out of fear and surrender, face to face with the gun part of the tank. There is brute force juxtaposed with the seemingly innocuous suggestion Putin makes. Putin offers a choice, but in reality there is no choice; the Crimean man must raise his hands or face possible death. The shock of the threat the tank poses elicits a humorous response from the reader, since it is incongruous with the compromising nature of Putin’s words.
Some elements that enhance the meaning of this cartoon include the clothes of Putin and the Crimean man, as well as their positions and the background of the illustration. Putin wears a black suit, appropriate for the office he holds, that gives off the suggestion of power and competence. This is contrasted with the simple clothes of the Crimean man, who wears a cap that is reminiscent of a stereotypical Eastern European peasant’s hat. He is lower class than Putin, and does not hold nearly the same amount of power. The simplicity of his attire suggests vulnerability. The background is filled with a smokey gray haze, creating an atmosphere of fear and dismay that reflects the attitude of the Crimean man. Putin’s thinly veiled demand for his country to join Russia does not bode well.
“Ukraine: Everything You Need to Know about How We Got Here.” CNN. Cable News Network, n.d. Web. 30 Nov. 2016.
News, BBC. “Why Crimea Is so Dangerous.” BBC News. N.p., n.d. Web. 30 Nov. 2016.
In Dave Granlund’s political cartoon, Russia Moves on Crimea, Crimea is shown to be in a dire situation following the Ukraine Crisis in 2013 which provided Russia advantages in claiming Crimea by making it appear as if Russia was able to assist Crimea in the middle of the crisis by annexing it. Russia is depicted as a bear, symbolizing the stereotype of Russia being “fierce and angry” and related to “frost” and “despotism” (Khrustalyov). In addition, Crimea is portrayed as a fish, the water as the Ukraine, and the dangerous features of the wave as the crisis. The political cartoon revolves around a political “tug-of-war” between Russia and Ukraine over who should rightfully have Crimea as a part of their nation (Ellicott). Although not a communist establishment anymore ever since the fall of the Soviet Union, Russia still sought to expand, not ideologically as it did with communism, but territorially to grow as a larger superpower, which explains the reason why Russia sought to claim the Crimean Peninsula , an area that once belonged to it (Ellicott). At the time the cartoon was published on Granlund’s website, March 3rd, 2014, Crimea belonged to the Ukraine, yet Crimea was already leaning towards Russia since it seemed as if they could save the country from the crisis, hence the bear saying, “I’m saving you from drowning!” Furthermore, the grayish color tone of the cartoon highlights the seriousness of how the “tug-of-war” over Crimea was.
The Ukraine Crisis occurred as a result of Ukrainian President Viktor Yanukovych’s rejection of an association agreement with the European Union (EU) in November 2013 (Ellicott). Yanukovych was pro-Russian and the decision was made as a response to Russian threats to disrupt trade in order to keep Ukraine-Russian trade stable since Russians didn’t want the Ukraine to align more with Europe (Ellicott). However, it led to pro-EU protests in the Ukraine, which further led to pro-Russian influences triggering more “violent demonstrations” in the country (Ellicott). After failing to disperse these events, the Ukraine parliament sided with the protesters and voted Yanukovych out of office, after “four months of civil unrest and political deadlock between demonstrators and Yanukovych’s government” (Jalabi). Prior to this event, Ukraine-Russian relations were fairly calm since the two countries were trade partners and shared the similarity of once being a part of the Union of Soviet Socialist Republics (Ellicott). However, as a result of Yanukovych being ousted for avoiding EU relations and trying to create closer ties with Russia, Russia reacted with “immediate hostility to the new pro-Western leadership” in the Ukraine, causing more tensions between the two countries. In addition, pro-Russian troops stormed into Crimea, influencing the peninsula into wanting to be a part of Russia as it was once Russian’s territory and already carried several pro-Russian citizens (Ellicott). It can be seen in Granlund’s cartoon that Crimea relied on Russia to rescue the country as the fish fearfully looks back at the wave representing the Ukraine Crisis and had no choice but to let the bear save it.
Russian President Vladimir Putin claimed that people of Crimea wanted to join Russia as a result of their repression by the government that “took power when Ukraine’s unpopular President Viktor Yanukovych fled Kiev”, the capital of Ukraine, in February of 2014 (US Official News). His claim proved to be true as Crimea held a referendum on March 16, 2014 that had 95 percent of voters favoring to secede from Ukraine and to be annexed by Russia with an 80 percent voter turnout (Schofield).
