On November 3, friends and family gathered in the Main Building to honor a storied figure in the Libraries recent history.
Marking her 95th birthday, the Libraries recognized the contributions of retired librarian and administrator Virginia Phillips, who served the General Libraries from 1975 -1998 in various capacities throughout the organization, most notably as assistant director for Branch Services.
During the event Phillips’s impact was cataloged by a series of former colleagues, all of whom noted her direct influence within their own professional experiences.
To honor her legacy with the Libraries, associates recognized Phillips with a permanent naming in her honor of a bookcase in the Hall of Noble Words in the Life Science Library, housed within one of the university’s most distinguishing landmarks and symbols of academic excellence.
The indelible mark Phillips left on the University of Texas Libraries is extraordinary. Her oversight of branch libraries, recruitment of talent and philanthropic support through endowments forged a path for building strong and meaningful relationships that extend far into the future.
Lanina’s deeply personal work spans the universe of media — painting, sculpture, video, animatronics, performance — and resides in a space where whimsical imagery dances in a veil of melancholic undercurrents like children’s tales if viewed a lens of Heironymous Bosch.
Lanina spent the better part of her time at the Foundry working on a collection of animatronic projects, from doll to human-size in stature, that are intended to interact with the viewer, with sensors that activate motion and audio when a viewer is in proximity.
Lanina focused most of her time in the Foundry on one project — “Herstory” — a human-sized animatronic doll with a face cast (3D printed) from the artist’s own, which intends to explore gender and cultural identity through the sharing of awkward anecdotes and stories that challenge the way that gender is perceived. Lanina presented a public talk focused on the project, but covering her other works, as well, as part of the residency.
Lanina’s art has been exhibited in such museums and institutions as the Seoul Art Museum, Moscow Museum of Modern Art, Ludwig Museum (Cologne), the Cleveland Institute of Art, and Galapagos Art Center in Brooklyn. She’s received honors that include fellowships and scholarships from Headlands Art Center (California), Yadoo (New York), CORE Cultural Funding Program (Austin, TX), BluePrint/COJECO (New York City), TEMPO (TX) and an honorable citation from New York State Assembly.
She holds MFA in Combined Media from Hunter College, CUNY, New York and a BFA in Painting and Drawing from Purchase College, SUNY.
Funded by donor Kirby Attwell and COFA, the artist-in-resident series brings notable multi-media artists to Austin for a week at a time for workshops with students, lectures for the public and a chance to pursue their own art on the advanced equipment in the Foundry. The previous artist-in-residence at the Foundry was Israeli American contemporary media artist Yael Kanarek.
The website refresh has been under consideration for some time, but was urged along when the Senate of Student Councils made a detailed formal request for site improvements in January, 2016. Production of the new site began in February of this year, and was managed through an iterative, evolutionary project development process called Agile.
What’s new and improved:
Responsive design – the new site adjusts to the screen size of the user’s device.
Efficient browsing and search – clearer language for navigation, and a house-cleaning that cuts down on the bloat of a 6,000+ page site will make use of the site more efficient.
Homepage refresh – aligns with campus-wide standards to create consistency of user experience across the university web platform.
Updated location pages – consistency across the dedicated pages for branch locations will increase the ease of use while also allowing for customization of services and resources.
Expanded equipment pages – more information about creativity and productivity tools on hand for checkout or use onsite, with specs, access and availability information.
New “space” pages — specialized study, creativity and productivity spaces throughout the Libraries are now discoverable and browseable with information on capacity and availability.
Improved “Hours” interface – up-to-date information on location and service hours available in multiple locations to make planning a visit easier.
Sustainability – streamlined production process will result in constant improvements to the website based on user behavior and feedback.
Task-orientation – the new architecture focuses on helping users get work done more efficiently by increasing the integration of services, resources, spaces and expertise.
The new website will be available in parallel to the legacy site through the remainder of the fall semester, accessible via a pop-up at lib.utexas.edu, followed by a full launch with expanded features — including “unified search” — in early January.
NOTE: On January 4th, 2018, the URL for the Libraries new website will change to www.lib.utexas.edu and contents of the existing site will be moved to legacy.lib.utexas.edu. Users will be able to reach pages from the old site with outdated links by changing “www” in the target URL “legacy.” This change will likely have some effects for online users and there are plans to frequently communicate about any changes that may impact user experience.
