“Art is long, life short, judgment difficult, opportunity transient. To act is easy, to think is hard; to act according to our thought is troublesome. Every beginning is cheerful: the threshold is the place of expectation.”
from Wilhelm Meister’s Apprenticeship by J.W. von Goethe, 1795-96
Goethe’s sentiment borrowed from Hippocrates and distilled in his novel of personal discovery as a charge to the protagonist Wilhelm Meister could equally represent a characterization of the experience of visiting a library — equal parts joy and labor, with the promise of new knowledge as a provocation to learn.
It’s also appropriate, then, that the passage comes from the first ever volume borrowed from a library at The University of Texas at Austin, which occurred just over 134 years ago on March 7, 1884 — a small act of history committed by a person who created a notable history of his own.
John H. Cobb was a member of the inaugural class at this university back in 1883, when the Forty Acres was composed of the original Main Building in its Victorian Gothic splendor and more open land than is imaginable by a modern-day visitor to campus. He studied law, but even beyond the serendipity of being the first library borrower, seems to have had some predisposition toward pioneering. Cobb used his legal training to help draft the constitution for the Ex-Students’ Association, placing him as one of the co-founders to the Texas Exes.
Much like Goethe’s Meister, Cobb wasn’t content, either, to remain comfortably in the confines of his home state of Texas after earning his degree. He traveled to the relative wilds of what was then the District of Alaska in 1897 and by 1899 he had formed a law partnership with John F. Malony in Juneau.
He was active in the formative political and governmental structures in the fledgling District, and when the region was reorganized and renamed the Territory of Alaska in 1912, Cobb was appointed the first Territorial Counsel by the Governor John Franklin Alexander Strong in 1913. He served in that role until 1915 when the 2nd Alaska Territorial Legislature created the Office of the Attorney General, and a successor was appointed.
Cobb argued and won one of his most high-profile cases, Tuppela v. Chichagoff Mining Co., before the Ninth Circuit Court of Appeals in 1920, reversing a fraudulent land grab by the mining company and returning several valuable gold mines to private citizen and rightful owner John Tuppela.
Shortly after settlement of the suit, Cobb and his family resettled in Santa Barbara, California, where he died on December 23, 1925.
The details of that tome first borrowed by Cobb is in question, though it could be a volume flagged as “missing” in 2013 and now superseded by a digital version in the Libraries’ catalog. The title’s long history on the Forty Acres, however — both in the hands of the first borrower, and with subsequent generations of Longhorns — attests to the idea that the Libraries, too, play an integral part in the belief that “What starts here changes the world.”
Meet the Talents is an occasional series dedicated to introducing experts from around the UT Libraries. This month’s focus is Porcia Vaughn, Liaison Librarian for Biosciences, who joined the Libraries in late 2016. Porcia earned her MS at the University of North Texas and previously worked at the University of Houston Libraries and the Fondren at SMU.
How did you get here, and what do you do?
Porcia Vaugh: I’ve wanted to be a librarian since middle school and have always had a love of science. It was in 9th grade that I found out that I could blend my love of libraries with my science passion to become a science librarian. So, I made the plan to get a degree in biological sciences with a minor in health studies to then proceed to graduate school to obtain a MS in Information Sciences focusing on Health Informatics. And here I am today with the ability to connect faculty, students and staff at a major R01 research institution to library services… I’m definitely living my dream!
I’ve made my way to UT to support the biological sciences programs, including Integrative Biology, Molecular Biosciences, Neurology, Biomedical Engineering and other bioscience related programs. I provide research, publication, curriculum and instruction support to the biosciences programs and disciplines here on the UT Austin campus.
Services I provide for UT researchers include, but are not limited to, locating grants, assisting with formal literature review searches, identifying data sets, identifying best practices for publishing and making one’s work discoverable, and assistance with data management principles and practices for compliance in the biological and life science disciplines. The success to UT’s research enterprise is important to me and the role of the library to be involved with identifying specialized needs and seeking innovative solutions to those needs is always a priority of mine when serving our researchers.