As a result, on March 18, 2014, Russia officially signed a treaty with Crimea to have it be annexed as a part of Russian territory once again (Ellicott). Granlund’s political cartoon displays this annexation as the bear saving the fish from drowning in the water, parallel to Russia saving Crimea from Ukraine. However, the bear’s sharp teeth symbolized the force that Russia pressed on Crimea before the annexation. Russia approved military intervention and seized several areas in Crimea by force to counteract Ukraine’s military stationed in Crimea (Jalabi).
The political cartoon Russia Moves On Crimea by Granlund parallels with John Knott’s political cartoon, On Fertile Soil, over the vulnerability of China to Russian influence in the country in 1931. Both cartoons depict the idea of Russian expansion, even though Granlund’s cartoon primarily focused on territorial issues rather than ideological ones like in Knott’s cartoon over communism. The Russian government in Granlund’s cartoon differs from the government in Knott’s cartoon as time progressed and Soviet Union had fallen on December 26, 1991 as a result of communist leaders being incompetent and several countries overthrowing the communist government in their territories (Stock). After the fall of the Soviet Union, the Russian Federation became its “successor state” in 1991 and pushed towards “democratic and economic reforms” and became more of a democratic government in 2014 as Russian officials were eventually chosen by elections (Ellicott). Even though not a communist country anymore as it was in 1931, Russia in 2014 sought to expand its territories by claiming areas such as Crimea to further build the power of its nation.
Further similarities of Knott and Granlund’s cartoons include how both foreshadowed events that were controversial at the time their cartoons were published. Knott’s cartoon predicted that communism will take over China as a result of Russian influence and the country’s unrest which proved to be true as the People’s Republic of China established a communist government influenced by the Soviet Union in 1949 (Hyer). Furthermore, at the time of Granlund’s cartoon, the debate over the annexation of Crimea by Russia was already leaning towards annexation as a result of the unrest that occurred in Ukraine in 2013 that affect Crimea’s stance in the middle of the “tug-of-war” (Ellicott). Grandlund’s political cartoon that displayed hints of Crimea wanting to join Russia was created before Crimea’s referendum and Russia’s annexation, foreshadowing these events that happened only a few days after the publication of this cartoon.
Russia Moves On Crimea by Dave Granlund summarizes the Crimean annexation that resulted from Russia seeking expansion in territorial powers while On Fertile Soil by John Knott displayed expansion of communist ideology as Soviet influence was depicted in China. After discovering the communist system was a failure after the fall of the Soviet Union, Russia adopted a more democratic government and went under many reforms for the economy, constitution, banking, labor, and private property (Ellicott). To further increase their growth as a nation, Russia decided to claim back the land that was once theirs; the Crimean Peninsula, which played a large role in providing Russia access to the Black Sea (Ellicott). After incorporating a more stable type of government, Russia now primarily focuses on developing as a more powerful federation through territorial expansion rather than revolving its nation around a single ideology and expanding it.
“Well, I’ll Be Blowed!” is a political cartoon mocking the blow to Britain’s naval pride about the issues they were facing in 1931. The cartoon was illustrated by John Francis Knott and published on September 20th, 1931 in the Dallas Morning News. It was Autumn, 1931. The First World War had ended in 1918 and the roaring twenties followed until the stock market crash of 1929 (History.com). When the economy of the industrial world collapsed, more problems arose for Great Britain to battle. In September of 1931, Great Britain was facing many disruptions due to the start of the Great Depression and a loosening grip on not just their precious empire, but one of their own military forces.
The title of the cartoon, “Well, I’ll Be Blowed!” is an expression that became popular in Great Britain during the turn of the century to mid-1900s and was used to express great surprise, similar to “well, I’ll be darned” (Simpson “well, adv. and n.4.”). The cartoon depicts John Bull, the personification of Britain, with a bewildered expression as he looks at a naval officer representing the British navy, often referred to as the Royal Navy. The naval officer is sitting with Mohandas Gandhi on a blanket labeled ‘Passive Resistance.’ Gandhi, named Mahatma meaning ‘saint’ in Hindi, was the Nationalist leader of the passive resistance protests in India during the late 1920s and early 1930s (BBC News). Gandhi and the navy are sitting on the same blanket of resistance against Great Britain, which is unexpected because the navy was Great Britain’s strongest military force. The military was how Great Britain kept tight control over India and all of the British Empire. In the background of the cartoon, many ships are out at sea, but on shore John Bull stares at the navy sitting the blanket of passive resistance that Gandhi laid out.
John Bull became the popular persona of England and all of Great Britain in the early 1900s. He was commonly depicted as a stout middle aged white man wearing a tailcoat, waistcoat, and boots, all from the Regency Period of the early 1800s. He also usually holds a cane and has a low top hat. John Bull is the personification of Britain in a similar manner to how Uncle Sam represents the United States of America (Johnson). John Bull is supposed to represent the majority of Great Britain and his surprise to what is happening in the cartoon represents the reaction that Great Britain was having at the time.