Brittany Rhea Deputy is the Librarian to the Moody College of Communication and the College of Liberal Arts Department of Linguistics. A native Floridian and Texas transplant, Brittany holds an MLIS in Library and Information Science from the University of South Florida and a BS in Public Relations from the University of Florida. She offers a wide variety of teaching and consultation services with specializations in finding data and statistics, analyzing current and historical print and broadcast news coverage, and utilizing research resources and specialized tools. Her previous employers include The University of Alabama, The University of South Florida – Health, and The University of Florida.
So, how did you come to the University of Texas Libraries?
Brittany Deputy: I came to UT Libraries in 2013 after working as a human environmental sciences librarian for the University of Alabama Libraries. Before I became a librarian I worked in public relations and communications for the University of Florida’s Graduate School, so when I saw the opportunity to get back into that discipline but in a new role, I jumped into action. I really loved the job I was in, but I couldn’t pass on the perfect mashup of communications and librarianship that I have in my job here at UTL.
It’s great that you were able to find something that married your interests like that. What’s an average day (if there’s such a thing) for the communications liaison/librarian at UT?
BD: Honestly every day is different. My days really depend on what semester we’re in and what’s happening at that time in that semester. For example, up until last week you probably wouldn’t have seen me much in the PCL because I was teaching over in the Belo or CMA buildings at the Moody College.
Now, the classes are tapering off, but I’m seeing more and more one on one research consultations. These are mostly with graduate students or faculty members, and sometimes with research institutes on campus, who need really specific, in-depth research help and expertise. Then as the month wears on and we get closer to the end of the semester, I’ll switch over to my special projects. Things like the Graduate Research Showcase the Social Science Librarians Team is hosting or a special lecture I’m giving on the history of fake news.
Of course during all of this I’m doing day to day things like answering reference questions, purchasing items for the library collections, and serving on committees and groups as well. I’m never bored that’s for sure!
Tell me a little about teaching at the college. A lot of people mistakenly assume that librarians stay cooped up with the books, but that’s not really the case at all, is it?
BD: Haha, no, that’s not the case at all. I probably couldn’t tell you the last time I handled a physical book. Our jobs are very much online and on the go.
How things go when I’m teaching at the college depends on the class, the department, and the students. The needs of undergraduate students versus graduate students and students in advertising versus those in communication sciences and disorders are extremely different. It’s not unheard of for my first class of the day to focus entirely on how to search databases to find peer reviewed research articles about using computer assisted technology to help stroke victims struggling with aphasia and my second class of the day to center on finding and utilizing data from the census, local maps, and NAICS codes to help students figure out the best advertising strategy for the luxury handbag company they were assigned as a “client.” It’s all so different every time I walk into a classroom, but that’s what makes it the most fun.
Communications studies are sort of all-encompassing in a way that lots of people probably don’t consider. Does it get overwhelming trying to keep up with trends and innovations, especially given the increasingly connected nature of the world?
BD: From the outside it probably seems rather hectic, it can be a lot of work to keep informed of new trends and innovations in any discipline, but if you can discern between what’s hype and what’s helpful, it definitely makes the job easier.
I think this is where my background and expertise really come in handy. I’ve worked in similar jobs, attended the same conferences, and am a member of the same professional associations as the students and the faculty members I work with, so I’ve been where they are and can see where things are going, professionally speaking.
I’m also not alone in my role. I regularly work with librarians at other universities who are in positions like mine, working with students and faculty in communication related fields. We discuss trends, troubleshoot questions, and crowd source ideas almost weekly. A few weeks ago we had a pretty lively discussion about using R or Python to analyze Facebook comments on online news stories. It was pretty cool.
You mentioned a special project, a lecture on fake news, which is a topic of much discussion in the wake of the recent presidential election, but has probably existed for a much longer period of time. What role do you think libraries in general — and the UT Libraries more specifically — play in combating bad information in a world where traditional filters no longer exist?
