Welcome back! I hope the spring semester will be productive and successful for you.
While you were away we have worked quickly to launch UT Libraries’ new website. Check it out at https://www.lib.utexas.edu/ It is our hope that you will find the new website easy to navigate and to learn more about UTL’s News and Featured events. There is a helpful 404 error page in place to redirect users who might be trying to reach legacy content. All of the content on the legacy site will remain intact for the foreseeable future as we continue to migrate to the new site. Please use the new feature on the site to send us your feedback.
We are also excited to announce the opening of the McKinney Engineering Library in the brand new Engineering Education and Research Center on January 16. The engineering library exemplifies our continuing efforts to rethink what libraries need offer to meet user expectations in a digital environment. We have moved a highly curated collection from the engineering collection on PCL’s 6th floor to the new library. Beyond books you will find enhanced space and technology — 3000 square feet of new space, including consultation and seminar rooms, 24 new workstations and power outlets aplenty, as well as new printers, scanners and self-checkout.
We also made a change at the end of the fall semester that may have gone unnoticed, but will be of great interest for our undergraduate patrons. Beginning December 1, the Libraries extended loan duration for materials from 28 days to a semester-long period, allowing students greater time to focus on learning and less on managing access to resources.
Our core mission is to support the university’s core mission of research and teaching and to help our students to be successful graduates. We are here to serve you please let us know how we can help you!
An ambitious fall semester project in the Department of Mexican American and Latina/o Studies provided the opportunity for cross-campus collaborations that brought together the Harry Ransom Center and the Benson Latin American Collection.
The Department of American Studies Ph.D. candidate Amanda Gray’s course “Latina/o Representation in Media and Popular Culture” took students out of the classroom and into special collections to get a hands-on feel for archival research. The course took advantage of the “Mexico Modern: Art, Commerce, and Cultural Exchange, 1920-1945 exhibition” at the Ransom Center in late September before returning there on October 5th for an instructional session working with collection materials led by Andi Gustavson, Head of Instructional Services. Gustavson’s selected materials featured photographs of Mexican migrant workers from the 1960s, an anthology of early Mexican American literature, and items from the papers of acclaimed Dominican American author Julia Alvarez. However, it was Ernest Lehman’s collection on the film West Side Story that caught the eye of many students who were interested in how Puerto Ricans are represented, especially when many non-Puerto Rican actors played their roles, often in brown face.
On October 10th, the class came to the Benson for another show and tell wherein I focused on archival materials relating to Latina reproductive health, the 1968-1972 Economy Furniture Company strike here in Austin, and the establishment of what has come to be known as the National Chicana Conference. Between the two archival visits, students saw a wide array of Latino representation, whether self-representation or dominant cultural representation, from the 1950s to the present day.
Under the guidance of Latin American Studies Digital Scholarship Coordinator Albert A. Palacios, the students incorporated the show and tell materials, along with their own research, into group digital projects using storytelling tools like StoryMapsJS and TimelineJS. The projects touched on a variety of issues, including class, disability, ethnicity, gender, race, sexuality, and other subjectivities. Scholarly Communications Librarian Colleen Lyon chipped in with a copyright crash course that taught students the best practices for posting academic findings online.
The students showcased their digital projects at one of the PCL Learning Labs on December 15th to the delight of an audience that consisted of UTL and HRC staff as well as faculty from the Department of Mexican American and Latina/o Studies. As for the students, they exclaimed how much they preferred working with these tools in a group setting as opposed to writing a traditional final paper. To that end, Professor Gray’s innovative pedagogical approach represents the possibility for integrating the library into courses going forward and in the process, strengthening relationships across campus.
If you would like to view the final projects, click here.
On November 3, friends and family gathered in the Main Building to honor a storied figure in the Libraries recent history.
Marking her 95th birthday, the Libraries recognized the contributions of retired librarian and administrator Virginia Phillips, who served the General Libraries from 1975 -1998 in various capacities throughout the organization, most notably as assistant director for Branch Services.
During the event Phillips’s impact was cataloged by a series of former colleagues, all of whom noted her direct influence within their own professional experiences.