When this cartoon was published, Britain had been struggling to keep control over India for almost 20 years. India, known as “the jewel in the crown” of Great Britain began non-violent protests for independence in 1920. India had been under the control of the British since they arrived in India in the 1600s (BBC News). Leading up to 1931, Mahatma Gandhi had been campaigning for India’s independence through passive resistance. Gandhi had been working as a lawyer in South Africa during the early 1920’s, but after the the massacre in Amritsar in 1918, where 379 unarmed nationalist demonstrators were killed, Gandhi decided India had to stand up to Great Britain and that they would be better under their own rule (Wolpert). He quickly became a prominent leader in passive resistance against the British rule.
In the Fall of 1930, Gandhi attended the first Round Table Conference in London to discuss a new form of government for India (Trager). In September of 1931, Gandhi was back in England for the second Round Table Conference. He wanted India and Great Britain to “exist in the Empire side by side as equal partners, held together ‘by the silken cord of love.'” As it was worded in the editorial that accompanied the cartoon in the Dallas Morning News, “It is a conflict between an idealism of a far-away future and a realism that sees things as they are.” Although, Gandhi’s desires for the country sounded beautiful, many in Great Britain didn’t think that giving India autonomy to self govern would be good for the Indian people (Dallas Morning News). Also, Great Britain’s Empire was threatened.
Not only was Great Britain having trouble with India, but with their own military, which they used to enforce their power, began protesting against them. Headline in the New York Times read, “NATION SHOCKED BY NEWS”, on September 15th of 1931, the Royal Navy conducted a protest against Great Britain at Invergordon and on the 16th there was another at Rosyth Base (Selden). The Royal Navy was the pride of Great Britain and for the first time in centuries, there was discontent there. Since far before world war one, the Royal Navy had been considered the strongest navy in the world and put much of their resources and manpower into building up their navy and keeping it strong and growing stronger. The Royal Navy became the dominant sea power in 1805 when it defeated the French and Spanish fleets during the Battle of Trafalgar (“Royal Navy History”). When the Great Depression hit them at the end of the 1920’s however, many budget cuts needed to be made and they chose to make 25% pay cuts to the royal navy (Lowry).
With the discussion for an independent India and their protests in the air, the disorder in the navy was a slap in the face that Great Britain should have seen coming. The political cartoon by John Francis Knott laughs at the discomfort that Britain was facing as their grasp on world power appeared to be slipping. Not only was “the jewel in the crown” seeking independence, but the pride of the military was in resistance as well. In the cartoon, John Bull looked surprised and maybe scared and he had reason to be.
Dallas Morning News Editorial Staff. “Gandhi’s Idealism.” Dallas Morning News [Dallas, Texas], 20 Sept. 1931, sec. IV, p. 6. America’s Historical Newspapers, infoweb.newsbank.com.ezproxy.lib.utexas.edu/iw-search/we/HistArchive/ ?p_product=EANX&p_theme=ahnp&p_nbid=Q6EL5CCQMTQ4MDQyNDIwNC40ODI1MTM6MToxMjoxMjguODMuNjMuMjA&p_action=doc&s_lastnonissuequeryname=6&d_viewref=search&p_queryname=6&p_docnum=1&p_docref=v2:0F99DDB671832188@EANX-104D21319BD1D300@2426605-104D2133809DF0B9@37-104D213D50D94037@Gandhi%27s%20Idealism. Accessed 29 Nov. 2016.
History.com Staff. “Stock Market Crash of 1929.” History.com. A&E Television Networks, 2010. Web. 29 Nov. 2016. History.com Staff. “Stock Market Crash of 1929.” History.com. A&E Television Networks, 2010. Web. 29 Nov. 2016.
John F. Knott Cartoon Scrapbook, [ca. 1930-1942], 1952, Dolph Briscoe Center for American History, The University of Texas at Austin.
Johnson, Ben. “John Bull, Symbol of the English and Englishness.” Historic-uk.com. Historic UK, 8 Sept. 2014. Web. 29 Nov. 2016. http://www.historic-uk.com/CultureUK/John-Bull/.
Lowry, Sam. “The Invergordon Mutiny, 1931.” Libcom.org. Libcom.org, 9 Mar. 2007. Web. 29 Nov. 2016. https://libcom.org/history/1931-invergordon-mutiny.
“Royal Navy History.” Royalnavy.mod.uk. Royal Navy, 2014. Web. 29 Nov. 2016. http://www.royalnavy.mod.uk/news-and-latest-activity/features/history-timeline.