BD: Fake news has been around for a long time. Historical figures like Marie Antoinette and Mark Antony might have lived a bit longer if it weren’t for fake news in fact. The difference today is our access to it. Instead of graffiti on Roman walls or printed pamphlets in the streets of Paris, fake news stares us in the face from every screen. I mean, there’s probably about five screen devices in my office right now, so that’s a lot of access points!
Thankfully though, the libraries, especially UTL, can help people sort through it all and stay informed of what’s really going on in the world and the communities around them. Librarians are experts at research and evaluation and can teach people how to look at news holistically. It’s tempting to take a news story at face value or maybe even just use a small checklist approach to evaluating it, but in today’s world, with news breaking 24 hours a day, it’s not enough. You really have to be curious and dig deep and that’s were librarians like myself and my colleagues at UTL come in to help. We can walk you through the process and show you some tips and tricks to help along the way.
Now obviously not every person could, or would want to, take a deep dive into every news story they encountered, but even if you do it just once or twice, it can really help you separate the facts from fiction. But if you do fall victim to a fake news story don’t feel too bad. Bad information happens to good people sometimes. I’ve even been tricked a few times!
Given that you help people to navigate sometimes complex or obscure information, you probably learn quite a bit that you aren’t expecting. What’s a discovery you’ve made through your work that you’ve kept with you?
BD: I’m always stumbling on to the new and unexpected when I’m working with researchers. It’s really satisfying to find those hidden gems and watch the research story unfold or even completely change because of it. It’s an exciting thing to witness and be a part of. I don’t think I have one specific discovery that means more than any other one, but I will say the first time I was mentioned and thanked in the acknowledgements section of an award-winning book was pretty special. To see my contributions to a researcher’s work in print was an amazing experience.
Validation is always a nice thing, because so much of life is just doing a good job because it’s what you do. What about the future? Where are you in ten years, and what is the job of the future communications librarian?
BD: I wish I could know what the job would look like in ten years! Things move so fast and change so readily it’s impossible to forecast exact trends that far in advance. I think a lot of people might have the assumption that libraries and librarians have served their purpose and are on their way out due to the internet and online access or that it’s just a building that holds a lot of stuff. But that isn’t really true at all. It is true a lot of things are online and it is true the library has a lot of “stuff”, but without librarians to help people find it, sort it, and make sense of it all, it’s just a book on a shelf. Data is just data. Information is just information. People, librarians and researchers working together, are what turn those things into knowledge. And that will always be the biggest and best part of this job. So hopefully that’s what I’ll still be doing in ten years too.
On Thursday, October 12, representatives of the Libraries joined College of Fine Arts Dean Doug Dempster and Provost Maurie McInnis to fete the opening of space on the fourth floor of the Fine Arts Library redeveloped to serve as a home for the newly announced School of Design and Creative Technologies.
The renovation project, which took place over the summer, resulted in the creation of state-of-the-art classrooms with adaptable technologies, a high-tech teaching lab, dedicated design studios, an audio studio, seminar rooms and faculty offices to serve a program geared to preparing students for careers in professions that require working knowledge of design technologies.
The new school will be led by design industry thought leader Doreen Lorenzo, who is the founding and current director of the Center for Integrated Design, and will focus on educating students for creative professions in heavy demand across a wide range of industries. Students will study designing for health, designing for artificial intelligence, creative technologies in theater and music, entrepreneurial ventures and cross-disciplinary design thinking methodologies.
The space is complementary to the Foundry — the maker space launched on the entry level of the library in 2016 — creating a new opportunity for libraries to serve as a multipurpose platform for the interaction of information resources, classroom learning and creative realization.
“Co-locating a vibrant teaching space in the library with the tools for creativity mere footsteps away collapses the distance between resources and classroom and provides the opportunity for the library to be an even more active partner in the learning ecosystem,” says Vice Provost and Libraries Director Lorraine Haricombe.
The recent succession of weather events provided a rather inauspicious beginning to the new semester, though the main campus and our local branches have been spared all but an abundance of rain. Our family and friends along the coast, however, weren’t so lucky.