In addition to researcher support, I offer strategic library services to the biosciences undergraduate curriculum by providing hands-on training for students regarding Information Literacy — the proper ways to find and use biological and life science information tools and resources appropriately to be successful as a student and future biological researcher. I assist instructor or teaching assistants with instructional design around course assignments and program learning outcomes using library resources or other open educational resources.
Where do you think the love of science comes from? Genetic, organic or other?
PV: My love of science has always been focused on biological and life sciences. Growing up in an area with a culture, Hispanic & Native American in New Mexico, I grew to love and respect the environment and the living organisms within the environment. The love was then fostered by fantastic middle school science teachers and librarians who supplied the great natural sciences books to feed my interest.
I do really love every aspect of trying to understand living organisms — physical structure, chemical composition, function, and development of living organisms. My undergraduate research focused on parasitology and I loved studying those little and sometimes gross organisms but they are so important to how we evolve in our environment.
I know from talk around the watercooler that you have a bit of a competitive streak (esp. sports). Where do you think that comes from, and do you see those aspects of yourself in your work?
PV: Yeah, I do have a little bit of a competitive streak. I’ve played sports all my life, my dad is an athletic coach who coached my varsity soccer team and my entire family plays sports. I still am very active in sports playing softball and tennis a couple nights a week. I feel that my competitiveness drives me in my daily work, knowing that I can always do better and provide more adaptive services to build others up.
Is there some aspect of UT’s particular research in the sciences that drew you here? Or have you discovered some interesting research that you weren’t aware of?
PV: I was drawn to UT because it is a Tier 1 research institution and the library is in the top 15 on the ARL Library Index Ranking. There are many exciting research opportunities that are occurring here and I can name a few:
But, there are so many more research opportunities to call attention to that excite me!
What sort of impact do you think librarians should have on research — what role do you want to play in the research life cycle?
PV: I think librarians have a huge role to play in research and any part of the campus enterprise, including teaching and learning the practices of the research life cycle. I assist and am always looking to collaborate with researchers at any stage of the research life cycle. I find it an important part of the biosciences services and tools for researchers for the librarian to participate in project scoping, identifying and tracking grant and funding opportunities, assist with building research data management practices, following through to disseminating, archiving and preserving researchers scholarship and communicating their research to the general public.
And how do you see your role in collection development and management? How does that aspect of your work differ from a librarian in a discipline like the humanities?
PV: I see collection development and management in two categories, course and curriculum needs and the gathering of faculty and graduate research and instructional resources. I identify materials that will enhance instruction and give students fundamental knowledge to enhance their own research priorities as they move forward in their education; this includes identifying Open Educational Resources for faculty and teaching assistants to use in course instruction. Bioscience collections can include textbooks or traditional print books, but also include a wide variety of software (i.e. Mapping and GIS) or electronic resources (i.e. lab protocols and journals) to improve understanding of research methodologies. It is important to work closely with faculty and students to make sure that we are providing resources that make them successful while they are here at UT Austin.
The Digital Humanities questions is a different story unrelated to collection development in my subject areas. DH is the adoption of computational methodologies and digital technologies for humanities research; whereas, in the STEM disciplines have been using data-driven approaches and technology for centuries. Differences between approaches include the types and quantity of data that is collected along with differing approaches to dissemination and preservation of research and scholarship.
You seem to have a pretty full plate in the present. What do you think your job will look like in ten years, and where would you like to be professionally?
PV: Looking toward the future, librarians will likely be further embedded in a role that supports and enhances research across the university and globally. Libraries will continue to look for ways to benchmark library successes within the research enterprise while strengthening our connections to curriculum and instruction. Academic libraries will also play a large role in community engagement and translation of scholarly research to those beyond the university bubble.