To honor her legacy with the Libraries, associates recognized Phillips with a permanent naming in her honor of a bookcase in the Hall of Noble Words in the Life Science Library, housed within one of the university’s most distinguishing landmarks and symbols of academic excellence.
The indelible mark Phillips left on the University of Texas Libraries is extraordinary. Her oversight of branch libraries, recruitment of talent and philanthropic support through endowments forged a path for building strong and meaningful relationships that extend far into the future.
The Libraries has witnessed the loss of a luminary leader with the passing of former Director Harold W. Billings.
Harold spent the better part of his life dedicated to the cause of libraries and librarianship. His tenure straddled a period of transition for libraries, with the development of the internet and the evolution of digital technologies impacting the way that users accessed library collections. Billings oversaw the implementation of computerized systems to manage, control and provide access to academic resources while also improving sharing processes for other materials throughout the nation and world.
Harold stands as the longest-serving director of libraries at the university, piloting one of the nation’s largest academic library systems for 25 years. In recognition of that accomplishment, we recently commended him as Emeritus Director at the 40th anniversary celebration of the Perry-Castañeda Library, at which Billings was the inaugural director.
I’m glad to have known Harold as a person, and I’m honored to stand on the shoulders of such a leader. I hope that you’ll join me in remembering his contributions, and follow his example in your advocacy for the noble enterprise to which he dedicated his life.
The staff of the Archive of the Indigenous Languages of Latin America unveiled its new self-deposit tool at the first AILLA Archive-a-thon, a two-part event that was held on Friday, October 27, and Sunday, October 29, in conjunction with the eighth Conference on Indigenous Languages of Latin America (CILLA VIII).* The Archive-a-thon was led by Susan Kung and Ryan Sullivant, AILLA’s manager and curator, respectively, and it was attended by a group of language documentation researchers made up of 25 professors and graduate students from the US, Canada, Mexico, Guatemala, Venezuela, Argentina, Switzerland, and France.
These researchers work to document some of the 800 or so indigenous languages spoken in Latin America, from the US–Mexico borderlands to Tierra del Fuego in the southern tip of South America. Language documentation and conservation is a field that has emerged in the last 25 years in response to the worldwide language endangerment crisis that began in the late 19th century and became evident in the later part of the 20th century.
Language documentation researchers work alone or in teams to collect and preserve audio, video, textual, and photographic records about endangered, understudied, and under-resourced languages and their related cultures. Most language documentation projects seek to record as many different speech genres as possible (e.g., conversation, oral history, myths and traditional stories, prayers, recipes, jokes and riddles, speeches and other oratory events, etc.), while other projects target very specific aspects of language (e.g., how location and direction are expressed in a language). Some language documentation projects include a language revitalization component, in which the data that are collected are used to further support the transmission of the language from one generation to the next through language learning programs for both children and adults; these programs might include classroom education, summer camps, mentor-mentee partnerships, or language nests. Language documentation work is often done under critical time constraints as many of these languages are highly endangered, having only a few elderly speakers left (and in some cases only one or two), and children are no longer learning them in either the home, community, or school environments.
Ask A Librarian GRA Mitch Cota curated an exciting exhibit for the PCL Scholars Commons and Poetry Center called “Lone Star ImPRESSions: A History of Small Press in Texas.” This exhibit is the fruit of many months’ labor and the culmination of Mitch’s iSchool Capstone project, and features books published by small presses in Austin, Houston and San Antonio.
When I began my degree in information studies, one of the many reasons that drove my decision was the tension between libraries and the corporate publishing and copyright model. I do not believe that anyone really enjoys having materials chosen for them or having materials withheld from them while pursuing research and education. While literature has its own unique set of complications between authors rights and non-traditional content, it too is affected by this tension. My project to examine small press was an exploration into the individuals who are fighting for the right to publish content they view as valuable and different. Texas small press is born out of a denial by large publishing houses to acknowledge underrepresented voices and content that defies easy categorization.