For those who attempt to recall the list of branch locations overseen by the UT Libraries, it’s not uncommon to overlook the one library that doesn’t reside in Austin, but rather on a usually pastoral stretch of sand a few blocks from the Gulf of Mexico. The Marine Science Library serves the faculty and researchers at UT’s Marine Science Institute (MSI) in Port Aransas, which is just across the bay from Rockport, Texas — a city that was the focal point for much of the news coverage surrounding the arrival of Hurricane Harvey on Friday, August 25. Port Aransas actually took a direct hit from Harvey and suffered catastrophic damage, which was also visited upon the MSI, including the building where the library is located.
As a matter of course, the Libraries have a Collections Emergency Team composed of relevant administrators, dedicated facility staffers and outstanding preservation experts, who jump to action in the event of a threat to the resources or infrastructure of the libraries. With any storm of Harvey’s magnitude and destructive impact, staff are paying close attention and preparing for potential issues, but in the case of this hurricane and the position of its landfall, most proactive considerations gave way to planning how to react to whatever damage would inevitably be wrought upon the library and its collections.
Immediately in the wake of the storm, the island and the surrounding areas lost power and, subsequently, most communications were sporadic at best. It wasn’t until Sunday that the Libraries became aware of the extent of damage to MSI, but without specific information about the library, so staff began to prepare for the worst possibilities. Liz DeHart, the Libraries’ liaison at MSL, was contending with the personal effects of Harvey and unable to get to the library, and administrators at MSL were prioritizing assessment of the impact on research assets and infrastructure at the campus, which had suffered severe damage. Representatives from the College of Natural Sciences (CNS) in Austin became the conduits for information about the situation on the ground, and eventually an initial assessment was returned suggesting that the damage to the library was hopeful, with wet floors, but dry books — almost miraculous, since the same building that contained the library had extensive roof damage, flooding and blown out windows. But there was also no air conditioning or power, and as one might imagine, paper doesn’t fare well to exposure to the balmy coastal climate of late summer. As much as the team wanted to rush to the coast on a rescue mission, widespread destruction, impassable roads and a moratorium on travel to the island by non-residents made that seem like an impossibility.
By Wednesday, August 30 — the first full day of the fall semester — staff had worked with CNS to obtain permission for a response team to travel to Port Aransas to assess damage and hopefully, recover the most valuable of the close to $9,000,000 worth of collections, but there was a caveat: they had one day to do it.
A team of Geoff Bahre (Manager), Matt McGuire and Bill Gannon from the Facilities & AV unit along with Joey Marez, a library specialist from the Preservation department, immediately began preparations for all contingencies that could be imagined on a first trip into a storm disaster zone: food, water, tools and equipment, supplies for any mechanical trouble. And gas.
The window was tight, so the team left Austin at 3:30 a.m. on Friday, September 1, agreeing to make sure they refilled fuel on the south side of San Antonio, but discovered that the rush on gas stations had already drained supplies when they stopped to refuel. A fortunate encounter with a kind soul at a local pancake house directed the team to a station with adequate fuel supplies, and the team continued its journey to the coast.
Because the ferry wasn’t yet operational, the team had to travel through Corpus Christi and up the length of Mustang Island to reach Port Aransas in the mid-morning hours of Friday.
Upon arrival, an initial assessment verified earlier information about the state of the library — some wet flooring, but the books were dry, and no apparent mold — and even some welcome evidence that local administrators at MSI had taken measures to mitigate environmental threats with the arrival of fans and dehumidifiers that were powered by portable generators.
The environment in the library, nonetheless, wasn’t at an optimum stability, so the team began to identify items that they would return to Austin for temporary safekeeping and care. Thanks to earlier efforts to identify salvage priorities, the team was charged with bringing back 900 special collection items, and due to conservative estimation, were able to also rescue additional theses, dissertations and maps.
By 8 p.m. that evening, the team had returned to Austin with the most valuable resources from the MSL in tow. The following week, MSL staffer Marg Larsen relocated to Austin temporarily due to the storm, and so was available to process and assist in storing the rescued materials in the Collections Deposit Library at UT to await their inevitable return to their home in Port Aransas.
There are currently no firm timelines for recovery and reopening of the Institute or the Library, but as with a Gulf hurricane or other natural and unnatural disasters, we’ll be prepared when the time comes.