Professionally, I’m aiming to be in a management role that will advance the philosophy and methodologies of library programing and services that directly connect to the academic mission and success stories.
What gives you the greatest sense of accomplishment in life?
PV: Doing what I love gives me a sense of accomplishment. Every morning I get to wake up and have the privilege of working with amazing people and if I can help anyone of them advance their personal or professional goals by providing support makes me happy.
Excessive Noise is an occasional concert series hosted by the Fine Arts Library. Organized by Russell Podgorsek — who earned his doctorate at the Butler School of Music and is an employee of the Fine Arts Library — the series provides students with an opportunity to perform chamber and solo works beyond those required by their degree programs. It also provides an opportunity for the premier of original works beyond the classroom. While generally in the classical vein, Excessive Noise features work from a variety of traditions and perspectives.
The newest installment of “Excessive Noise: Not Just the Notes” takes place this Friday, March 8 in the Fine Arts Library, just in time to warm up for SXSW. The show is free and starts at 6 p.m.
Podgorsek and his co-curator for the concert, Jessy Eubanks, took a moment to answer a few questions about the series and Not Just the Notes.
So, how did you come up with the concept for Excessive Noise, and what were your goals for the program?
Russell Podgorsek: I started Excessive Noise back when I was a doctoral student in music and a GRA at the Fine Arts Library (FAL). Recently retired music librarian David Hunter mentioned that they’d previously had a concert series there and strongly suggested I start it up again. At first, it was just a nice vehicle to have some other performance opportunities for student performers and composers, and capitalize on the surprisingly good acoustic in the FAL, but as the semesters went on we had more alumni, Austin music community members, and even a few guests from out of town perform. We’ve had programs with speakers from Asian Studies, a feature with the Maps Collection, and more recently featured ensembles like invoke and Hear No Evil, allowing them to program the entire event. In other words, I think it’s come to be more a celebration of the library as a community hub, as a place where you come to share and explore ideas. I should add that UT Libraries has been consistently supportive of the series and not only do we appreciate it, but patrons also tell me after every concert what a nice tradition it’s become for them.
You’ve really engaged the community with the series by presenting programming that might otherwise be familiar almost exclusively to people associated with the Butler School or the College of Fine Arts. Can you explain how you settle on themes for the individual events? Is that your own conceptualization, or are you co-curating with the performers?
RP: At first there were no themes really; I was just asking whoever was around and interested in playing to play, and of course I programmed one of my own pieces on each concert. But once the series was had been around for a year or two and the old reference stacks were replaced with shorter, newer ones, the place attracted more interested performers. In some cases, like with the collaboration with the Maps Collection back in 2014, the materials we wanted to showcase dictated the “theme”. For that concert we even had five pieces newly written based on maps of Chicago from the collection. The Orient-Occident performance was a more generalized “East meets West” theme that came out of my own interaction with Japanese culture. We had a DMA composer at that point from China and several grad students from Pakistan at BSOM so the pieces just fell into place. More recently, I’ve had ensembles provide their own programs, although the last concert was a joint programming venture with Hear No Evil (we did two of my pieces with them and they supplied the rest). So, I guess the short answer is we’ve done it almost every way one could. This time around I’ve handed the programming off to the not just the notes collective. The director is one of my students and the co-directors former students of mine, so I’m more of an advisor for the time being.
What’s the story with Not Just the Notes? This seems like an extension of the ensemble programming, but perhaps in a new way.
Jessy Eubanks: Not Just The Notes is more of a concert series than an ensemble. We program new music written by UT composers, and focus on non-musical themes and collaboration. For example, this concert program consists of pieces about how humans interact with the environment, and current environmental issues. We needed a venue for our first concert, and Russell was very kind in letting us use the Excessive Noise series as a host.
One of the great things about the Excessive Noise series is that it gives campus composers the chance to share new material and to experiment in a performance space. Not Just the Notes seems to be a great fit for the series because of that. Can you talk a little about the nature of collaboration in the program, and maybe offer a peak into what folks can expect from the performances?