We are getting ahead of ourselves though. Small press is a term that often inspires a multitude of definitions in everyone’s mind. For the exhibit, small press was defined as a press that is truly home grown. Some of these presses began in Texas, while others started somewhere else and now call Texas home. There are presses in the exhibit with a more historical presence and others that have begun in the last five years. They all share one core goal, to publish content that is different and voices they believe deserve to be heard.
Historically, presses like Wings, Thorp Springs, and Slough were created in an effort to publish content that each saw as pushing against the large publishing house model. Many of the materials utilized in the research of the exhibit are located right here on campus. The Dolph Briscoe Center for American History has a portion of the archival collection of Joanne Whitebird, the original owner of Wings press. The Harry Ransom Center has the entire archival collection of Thorp Springs press. While Slough and Wings are still currently publishing work, Thorp Springs has now gone defunct with the loss of their original creator and editor John Paul Foreman. Each of these presses were created in order to publish specific work, whether that be female authors, Southwest/Texas authors, or authors of color. The small presses of today have broadened their approach to include voices from queer and trans authors. Without someone focusing on producing this type of content, there would be far less work to represent these different communities.
The PCL collections serve to preserve these materials for generations to come. One of the largest hurdles small publishing faces are financial constraints. In conducting interviews and combing through archives, I found that many of the papers and materials from different presses were never preserved. Work was lost in time. The University of Texas Poetry Center and the general collection here at the PCL now serve as a medium to protect these small presses from fading into history. Not only do these materials represent unique voices, they also serve our students in critical theory research in literature. Whether they are looking through a historic, feminist, racial, or queer lens, these collections here at the PCL serve to not only preserve the presses, but provide examples for beliefs and ideologies of the times in which they are situated.
The exhibit — Lone Star imPRESSions: A History of Small Press in Texas — also examines different authors situated throughout the history of small press. One of these authors, a poet actually, worked right here at the PCL and has work that speaks to his time while employed here. Some voices like Jim Trainer and Andrew Hilbert represent fresh voices from today who refuse to play by the rules. A few of these authors own their own small presses while publishing their work through other small presses. The content produced by authors and presses alike includes multiple different genres, mediums, and formats. Many of the items are handcrafted with hand sewn bindings. When you purchase an item from a small press, you are getting an item that is one of a kind.
So, come visit! The exhibit has been extended into January, and we have items in both the Scholars Commons and University of Texas Poetry Center.
Besides what is on display, there are items in the PCL collection to read and check out. I have also taken the liberty of producing an exhibit catalog that has a more extensive examination of each press and author. One of the other great services this exhibit provides is a link in the catalog to each small press that is accepting open submissions. Students and faculty looking to publish work can review each press and see which one would best suit the content they have to offer.
Texas small press is home grown from the sweat and tears of the hard-working editors that believed in the content they were producing. Come visit the PCL and see the fruits of their hard work, support small press but furthermore support the idea that large publishing houses do not have the right to choose content for everyone.
The Austin Public Library recently opened its spectacular facility with much fanfare to respond to a diversity of needs in the Austin community. Transformed from a traditional library filled with books and other sources of information including media, the new open design sets itself apart as a new standard to address user needs in the 21st century. The timing of the opening of the new Austin Pubic Library is a perfect opportunity to highlight the resurgence of the central role of libraries in their respective communities, whether public, academic or school libraries, as they rethink their relevance amidst fast-paced changes.
In an information society like ours, libraries are critical to fill equity gaps in society by democratizing access to information, education, skills training and job placement. Simply put, the Austin Public Library epitomizes how libraries elsewhere can be improved to better serve their populations.
The strength of libraries is, after all, their relationship to their communities, whether public or academic. They are centers of learning, social gathering and creativity usually in central spaces, a premium in most communities and on university campuses. The Austin Public Library has not disappointed. In some respects, it is the library of the future and will meet a multitude of needs including shared learning spaces, the technology petting zoo, the innovation lounge, the children’s creative commons and the reading porches.