Selden, Charles. “Disorder in the British Nave Follow Economy Pay Cut; Manoeuvers Are Cancelled.” New York Times (1923-Current file)Sep 16, New York, N.Y., 1931. http://ezproxy.lib.utexas.edu/login?url=http://search.proquest.com/docview/99307291?accountid=7118.
Simpson, John A. “well, adv. and n.4.” Def. P6. www.oed.com. Oxford University Press, Dec. 2014. Web. 16 Nov. 2016.
Trager, James. “1931.” The People’s Chronology, 3rd ed., Gale, 2005. Gale Virtual Reference Library, Accessed 29 Nov. 2016. go.galegroup.com/ps/i.do?p=GVRL&sw=w&u=txshracd2598&v=2.1&id=GALE%7CCX3460601931&it=r&asid=b446869dc318d220d9663e0d9c575d74.
Wolpert, Stanley. “Gandhi, Mahatma M. K.” Encyclopedia of India, edited by Stanley Wolpert, vol. 2, Charles Scribner’s Sons, 2006, pp. 119-125. Gale Virtual Reference Library, go.galegroup.com/ps/i.do?p=GVRL&sw=w&u=txshracd2598&v=2.1&id=GALE%7CCX3446500239&it=r&asid=2b657833b7ab29e7e1e5fd3c8699f99d. Accessed 29 Nov. 2016.
Going against the wishes of the League of Nations, Italian Prime Minister Benito Mussolini and his italian army invaded Ethiopia in an effort to gain an advantage in the imperialistic race Europe found itself in at the time. This increased tension between Italy and other members of the League of Nations, particularly England and France.
In the Knott cartoon, a man is dressed in Ancient Roman robes and a laurel wreath. He is labeled as Mussolini and Caesar. Mussolini rides a horse drawn chariot through the street under an arch labeled “Roma”, surrounded by an enormous crowd and people leaning out of windows waving flags. The design of the town is evocative of ancient Rome. Being marched behind him, attached to the chariot by the neck with a rope, is a bedraggled black man wearing nothing but a large barrel, labeled Ethiopia.
This cartoon references the Italo-Ethiopian war, an armed conflict which was one of the leading causes to world war II and ended in the subjugation of Ethiopia by the Italian forces.One of the reasons for this conflict was imperialism. Before World War I, European countries were racing to colonize Africa — this competition was a major inciting factor for the war. One of the reasons for the creation of the league of nations after the war was to settle disputes between nations and avoid further war. They pushed for the disarmament and demilitarization of nations involved in the first war in an effort to seek and maintain peace. However, during this time Benito Mussolini and his movement of fascism rose to power in Italy. He became Prime Minister of Italy in 1922 and focused on the expansion of the Italian military forces. By the late 1930s, he had used his military to invade Libya, Somalia, Ethiopia and Albania, making Italy a force to be reckoned with in the Mediterranean area.
The Italo-Ethiopian war was a significant one of Mussolini’s conquests. Ethiopia was one of the few independent countries in the European colonized continent; Italy had tried and failed to acquire it as a colony in the late 19th century. A small border conflict between Ethiopia and the Italian controlled Somalia gave Mussolini the justification for invading Ethiopia. The rationale was that Ethiopia was to be held accountable for the conflict, but the real motive was to gain the resources and boost Italian prestige.
This was exactly what the league of nations wanted to avoid. It denounced Italy’s invasion and tried to impose economic sanctions on Italy, but it was ultimately ineffective due to lack of support. The conquest of Ethiopia angered the british, who had colonized East Africa and worried about maintaining their control, but other major powers had no real reason to interfere with Italy. Supporting the rise of fascism within Europe, this war contributed to the tensions between fascist regimes and western democracies.
Equally important to understanding this political cartoon is the reference to Julius Caesar. The ancient politician and eventual dictator of Rome bears similarities to Mussolini: both were ruthless Italian dictators bent on expanding Italy’s control through military force and who were eventually killed by those who opposed them. Although in the present day we know of Mussolini as a dictator, at the time the cartoon and editorial were published that was up for debate, as he was still accumulating power. By likening him to Caesar, someone historically known as a tyrant, Knott made a strong political statement about the ethics of Mussolini’s conquests. This is further emphasized by the title of the cartoon, “Suggestion for Historical Mural”. Murals are a large, public, accessible artform. Since they reach such a wide audience, they have the capability to sway public perception. By suggesting that this unflattering depiction of Mussolini be a historical mural, Knott is making a statement about the way he wants history to remember Mussolini.