It’s easy to imagine that a library is a simple machine where books fall onto a shelf and then into hands before returning to the shelf again, uncomplicated by the affairs and events beyond its doors and walls. But out of sight and mind, there are an army of loyal people working to build, protect, rescue and share our body of collective knowledge, both in the face of an average day or during extraordinary times.
The following statement was presented by Gene Locke — Dr. Ervin Perry’s nephew — to the University of Texas Black Alumni Network at their Legacy Dinner on September 8, 2017, in recognition of the 40th anniversary of the Perry-Castañeda Library.
On behalf of the family of Dr. Ervin Perry, we express our appreciation to the Black Alumni Network for recognizing Dr. Perry at your Legacy Dinner.
The Perry-Castañeda Library now has forty years of service to the UT community. During these years, many of you have been in and around the library that bears his name without knowing the story of Ervin Perry. Yes, you may have known that he was the first African American professor at a predominately white university in the South. Perhaps, you even knew that he was a civil engineer of recognized distinction. Maybe, you also knew that Dr. Perry was one of several trailblazers as students at the University of Texas-all who played an integral role in opening the university to people of color. However, our beloved “Ervin” was so much more.
Ervin Perry was born in Coldspring, Texas, in rural East Texas in 1935 during the height of the depression and in the midst of brutal Jim Crow segregation. Ervin started out with two great assets: a mom, Edna Perry, and a dad, Willie Perry, who appreciated hard work, family and faith. They were dirt farmers who valued education and who dreamed for better lives for their children. Willie and Edna Perry worked miracles with their income from a small cotton crop. Ervin and his twin brother, Mervin, were the last of six children; all of whom somehow got thru college and graduate school despite money limitations and the inequities of racial segregation.
There was a “specialness” about Ervin Perry that might be instructive to all of us today. Despite all of the successes he enjoyed as an engineer and a university professor, he was at all times humble and down to earth. He was a man of high character who gave an excellence of effort in everything he did. He was a devoted family man (husband, father, brother and uncle). Ervin grieved at the inequities that others suffered, while fully appreciating the burden of the spotlight on him for being the first of us on the faculty at the university. In truth, Dr. Perry was smart-SUPER SMART-but he never felt the need to demonstrate this at the expense of others. His first love was his family. He drew strength from his unsung heroine, Jean Perry, his wife and he got enduring satisfaction from his daughters, Patricia, Edna and Arvis.
When Ervin joined the UT academic faculty in 1964, American society was so different from-yet so similar to-today’s society. HOPE-HATRED-HESITATION. These three characterized the times in 1964. HOPE that the civil rights movement would change America’s social order. HATRED as manifested in the strong resistance to social change and the accompanying violence. HESITATION by political and civic leaders who were afraid to take a bold stand for true equal opportunity for all.
Against this backdrop, the University of Texas did not hesitate. UT made Dr. Perry a faculty member in 1964. This was truly a bold step by the university that had a history of segregation and exclusion–but it was made so much easier by the character and academic accomplishments of Ervin Perry. In 1977, the university took another equally bold step in naming the new library in his honor.
Our family is immensely proud that the library bears his name. As we think of the historic significance of naming the library for him and for Dr. Castañeda, we hope that having Ervin’s name on the library has been a small inspiration or source of pride for African American students and all students at UT thru the years. We hope that it continues to serve a small nail in the coffin of racial stereotypes that impair our ability as a nation to love and respect all humanity.
As alumni of the University of Texas, we ask that you keep working to make sure this, our state’s flagship university, embraces diversity and demonstrates itself to be an institution for all.
Thank your again for your recognition of Dr. Perry.
Historian, archivist, educator Carlos E. Castañeda was born November 11, 1896, in Camargo, Tamaulipas, Mexico. His father was a professor of French and government at the College of San Juan in Matamoros, but the family moved to Brownsville around 1910. Castañeda’s parents both died before he was 15, leaving him with 3 sisters and 3 brothers.
Though he began his college career as an engineering major, Castañeda switched to his major to history (under the influence of E.C. Barker), and graduated with a BA from The University of Texas in 1921, having been elected to Phi Beta Kappa. He was married in 1922, and his first daughter, Gloria, was born in 1923, the same year that he obtained his MA from The University of Texas and began teaching Spanish for the College of William and Mary in Virginia.