In a nutshell, libraries must rebrand themselves as technology-rich learning centers. The rapid rate of technological changes, coupled with new user expectations, have accelerated libraries’ transition from mediated services to unmediated services. From online catalogs, to self-checkout machines, to room reservations and laptop checkouts, users can now independently use and reserve library resources that extend well beyond books. And, the old rules don’t work in the new environment. For instance, food and drink, cafes and gift shops have become normal features in libraries.
Notwithstanding the difference in the primary communities they serve, different types of libraries have implemented changes that are consistent with new needs and expectations. At its opening, Austin Mayor Steve Adler described the Austin Public Library as the “cathedral of Austin.”
A national conference called “Re-think it: Libraries for a New Age” will soon bring together academic, public and K-12 librarians, administrators, technologists, architects, designers, furniture manufacturers and educators to the University of Texas. Together, they will collectively rethink the increasingly important role libraries play in the communities they serve.
In some ways, rethinking libraries will mean collapsing old paradigms and sacrificing some of the nostalgia that we may have for paper and silence. If libraries are to realize a future potential, they’ll need to play a significantly more active role in creativity and productivity processes. The library is no longer a place to worship books; rather, a library, to modify the famous metaphor of Socrates, is the delivery room for the birth of ideas.
Austin isn’t the first city in recent years to invest in new library construction. Structures in Seattle and Minneapolis are notable recent examples of significant public reinvestment in libraries as an integral part of the community. The 21st century offers a renaissance period for libraries and library professionals to imagine the possibilities for the future. The Austin Public Library exemplifies a pioneering model in Texas for other municipalities to position their libraries as instruments of social empowerment. The time is now.
Lanina’s deeply personal work spans the universe of media — painting, sculpture, video, animatronics, performance — and resides in a space where whimsical imagery dances in a veil of melancholic undercurrents like children’s tales if viewed a lens of Heironymous Bosch.
Lanina spent the better part of her time at the Foundry working on a collection of animatronic projects, from doll to human-size in stature, that are intended to interact with the viewer, with sensors that activate motion and audio when a viewer is in proximity.
Lanina focused most of her time in the Foundry on one project — “Herstory” — a human-sized animatronic doll with a face cast (3D printed) from the artist’s own, which intends to explore gender and cultural identity through the sharing of awkward anecdotes and stories that challenge the way that gender is perceived. Lanina presented a public talk focused on the project, but covering her other works, as well, as part of the residency.
Lanina’s art has been exhibited in such museums and institutions as the Seoul Art Museum, Moscow Museum of Modern Art, Ludwig Museum (Cologne), the Cleveland Institute of Art, and Galapagos Art Center in Brooklyn. She’s received honors that include fellowships and scholarships from Headlands Art Center (California), Yadoo (New York), CORE Cultural Funding Program (Austin, TX), BluePrint/COJECO (New York City), TEMPO (TX) and an honorable citation from New York State Assembly.
She holds MFA in Combined Media from Hunter College, CUNY, New York and a BFA in Painting and Drawing from Purchase College, SUNY.
Funded by donor Kirby Attwell and COFA, the artist-in-resident series brings notable multi-media artists to Austin for a week at a time for workshops with students, lectures for the public and a chance to pursue their own art on the advanced equipment in the Foundry. The previous artist-in-residence at the Foundry was Israeli American contemporary media artist Yael Kanarek.
On November 3rd, the Libraries’ Social Sciences Team conducted its first Graduate Research Showcase, which featured twenty posters with a wide array of topics ranging from the economic impacts of state immigration reform to the role of paternal warmth and maternal stress in child-rearing to sport as part of Great Britain’s colonial enterprise in India. In total, the twenty graduate students came from fifteen different departments across campus, sparking interdisciplinary dialogue, collaboration, and scholarly engagement.
The showcase elevated the library as a platform. It provided an opportunity for the students to explain their research in a low-stress environment replete with refreshments as they received constructive criticism on their work. Students welcomed the idea to practice talking about their research. Katie Bradford, a doctoral student in the Department of Communication Studies noted that “the event was a great opportunity to receive feedback. I was able to take notes and came away with ways to further develop my project.” Similarly, Department of Curriculum & Instruction doctoral student Hye Ryung Won appreciated the cross-department possibilities: “I got a lot of feedback from people and could make some connections with peers from other departments.” The enthusiasm found in these statements resonated throughout the day.