JE: Our first collaboration will include the Campus Environmental Center. We’ve worked with by inviting them to our event, and they’ll have a table set up at the concert to answer questions and share some about the work they do around UT. It’s been really cool to make that connection. As for the performances themselves, each piece deals with a different aspect of how people are interacting with nature and the environment, things like that, and some send very strong messages about current issues such as deforestation or over-consumption.
The program is titled “Green Paw.” Can you talk about that and who will be performing?
JE: All of the performers are UT students, but a number of pieces have no performers at all- they are solely electronic or fixed media. Other pieces are a combination and feature live players with electronics.
The title Green Paw is a reference to the environmental theme of the concert, we thought it sounded cool and wanted a way to differentiate between this concert and (hopefully) future concerts.
What are you planning for the future programming of Not Just the Notes? And what can we expect in the future from the Excessive Noise series?
JE: For Not Just the Notes, one area we’re hoping to explore is working with other students in the arts, such as dance or visual arts. There’s already so much potential in the College of Fine Arts alone, but we don’t want to limit ourselves. For example, there are also many music students involved in computer science, and it’d be very interesting to work creatively with them. There’s tons of options, and we’re also open to anyone coming to us with ideas for collaboration!
RP: I’ve got a couple of potential programs in mind for the future of Excessive Noise: a revival of a really successful project called “Sehr Flash” that we mounted back in 2016 at BSOM and the Texas Book Festival in conjunction with lit-mag NANOFiction, and a “new common practice” concert for which we’ll have several new pieces written all with the same stylistic constraints (the OULIPO groups does this kind of thing in the world of literature). Also, depending on how things shape up in terms of scheduling soloists, we may have a steel drum feature sometime soon.
In this important world map, the extent of North America and the distance across the Pacific Ocean are hardly understood while the outline of South America is better represented.
The cartography is attributed to a collaboration between celebrated German mapmaker Sebastian Munster, and a renowned Northern Renaissance artist Hans Holbein, contributed the rich ornamentation at the map’s border.
Holbein’s additional embellishments — including realistic renderings of flora and fauna, as well as fantastic and frightening sea beasts — makes this a superlative example of cartography from the period.
The Alexander Architectural Archives at the Architecture and Planning Library has acquired source materials for a publication that provides a comprehensive survey of architecture in the Lone Star State.
“The Buildings of Texas” (University of Virginia Press) — part of the Society of Architectural Historians’ “Buildings of the United States” series — is a two-volume publication by Gerald Moorhead (with James W. Steely, W. Dwayne Jones, Anna Mod, John C. Ferguson, Cheryl Caldwell Ferguson, Mario L. Sánchez and Stephen Fox), that catalogs the state’s built environment with architectural profiles of its major cities and the landmark structures that pepper the landscape.
The collection features the archives of editor Moorhead (FAIA) and contributor Mario L. Sanchez (UT, 1982), including documentation with research material, administrative records and over 12,000 photos. Only a small portion of buildings are represented in the final publication, providing incredible opportunities for further research.
The first volume was published in 2013, and the donation of these materials marks the project’s completion, with the second volume slated for publication later this year.
Processing of the collection will begin this spring.
Moorhead is an architectural lecturer at the Rice School of Architecture and an award-winning Houston architect with over 40 years of experience. He is a former contributing editor to “Architectural Record” and “Texas Architect” and the architect laureate of Kazakhstan.
On November 3, friends and family gathered in the Main Building to honor a storied figure in the Libraries recent history.
Marking her 95th birthday, the Libraries recognized the contributions of retired librarian and administrator Virginia Phillips, who served the General Libraries from 1975 -1998 in various capacities throughout the organization, most notably as assistant director for Branch Services.
During the event Phillips’s impact was cataloged by a series of former colleagues, all of whom noted her direct influence within their own professional experiences.