The cartoon shows Mussolini on top of a chariot, crowned with a laurel wreath, while the Ethiopian man is dragged below by the neck, wearing only a bucket. Mussolini’s stature is one of power: he is in possession of technology that allows him to be swifter and stronger, he stands above the other man, and he wears a crown that is symbolic of victory. Meanwhile, the barrel the Ethiopian man wears signifies destitution, and the rope around his neck helplessness. Mussolini and his army reign over Ethiopia with formidable strength, and this is reflected in the positions the people in the cartoon find themselves in.
The editorial accompanying this cartoon is titled “A Hot Time in the Old Town”. This title is drawn from a popular song from the time period of the same name, “A Hot Time in the Old Town” (also referred to sometimes as “There’ll Be a Hot Time in the Old Town Tonight” after a memorable refrain in the chorus) composed by Theodore A. Metz in 1896. This march was popular in the military, associated with the Spanish American war and Theodore Roosevelt’s rough riders. Although the song was created before the 20th century, a popular rendition of it was recorded in 1927 by Bessie Smith, a notable singer of the era. This would have made the song a relevant reference in the 1930s, when the editorial was written. In regards to the article, the “hot time” would be the conflict between Italy and Ethiopia, and the “old town” would be a reference to Rome, a city in Italy with an ancient history of conquest, and fits in with the parallels the cartoon draws between Ancient Rome and Italy during the 1930s. The fact that this song was popularized with the military emphasizes the militaristic nature of the conflict in Ethiopia, drawing attention to the fact that Italian armed forces were sent in to occupy Ethiopia.
By equating Mussolini with the tyrant Caesar and showing him subjugating the Ethiopian man, Knott draws attention to the situation between Italy and Ethiopia, as well as making it clear he believes Mussolini is a dictator wrongfully conquering Ethiopia.
David Horsey’s cartoon Toyota Gets Rustled by Rick Perry’s Texas provides a hyperbolic illustration of the relocation of industries from California to Texas. Through the depiction of former-governor Rick Perry and two other Texans dressed as stereotypical cowboys taking the Toyota headquarters from California, the Texans are likened to rustlers, stealing something that belongs to California (Horsey). Although Toyota decided to relocate to Texas because of Texas’ favorable business climate and to be closer to their Southern manufacturing hubs, the portrayal of the Texans in the cartoon casts an unfavorable light on Texas, further communicating California’s feelings that they had been stolen from (Hirsch). The accompanying editorial “Toyota exit from Torrance inflames Texas/California rivalry” goes on to provide more background behind the tension between the two states’ vastly different economic models. With two powerhouse economies, California and Texas can be “seen as the perfect contrast between a high-regulation blue state and a low-regulation red state” (Horsey). Since the Toyota industry was moving from California to Texas, it only added fuel to the fire for people arguing over which economic model was superior (Horsey). Overall, Horsey’s depiction of Toyota being stolen away to Texas provides insight to the relocation of industries in response to push and pull factors, as well as Californian sentiment about Toyota’s departure.
The car production company Toyota had been in California since 1957 (Ohnsman). Although it started as a Japanese company, Toyota eventually grew large enough to begin international sales, setting up a headquarters in California to be closer to the American market (Toyota History). However, over the 50 years that Toyota was stationed in California, California’s regulations grew stricter and taxes increased (California Code of Regulations). California’s businesses were “strangled by red tape that [made] starting and running a successful business difficult” (Fleeing California). All of these issues created a push factor, pushing businesses to look to other states for a more business-friendly climate. When compared to California, Texas had far less restrictive regulations. Since “[b]eing unfriendly to business isn’t good for the economy,” Texas’ regulatory simplicity, lower tax rates, and decreased red tape were all pull factors for industries in highly-regulated states, incentivizing them to relocate to Texas (DeVore).
In addition, the sentiment depicted in the cartoon is worth noting. Because the cartoon and editorial were published in the LA Times, they take on a very California-sympathetic tone. Instead of objectively showing Toyota making the choice that best benefited their business, the cartoon’s imagery makes the Texans out to be the bad guys. It is not coincidental that former-governor Rick Perry is portrayed as a rustler. The term rustler is used to describe cattle thieves, but it is commonly associated with the wild west cowboy era during the second half of the 1800s. Because California felt Texas had taken something from them, the Texans were likened to rustlers, stealing hard-working ranchers’ cows for profit in the time of the cowboy. By choosing to depict the Texans as rustlers, the cartoon is not only equating the Texans to thieves, but also presenting them as old-fashioned and stereotypical. The humor lies in understanding the common stereotype of Texans as antiquated cowboys, giving an additional layer of negative connotation to the representation of Texans as rustlers.