Moreover, one lucky student won the vote for best poster: Briana Barber, a doctoral student in the Department of Radio-Television-Film put forth stimulating research on African American voices in podcasts. Titled, “‘The Conversations that Black People Have When White People Aren’t in the Room’: The Podcast as Public Sphere,” the presentation focused on how African Americans continue to carve out spaces in a medium previously dominated by white voices. The best poster contest may have been just for fun, but it had a real impact on Barber, who remarked that “winning the poster competition was just the motivation I needed to know that the work I’m doing is interesting, important and necessary.”
The Social Sciences Team organized the event at the Perry-Castañeda Library’s Scholars Commons, a newly designed space for UTL to foster research initiatives and exhibit space. By all accounts, the Showcase represented a successful shift in the Library’s involvement with research: it attracted over 100 students, staff, and community members while students have called for another poster session to be held the following semester. Indeed, Assistant Director of Digital Scholarship Jenifer Flaxbart commented that “the Scholars Commons has never buzzed and hummed with the cadence of so many voices discussing interesting, broad-ranging research as it did today.” Stay tuned for future events!
The following post is part of UT Thanks Day. UT Thanks Day is an extraordinary time every year when our UT community comes together as one to thank donors. We are inspired and better-off through your generosity. Here are three stories you made happen.
You helped offset Sana’s tuition.
Sana Saboowala is pursuing a B.S.A. in Biology and a B.A. in Anthropology and is in the Polymathic Scholars and Liberal Arts Honors Program. She is also our student government documents and maps assistant in the Perry-Castañeda Library (PCL) and the recipient of the Nilsson scholarship for library student workers.
Thank you for helping offset tuition for Sana while we helped train her for the workforce. In her role, Sana safeguards and preserves official publications and information products of the U.S. Government in all formats. She protects materials vulnerable to decay, technical obsolescence, malicious cyber-attacks, and neglect.
Sana was overwhelmed by the daunting projects we put in front of her as a freshman four years ago but she overcame. Now a senior, we trust Sana to determine what is valuable to keep and what can be discarded before the digitization process.
Sana speaks in front of representatives from the Government Printing Office during audits—essentially officials evaluating the libraries and her work. A skill she was grateful to learn now having to present her own work at academic conferences. Sana stuck it out, excelled, and is now grateful for the lessons in leadership, self-initiative, self-confidence, and diverse array of skills she accumulated.
Her work experience at PCL helped her conduct independent research as a Mellon Mays Fellow, winning a highly competitive internship at the Harry Ransom Center, and writing an honors thesis.
You supported Sean and his 3D printed violin.
Doctoral candidate Sean Riley needed a six-string electric violin to play American composer John Adams’s “The Dharma at Big Sur.” Six string violins are uncommon, so he went to The Foundry in the Fine Arts Library to make one. To complete the violin, Riley needed to collaborate. He enlisted Rebecca Milton, an undergraduate student in studio art, and Daniel Goodwin, a recent graduate in mechanical engineering, and they began working in The Foundry.
The story of Sean creating his six string violin in The Foundry will be highlighted in January on UT’s homepage. Be on the lookout to learn how he landed on his final violin design, to include designing it to not melt in the car.
You helped jump-start opening the Genaro García collection to the world.
The Benson Latin American collection is arguably the best library devoted to the region of Latin America in the world. The Genaro García collection within the Benson was our first major purchase of treasures from Mexico. It has been attracting world-renowned faculty and recruiting the brightest students to UT since 1921—for almost 100 years. Researchers from every corner of the world come to sift through documents to shed light on Mexico’s history, it’s evolution from a colonial territory of Spain to a modern independent nation.
You helped purchase supplies and employ the student labor needed to digitize this collection. This material has been accessible only in person since 1921—until now. Thanks to you, the Genaro García collection can be viewed by everyone, from the casual observer emerging themselves in Mexican history to the distinguished researcher on the opposite side of the world. Thank you for allowing us to share this rare collection with the world.