To honor her legacy with the Libraries, associates recognized Phillips with a permanent naming in her honor of a bookcase in the Hall of Noble Words in the Life Science Library, housed within one of the university’s most distinguishing landmarks and symbols of academic excellence.
The indelible mark Phillips left on the University of Texas Libraries is extraordinary. Her oversight of branch libraries, recruitment of talent and philanthropic support through endowments forged a path for building strong and meaningful relationships that extend far into the future.
Lanina’s deeply personal work spans the universe of media — painting, sculpture, video, animatronics, performance — and resides in a space where whimsical imagery dances in a veil of melancholic undercurrents like children’s tales if viewed a lens of Heironymous Bosch.
Lanina spent the better part of her time at the Foundry working on a collection of animatronic projects, from doll to human-size in stature, that are intended to interact with the viewer, with sensors that activate motion and audio when a viewer is in proximity.
Lanina focused most of her time in the Foundry on one project — “Herstory” — a human-sized animatronic doll with a face cast (3D printed) from the artist’s own, which intends to explore gender and cultural identity through the sharing of awkward anecdotes and stories that challenge the way that gender is perceived. Lanina presented a public talk focused on the project, but covering her other works, as well, as part of the residency.
Lanina’s art has been exhibited in such museums and institutions as the Seoul Art Museum, Moscow Museum of Modern Art, Ludwig Museum (Cologne), the Cleveland Institute of Art, and Galapagos Art Center in Brooklyn. She’s received honors that include fellowships and scholarships from Headlands Art Center (California), Yadoo (New York), CORE Cultural Funding Program (Austin, TX), BluePrint/COJECO (New York City), TEMPO (TX) and an honorable citation from New York State Assembly.
She holds MFA in Combined Media from Hunter College, CUNY, New York and a BFA in Painting and Drawing from Purchase College, SUNY.
Funded by donor Kirby Attwell and COFA, the artist-in-resident series brings notable multi-media artists to Austin for a week at a time for workshops with students, lectures for the public and a chance to pursue their own art on the advanced equipment in the Foundry. The previous artist-in-residence at the Foundry was Israeli American contemporary media artist Yael Kanarek.
The website refresh has been under consideration for some time, but was urged along when the Senate of Student Councils made a detailed formal request for site improvements in January, 2016. Production of the new site began in February of this year, and was managed through an iterative, evolutionary project development process called Agile.
What’s new and improved:
Responsive design – the new site adjusts to the screen size of the user’s device.
Efficient browsing and search – clearer language for navigation, and a house-cleaning that cuts down on the bloat of a 6,000+ page site will make use of the site more efficient.
Homepage refresh – aligns with campus-wide standards to create consistency of user experience across the university web platform.
Updated location pages – consistency across the dedicated pages for branch locations will increase the ease of use while also allowing for customization of services and resources.
Expanded equipment pages – more information about creativity and productivity tools on hand for checkout or use onsite, with specs, access and availability information.
New “space” pages — specialized study, creativity and productivity spaces throughout the Libraries are now discoverable and browseable with information on capacity and availability.
Improved “Hours” interface – up-to-date information on location and service hours available in multiple locations to make planning a visit easier.
Sustainability – streamlined production process will result in constant improvements to the website based on user behavior and feedback.
Task-orientation – the new architecture focuses on helping users get work done more efficiently by increasing the integration of services, resources, spaces and expertise.
The new website will be available in parallel to the legacy site through the remainder of the fall semester, accessible via a pop-up at lib.utexas.edu, followed by a full launch with expanded features — including “unified search” — in early January.
NOTE: On January 4th, 2018, the URL for the Libraries new website will change to www.lib.utexas.edu and contents of the existing site will be moved to legacy.lib.utexas.edu. Users will be able to reach pages from the old site with outdated links by changing “www” in the target URL “legacy.” This change will likely have some effects for online users and there are plans to frequently communicate about any changes that may impact user experience.