The factors surrounding the relocation of production from one state to another closely parallels the decentralization of industries towards the end of the Great Depression. In a similar fashion, John Knott’s cartoon Come to Texas! depicts industries coming to Texas to take advantage of Texas’ better business climate in the late 1930s (Knott). Just like how northern centralized industries decentralized to combat the problems of the Great Depression and the utilize the benefits of production in Texas, Toyota left California’s harsher business climate and regulation in favor of the advantages of being stationed in Texas. Even 70 years later, industries like Toyota still decentralize production to Texas because of its more business-friendly environment.
In conclusion, David Horsey’s political cartoon Toyota Gets Rustled by Rick Perry’s Texas provides commentary on the relocation of Toyota’s industry from California to Texas, including insight to the Californian viewpoint of the events. Despite some sour feelings in California, Toyota chose to come to Texas to escape high levels of regulation and take advantage of the business-friendly climate, similarly to the proceedings portrayed in Knott’s cartoon. Whether in the 1930s or the 2000s, Texas continues to draw in industries due to its lower regulations and environment that’s kinder to businesses.
The political cartoon On Fertile Soil by John Knott illustrates the vulnerability of China to Russian Bolshevism as a result of continuous unrest, devastating famines, and frequent uprisings during the 1930s of the country. The cartoon published in the Dallas Morning News on May 5th, 1931 depicts “Chaos”, “Famine”, and “Rebellion” as China’s soil that helped plant the seeds of “Bolshevism”, hence the title On Fertile Soil. Additionally, the man holding the bowl of seeds and spreading them onto the soil represents a Chinese man that has been “Sovietized” by Russian influences (Dallas Morning News). According to the Dallas Morning News editorial accompanying the cartoon, China’s Fifth of May, the Chinese Nationalist Party sought to reorganize China’s government and stabilize the country before organized oppositions with relations to Soviet Russia are able to induce a period of “rebellion and discord” which, in combination with China’s famine and financial depression during the time, would allow Russian propaganda an advantage in reaching its goal of “Sovietizing” China. Furthermore, the Nanking Government in China acknowledged the presence of “major foreign powers”, such as Japan, Great Britain, and the United States, and their “extraterritorial privileges” as a potential threat to the nation (Dallas Morning News). Japan aggression, especially in 1931, led to the Chinese seeking aid from the U.S. since Japan was a mutual enemy (Phillips). The U.S. supplied China the aid the nation needed; however, the U.S.’s first priority was defeating Germany and as the Nationalist Party became more concerned with “eradicating” the Chinese Communist Party that rose instead of “confronting the Japanese occupation”, the U.S. assistance to the Nationalists would decrease and eventually die out when the Nationalists are defeated by the Communists (Phillips). President of the Nationalist Party, Chiang Kai-shek, strongly opposed communism and desired to force Soviets and other Communist troops out of China, which in turn led to the protracted conflicts between the Nationalist Party and the Chinese Communist Party (Weigelin-Schwiedrzik).
Unrest in China during this time resulted from the mixture of foreign invasion from Japan, political instability, and economical depression, along with the other two issues depicted in Knott’s cartoon, famine and rebellion. With the Nationalist Party weakness being the north, Japan was able to invade Manchuria without being contested, leading to the beginning of World War II in China in 1931 (Calkins). Due to Japan pushing to conquer Chinese territories, the people of China would have to deal with the immense pressure of war in China, resulting in more chaos in the country. As Herbert Gibbons stated in his editorial Unrest In China And Its Meaning For Other Nation, Bolshevist propagandists held the benefit of gaining the Chinese citizens’ trusts by acting as the cure for the “economic ills” and stability of China during its time of anarchy and discord. The Chinese man wearing the Soviet cap in Knott’s cartoon symbolizes this idea of Soviet influence and communism being dispersed in China, foreshadowing the creation of the Chinese Soviet Republic in late 1931. However, with President Chiang leading the Nationalist Party, communists were ”killed or driven to exile” to combat the “Moscow Propaganda”, but even then the idea of communism would still exist even after this forceful tactic in the form of the Chinese Communist Party (Weigelin-Schwiedrzik & Gibbons).
Famine was a major recurring theme in the nineteenth and twentieth century of China (Pong). The diseases that occurred around the date of publication of Knott’s cartoon were ones that were the result of natural disasters, such as the flooding of the Yangzi River in 1931, leading to an outbreak of diseases and the destruction of several fields and homes in China (Pong). As a result, the people of China had to deal with widespread epidemics and destitution from the lack of food and financial instability due to the loss of crops and property. Another cause of famine was population growth in China because population was seen as a “major burden” to “agricultural economy and the natural environment” when population “outstrips the ability of land to produce food” (Pong). The calamitous effects of famine led to fear and agitation in China, allowing Bolsheviks to take advantage of their adversity and plant their “seed” on China’s soil, as depicted in Knott’s cartoon.