In 1927, Castañeda was asked to return to The University of Texas, to take control of the newly acquired Genaro García collection, which served as the foundation for Latin American collections — and specifically, the Benson Latin American Collection — at UT. While acting as librarian for this collection, Castañeda began work on his PhD, producing more articles on the early history of Texas. Castañeda also collaborated with Texas State Library archivist Winnie Allen to launch the Mexican Photo Print Company, in an effort to recover copies of documents he had discovered in Mexico, a project that faced an unfortunate end with the advent of the Great Depression.
Castañeda completed his doctorate in 1932, his dissertation being a translation of the famous Morfi’s History of Texas. He re-discovered the text — at the time believed lost — while searching through the records of a Fransiscan monastery. Later that year, Castañeda’s second daughter, Consuela, was born.
Castañeda did not begin his career as a full professor for The University of Texas until 1940, after some protracted debate in the 1930s concerning his salary and teaching responsibilities (Castañeda felt that his salary had been reduced because of his ethnicity). It was these issues that led to his leaving in 1933 to become the Superintendent of the San Felipe School District in Del Rio, Texas, where he met with resistance from white families due to his ethnicity. He remained in that position for only a year.
After returning to The University of Texas for the 1935 school year, Castañeda resumed his career as a professor, and continued work on Our Catholic Heritage in Texas, a massive seven-volume life-spanning work on the early history of Texas, the last volume of which was not published until just prior to Castañeda’s death. Shortly after his return to the university, Castañeda was knighted by the Catholic Church as a Knight of the Holy Sepulchre, and in 1951 became a Knight Commander in the Order of Isabel the Catholic of Spain. These honors were granted on the basis of Castañeda’s long-time work with the Catholic community and Catholic history more generally.
Being concerned with the plight of minorities in Texas, Castañeda took another leave of absence in 1943 to work for the Fair Employment Practice Commission (FEPC), an agency that was concerned with helping minorities to obtain the same working conditions and jobs that whites were granted in the 1940s. Though the commission ended prematurely with the onset of World War II, Castañeda continued to actively work against discrimination, and became involved with the Pan American Union, and on its behalf, gave an internationally broadcast radio address in 1948.
In the 1950s Castañeda’s health failed, and he suffered three heart attacks during the decade, severely limiting his ability to write, teach and stay active in his many causes. The author of twelve books and over eighty articles, and recipient of many honors, Castañeda died on April 3, 1958, at the age of 62.
Along with first African American faculty member at The University of Texas at Austin Dr. Ervin Perry (engineering), Castañeda’s legacy was recognized in 1974 with the approval by the University of Texas Board of Regents to name the university’s new central library in his honor. The Perry-Castañeda Library opened in 1977, and remains the flagship library at the university to the current day.
The Carlos E. Castañeda Papers feature includes articles, speeches and drafts of books, notably Our Catholic Heritage in Texas (commissioned by the Knights of Columbus) and Castañeda’s translation of Morfi’s, History of Texas, along with transcriptions, translations and notes. The collection also documents Castañeda’s involvement with The University of Texas — including records of his faculty appointment and restricted student records —the Catholic Church and his international activities and various projects he took on over the years. Materials from his time in Del Rio, his service with FEPC, his work in many voluntary organizations, his teaching and departmental activities and his library and acquisitions work reflect the extent of his professional activities. The papers also feature a collection of historical documents dating from the late 15th century to the early 20th century, as well as a large selection of photographs, 8mm movies, phonodiscs, maps and book illustrations.
Benson staff are hosting a workshop on tracking relationships in research with network visualization and analysis tools using the Castañeda Papers on Wednesday, October 25. More information here.
Though most of the current denizens of the Perry-Castañeda Library (PCL) are too young to appreciate it, the campus’s flagship library turns 40 this year, which is significant in the life of a modern library given the change that the institution has experienced in the last couple of decades.
When PCL was conceived, it was believed that the new building would accommodate the growth in physical collections for the foreseeable future; little did our 20th century forebears imagine the impact digital technologies and a global information network would have on the preservation, storage and distribution of knowledge.