Brittany Rhea Deputy is the Librarian to the Moody College of Communication and the College of Liberal Arts Department of Linguistics. A native Floridian and Texas transplant, Brittany holds an MLIS in Library and Information Science from the University of South Florida and a BS in Public Relations from the University of Florida. She offers a wide variety of teaching and consultation services with specializations in finding data and statistics, analyzing current and historical print and broadcast news coverage, and utilizing research resources and specialized tools. Her previous employers include The University of Alabama, The University of South Florida – Health, and The University of Florida.
So, how did you come to the University of Texas Libraries?
Brittany Deputy: I came to UT Libraries in 2013 after working as a human environmental sciences librarian for the University of Alabama Libraries. Before I became a librarian I worked in public relations and communications for the University of Florida’s Graduate School, so when I saw the opportunity to get back into that discipline but in a new role, I jumped into action. I really loved the job I was in, but I couldn’t pass on the perfect mashup of communications and librarianship that I have in my job here at UTL.
It’s great that you were able to find something that married your interests like that. What’s an average day (if there’s such a thing) for the communications liaison/librarian at UT?
BD: Honestly every day is different. My days really depend on what semester we’re in and what’s happening at that time in that semester. For example, up until last week you probably wouldn’t have seen me much in the PCL because I was teaching over in the Belo or CMA buildings at the Moody College.
Now, the classes are tapering off, but I’m seeing more and more one on one research consultations. These are mostly with graduate students or faculty members, and sometimes with research institutes on campus, who need really specific, in-depth research help and expertise. Then as the month wears on and we get closer to the end of the semester, I’ll switch over to my special projects. Things like the Graduate Research Showcase the Social Science Librarians Team is hosting or a special lecture I’m giving on the history of fake news.
Of course during all of this I’m doing day to day things like answering reference questions, purchasing items for the library collections, and serving on committees and groups as well. I’m never bored that’s for sure!
Tell me a little about teaching at the college. A lot of people mistakenly assume that librarians stay cooped up with the books, but that’s not really the case at all, is it?
BD: Haha, no, that’s not the case at all. I probably couldn’t tell you the last time I handled a physical book. Our jobs are very much online and on the go.
How things go when I’m teaching at the college depends on the class, the department, and the students. The needs of undergraduate students versus graduate students and students in advertising versus those in communication sciences and disorders are extremely different. It’s not unheard of for my first class of the day to focus entirely on how to search databases to find peer reviewed research articles about using computer assisted technology to help stroke victims struggling with aphasia and my second class of the day to center on finding and utilizing data from the census, local maps, and NAICS codes to help students figure out the best advertising strategy for the luxury handbag company they were assigned as a “client.” It’s all so different every time I walk into a classroom, but that’s what makes it the most fun.
Communications studies are sort of all-encompassing in a way that lots of people probably don’t consider. Does it get overwhelming trying to keep up with trends and innovations, especially given the increasingly connected nature of the world?
BD: From the outside it probably seems rather hectic, it can be a lot of work to keep informed of new trends and innovations in any discipline, but if you can discern between what’s hype and what’s helpful, it definitely makes the job easier.
I think this is where my background and expertise really come in handy. I’ve worked in similar jobs, attended the same conferences, and am a member of the same professional associations as the students and the faculty members I work with, so I’ve been where they are and can see where things are going, professionally speaking.
I’m also not alone in my role. I regularly work with librarians at other universities who are in positions like mine, working with students and faculty in communication related fields. We discuss trends, troubleshoot questions, and crowd source ideas almost weekly. A few weeks ago we had a pretty lively discussion about using R or Python to analyze Facebook comments on online news stories. It was pretty cool.
You mentioned a special project, a lecture on fake news, which is a topic of much discussion in the wake of the recent presidential election, but has probably existed for a much longer period of time. What role do you think libraries in general — and the UT Libraries more specifically — play in combating bad information in a world where traditional filters no longer exist?