Since China’s government has been unstable until 1949 when the People’s Republic of China formed from the Chinese Communist Party, there was a great deal of conflicts between the Nationalist Party and the Communist party beforehand. In fact, a Chinese Civil War erupted between the two parties from 1927 to 1949 and China’s government became “lost” in this era (Miller). The war began after Chiang of the Nationalist Party was “no longer willing to work with Communists because he did not trust the Soviet influence [the Communist Party] heeded”, leading to him severing the “informal alliance” with the Communist Party in 1925 (Miller). As a result, the Communists attempted to overthrow the Nationalist government, yet failed, which in turn led to the Nationalists counterattacking, causing the civil war and several conflicts thereon after (Miller). Since Soviet influence is still pouring into China during this time, more and more Chinese citizens would favor Bolshevism. As mentioned before, the Chinese Soviet Republic was formed in 1931, in the middle of this civil war. Along with leading the Chinese Communist Party, Mao Zedong was the Central Executive Committee of this republic as well; however, he would soon have to abandon this republic as a result of its decline in 1934 (Weigelin-Schwiedrzik). He would continue leading the Communist Party, which would brutally defeat the Nationalist Party while they were cut off their food supply, leading to the Nationalists surrendering to the Communists, ending the war, and the formation of the People’s Republic of China in 1949.
As Mao Zedong led the Chinese Communist Party to victory in the civil war and established the People’s Republic of China in 1949, initiating the Chinese Communist Revolution and proving to be true that communist took over China after all (Calkins). Following this establishment, China and Russia signed a “treaty of friendship and alliance” and China would follow the “Soviet development model” for the next decade, developing the Sino-Soviet Alliance in the 1950s (Hyer). Several Russian advisers were sent to China in order to train Chinese students and some students were also sent to study in the Soviet Union in order to spread Bolshevism (Hyer). However, China eventually grew resentment of “Soviet domination, ideological differences between the two countries, and boundary disputes” which resulted in the Sino-Soviet split in 1960, and a border war in 1969 (Hyer). The Soviet Union indeed played a large role in spreading communism in China, but Mao Zedong eventually branched off of Bolshevism ideology and incorporated his own view of communism in China with the People’s Republic of China.
The political cartoon On Fertile Soil by John Knott in 1931 acted as a warning to China during its instability and vulnerability to Bolshevik influence. It foreshadowed that communism would come to rise and take over the Nationalist government due to the presence of Soviets in China, spreading their ideology while China was lost in the middle of chaos, famine, and rebellion. Soviet influence was deemed as successful as Mao Zedong sought to learn from the Soviet Union and dispersed communism in China. Even though the Sino-Soviet Alliance experienced a split in the 1960s, Knott was able to foreshadow the course of China and the presence of the Soviet Union in the country in the next 30 years with his political cartoon.
Amid shifting political powers and tense foreign relations of the early 1930’s, both France and Japan faced the challenge of balancing their budgets between the economic depression and the necessity of increased military spending. An editorial, written by an unknown author in 1933 in the Dallas Morning Newspaper, “Troublesome Budgets”, explicates the larger political stakes at play. It reveals the French government, urged by Premier Daladier, has increased taxes to offset the budget deficit and that while the Japanese Parliament is not currently in session, they will soon face the same dilemma. Frances is pressured to give out loans to the Japanese territory, Manchukuo, and that Japan is under pressure to forge a diplomatic agreement with the Soviet Union. Due to the debts and future responsibilities of both these countries, they cannot truly afford a full-scale war without assured bankruptcy, so they must remain open to political agreements with Germany and other potentially hostile nations. While admitting the concerning nature of these events, the author is optimistic, as these concessions may lead to the prevention of a massive, global war (Troublesome Budgets).
In the accompanying political cartoon, Militarist Nation, Coming and Going, John Francis Knott, a prominent cartoonist of the era, satirizes the precarious political situation of the French government in 1933, challenged with maintaining military strength in the wake of the devastation of World War I and facing the economic downturn of the Great Depression (Knott). The illustration depicts the front and back of a French soldier representing the two opposing sides of the interwar French government. His front, a crisp and well-maintained uniform with the words “Millions For Armament” on the ammunition pouches, is the paragon of military ideals, the image France wanted to convey to Germany as part of their defensive mentality. The back, however, is in tatters, covered with patches stating “taxes”, “unbalanced budget”, “defaulted debts” and “reduced wages”. The implied pacing motion of the soldier could be interpreted as a metaphor for France being on guard, a sentry keeping an eye out for possible warlike advancements by Germany. The soldier is wearing prototypical uniform of the World War I era, complete with an Adrian helmet, made of steel, and only issued to soldiers in heavy combat (Suciu). The defensive nature of the soldier’s uniform, as well as his worried expression is parallel to the apprehensive, tense nature of France during the interwar period. The patches on the uniform represent temporary sacrifices that are meant to fix the holes in the economy. This exposes what is underneath pretense of the supposedly formidable French Armed Forces: a weakened economy and divided populous.