Biochemist Lorene Rogers is president of The University of Texas at Austin, and Harold Billings is director of the university’s General Libraries, and enrollment at UT is 41,660.
Dolph Briscoe is the governor of Texas, Austin has a population of 321,900 (now 947,890), and Texas has 13.19 million (now 27.86 million).
Median income: $13,572. Average cost of: a house — $54,200; a car — ~$4,300; a gallon of gas — $0.62; annual tuition, room & board — $2,411.
Apple Computer is incorporated, and later in the year, the first Apple II series computers go on sale.
The Thorn Birds by Colleen McCullough is the best-selling fiction of the year.
Laverne & Shirley is the top rated TV show.
The critically-acclaimed television miniseries adaption of Alex Haley’s Roots airs.
The punk band The Clash’s debut album The Clash is released on CBS Records.
Optical fiber is first used to carry live telephone traffic.
The first Chuck E. Cheese’s Pizza Time Theatre opens in San Jose, California.
George Lucas’s Star Wars opens in cinemas and becomes the highest-grossing film of its time. Woody Allen’s Annie Hall wins the Oscar for Best Picture. Also released: Close Encounters of the Third Kind, Eraserhead, and Smokey and the Bandit.
Rod Stewart’s “Tonight’s the Night,” is Billboard’s Top Hot 100 single for the year, and Fleetwood Mac’s Rumors is the top-selling album.
Elvis Presley, the “king of rock and roll”, dies in his home in Graceland at age 42.
Jimmy Carter signs legislation creating the United States Department of Energy.
NASA launches the Voyager 1 spacecraft.
British punk band Sex Pistols release Never Mind the Bollocks, Here’s the Sex Pistols on the Virgin Records label.
San Francisco elects City Supervisor Harvey Milk, the first openly gay elected official of any large city in the U.S.
Saturday Night Fever is released, launching the careers of John Travolta and resulting in multiple hits for the Bee Gees.
Atari, Inc. releases the Atari 2600 game console in North America.
The first children’s cable channel The Pinwheel Network (later known as Nickelodeon), is launched.
The first ever event is hosted at the newly opened Frank Erwin Center on November 29 when the Longhorn men’s basketball team defeats Oklahoma, 83-76.
The Longhorn football team finishes the regular season with an 11–0 record, and running back Earl Campbell wins the Heisman Trophy, leading the nation in rushing with 1,744 yards.
Once again the summer break has provided enough clearance for us to undertake a major renovation project, and mirroring last summer, that effort is occurring at the Fine Arts Library.
Dovetailing with last year’s completion of the Foundry — a creative maker space loaded with technology and production tools — the fourth floor of FAL has been cleared of physical resources in an effort to create space that blurs the line between classroom and library.
The reimagining of previous stack space will result in new classrooms and collaborative spaces to accommodate the Center for Integrated Design (CID), an interdisciplinary program administered in the College of Fine Arts that connects design, engineering, information, business, computer science and architecture programs from across the university to bring solution-focused design thinking to university curricula in a comprehensive way. The center seeks to provide all UT students the opportunity to study design methodology and apply it in creative and entrepreneurial scenarios.
Recent expansions of CoFA curricula into areas emphasizing innovation skills and design thinking are meant to better prepare students for a professional landscape that is ever-evolving in the face of technological development. But these programs have strained the college’s existing facilities, and partnerships with the Libraries — like the CID space and the Foundry — are helping to address the needs of current and future undergrads and graduates.
The 4th floor renovation includes the creation of two large classrooms — one of which will be equipped with active learning and creative technologies — a large seminar room, a medium seminar rooms that seats 12 and two small seminar rooms. The changes will also provide new office space for the faculty and staff in CID, as well as for faculty in the Center for Arts and Entertainment Technologies (CAET), a primary partner with the Libraries in the development of the Foundry.
Libraries staff moved more than 100,000 books, bound journals and scores to offsite storage facilities to accommodate the new construction, and moved the remaining 195,000 items to the stacks on the fifth floor of the building. Thanks to a robust delivery system developed over the last decade, the Libraries can provide campus access to any remote materials within 48-72 hours.
The renovation is on schedule and expected to be complete in time for the opening of classes this fall.