BD: Fake news has been around for a long time. Historical figures like Marie Antoinette and Mark Antony might have lived a bit longer if it weren’t for fake news in fact. The difference today is our access to it. Instead of graffiti on Roman walls or printed pamphlets in the streets of Paris, fake news stares us in the face from every screen. I mean, there’s probably about five screen devices in my office right now, so that’s a lot of access points!
Thankfully though, the libraries, especially UTL, can help people sort through it all and stay informed of what’s really going on in the world and the communities around them. Librarians are experts at research and evaluation and can teach people how to look at news holistically. It’s tempting to take a news story at face value or maybe even just use a small checklist approach to evaluating it, but in today’s world, with news breaking 24 hours a day, it’s not enough. You really have to be curious and dig deep and that’s were librarians like myself and my colleagues at UTL come in to help. We can walk you through the process and show you some tips and tricks to help along the way.
Now obviously not every person could, or would want to, take a deep dive into every news story they encountered, but even if you do it just once or twice, it can really help you separate the facts from fiction. But if you do fall victim to a fake news story don’t feel too bad. Bad information happens to good people sometimes. I’ve even been tricked a few times!
Given that you help people to navigate sometimes complex or obscure information, you probably learn quite a bit that you aren’t expecting. What’s a discovery you’ve made through your work that you’ve kept with you?
BD: I’m always stumbling on to the new and unexpected when I’m working with researchers. It’s really satisfying to find those hidden gems and watch the research story unfold or even completely change because of it. It’s an exciting thing to witness and be a part of. I don’t think I have one specific discovery that means more than any other one, but I will say the first time I was mentioned and thanked in the acknowledgements section of an award-winning book was pretty special. To see my contributions to a researcher’s work in print was an amazing experience.
Validation is always a nice thing, because so much of life is just doing a good job because it’s what you do. What about the future? Where are you in ten years, and what is the job of the future communications librarian?
BD: I wish I could know what the job would look like in ten years! Things move so fast and change so readily it’s impossible to forecast exact trends that far in advance. I think a lot of people might have the assumption that libraries and librarians have served their purpose and are on their way out due to the internet and online access or that it’s just a building that holds a lot of stuff. But that isn’t really true at all. It is true a lot of things are online and it is true the library has a lot of “stuff”, but without librarians to help people find it, sort it, and make sense of it all, it’s just a book on a shelf. Data is just data. Information is just information. People, librarians and researchers working together, are what turn those things into knowledge. And that will always be the biggest and best part of this job. So hopefully that’s what I’ll still be doing in ten years too.
On Thursday, October 12, representatives of the Libraries joined College of Fine Arts Dean Doug Dempster and Provost Maurie McInnis to fete the opening of space on the fourth floor of the Fine Arts Library redeveloped to serve as a home for the newly announced School of Design and Creative Technologies.
The renovation project, which took place over the summer, resulted in the creation of state-of-the-art classrooms with adaptable technologies, a high-tech teaching lab, dedicated design studios, an audio studio, seminar rooms and faculty offices to serve a program geared to preparing students for careers in professions that require working knowledge of design technologies.
The new school will be led by design industry thought leader Doreen Lorenzo, who is the founding and current director of the Center for Integrated Design, and will focus on educating students for creative professions in heavy demand across a wide range of industries. Students will study designing for health, designing for artificial intelligence, creative technologies in theater and music, entrepreneurial ventures and cross-disciplinary design thinking methodologies.
The space is complementary to the Foundry — the maker space launched on the entry level of the library in 2016 — creating a new opportunity for libraries to serve as a multipurpose platform for the interaction of information resources, classroom learning and creative realization.
“Co-locating a vibrant teaching space in the library with the tools for creativity mere footsteps away collapses the distance between resources and classroom and provides the opportunity for the library to be an even more active partner in the learning ecosystem,” says Vice Provost and Libraries Director Lorraine Haricombe.