The events leading up to this period in French history are crucial for understanding and interpreting the mentality of the French government and people. The French and global economies were still recovering from the devastation of the first World War, ending in 1918, with a victory by the Allies (Britain, France, Russia, Italy and the United States) and the creation of the League of Nations, aimed at preventing another worldwide military conflict. Germany, due to the terms of the Treaty of Versailles, was mandated to make war reparations, however because of their ruined economy, were unable to complete the payments, leaving France to fend for themselves, who in turn had to repay war debts to the United States. France had to spend large sums of money on reconstruction to repair the damage to the infrastructure and the ingrained societal systems (Hautcoeur 9). In 1924, taxes were too low to balance the budget, but instead of raising taxes they lowered the interest rate on bonds, which led to a decrease in the purchase of bonds which worsened the recession. In 1926, Prime Minister Raymond Poincare was given nearly absolute power over the economy and repaired by implementing new sales taxes and trimming the fat off the bureaucracy (Beaudry 16). While this left the economy in relatively good shape, the shock of World War I had created a defensive mentality in France. The resulting turmoil led to support for extremist groups and split France into two diametrically opposed, radical political alliances: The National Bloc, the right, who advocated for business, the army and were hellbent on revenge against Germany, and the Cartel des Guaches, a coalition of leftist parties who lobbied for the lower-middle class and were in favor of a foreign policy of security by negotiation.
The differing economic policies of the alignments came into play in 1931, when the Great Depression began to affect France. The Depression was not as consequential in France as it was in the United States; the French economy was mainly self-sufficient and relied on smaller business and local economies (Beaudry 12). The mentality towards depression was different than that of the United States; it was seen as a necessary evil to purge excess money and to send indebted companies, barely staying afloat, to failure. A success of the government was that they maintained a restrictive and procyclical policy, meaning that in a recession, they reduced government spending and increased taxes, which helped them avoid the full implications of the depression (Hautcoeur 7).
In 1933, the year of the cartoon, radicalistic Prime Minister Edouard Daladier, in an effort to avoid repeating the mistakes of the 1920’s, made the argument to Parliament that the augmentation of taxes is needed to offset the necessary military spending (Troublesome Budgets). This request is granted, demonstrating that they have learned from their past economic mistakes, however, in his cartoon, Knott outlines all their new errors. While Parliament is focusing on armament and defensive foreign policy, they are ignoring the crucial implications for their own economy. The largest militaristic expenditure was the Maginot Line, proposed by André Maginot, the French Minister of War, at the cost of 3 billion francs, a tactical defensive perimeter that spanned eighty-seven miles of the German-French border (Wilde). This dismal financial situation left France struggling to maintain insecure political relations and commit to defensive military tactics, while feigning to have the upper hand. Their financial difficulties made them receptive to Japanese and German demands, for treaties and military movements.
The irony in Knott’s cartoon is apparent in that things are not always what they seem on the surface. The title, Militarist Nation, Coming and Going, while fitting the illustration, seems to also imply the inevitable fall of France as an imperialist empire, in part due to its unrealistic budget priorities. Before the first half the 20th century, French was a prominent and influential player on the global stage. However, the two World Wars left the economy, politics and infrastructure of France devastated, and France was never able to return to its former status as a major power.
Beaudry, Paul, and Franck Portier. “The French Depression in the 1930s.” Review of Economic Dynamics 5.1 (2002): 73-99. Web. 20 Nov. 2016.
Hautcoeur, Pierre-Cyrille, and Pierre Sicsic. “Threat of a Capital Levy, Expected Devaluation and Interest Rates in France During the Interwar Period.” SSRN Electronic Journal (n.d.): n. pag. Web. 20 Nov. 2016.
Knott, John. “Militarist Nation, Coming and Going.” Dallas Morning News 19 Oct. 1933, 19th ed., sec. 2: 14. Print.
Kuttner, Robert. “The Economic Maginot Line.” The American Prospect. N.p., 11 Aug. 2011. Web. 20 Nov. 2016.
Suciu, Peter. “The First Modern Steel Combat Helmet: The French ‘Adrian’ – Military Trader.” Military Trader. N.p., 2011. Web. 20 Nov. 2016.