Category Archives: Exhibits

Fragment of Aztec manuscript, 1520, written in Spanish on native paper, is an illustrated account of the conquest of Mexico by Hernán Cortés. (G8 Ms.)

Pastorelas: Past and Present

“Illuminating Explorations” – This series of digital exhibits is designed to promote and celebrate UT Libraries collections in small-scale form. The exhibits will highlight unique materials to elevate awareness of a broad range of content. “Illuminating Explorations” will be created and released over time, with the intent of encouraging use of featured and related items, both digital and analog, in support of new inquiries, discoveries, enjoyment and further exploration.

Zayas, Manuel Antonio, El triunfo de Jesús contra la lengua del diablo : pastorela en cuatro actos. 1853.
Zayas, Manuel Antonio, El triunfo de Jesús contra la lengua del diablo : pastorela en cuatro actos. 1853.

As the holiday season quickly approaches, many in the Latinx community are gearing up to celebrate both Christmas as well as Las Posadas. A lesser known celebratory act performed during the holiday season are the plays known as pastorelas. Pastorelas can be traced back to the 16th Century when Franciscan monks leveraged the strong artistic culture of the Mexica people in Tenochtitlan to evangelize them by incorporating Christian ideals into their performance tradition.

Historically, pastorelas have told the story of how Satan attempted to thwart the travels of the shepherds following the Star of Bethlehem in search of the baby Jesus. While pastorelas have maintained the general premise of good vs. evil, the roles of what constitutes both the good and the evil have changed to encompass contemporary issues that have faced the Latinx communities. Immigration, racism, politics, and a plethora of other topics have been incorporated into pastorelas to transmit opinions and ideas to audiences, both religious and secular.

Fragment of Aztec manuscript, 1520, written in Spanish on native paper, is an illustrated account of the conquest of Mexico by Hernán Cortés. (G8 Ms.)
Fragment of Aztec manuscript, 1520, written in Spanish on native paper, is an illustrated account of the conquest of Mexico by Hernán Cortés. (G8 Ms.)

While pastorelas have typically been an oral tradition, some have been transcribed to paper. A beautiful example of this is Manuel Antono Zayas’ “El triunfo de Jesús contra la lengua del diablo: pastorela en cuatro actoswritten in 1853. This illustrated play, held in the Benson Rare Books and Manuscript Collection, includes multiple hand drawn illustrations of the costumes to be worn during performances, including those of the angel, San Miguel, and even Satan himself.

Please visit the digital exhibit to see the beautiful illustrations in “el Triunfo” as well as some of the other spectacular rare books available to view from the Benson Collection. Also, peruse Zayas’ entire book, which has been digitized and can be viewed at Texas ScholarWorks.

Gilbert Borrego is the Digital Repository Specialist for Texas ScholarWorks, UT’s institutional repository (IR).

"Mecatla," by Jesús Nazario. This prize-winning photo was taken in The Land of Fresh Water, Guerrero, Mexico.

“Field Notes” Student Photography Exhibit on View at Benson Collection

The Benson Latin American Collection is proud to host Field Notes: The 9th Annual LLILAS Benson Student Photography Exhibition. Thirty prints that comprise the show will adorn the Benson’s first-floor gallery through January.

"Niebla de Verano," by Gerónimo Barrera, LLILAS PhD student. Photo taken in San Juan Lachao communal forest, Oaxaca.
“Niebla de Verano,” by Gerónimo Barrera, LLILAS PhD student. Photo taken in San Juan Lachao communal forest, Oaxaca.

Each fall, LLILAS Benson invites graduate and undergraduate students from all departments and disciplines to submit photographs to the exhibition. Through these images, student photographers document moments from their summer research on Latin America or US Latina/o communities.

"Lágrimas de la Virgen." This prize-winning photo by Monika Husodo was taken in Antigua, Guatemala.
“Lágrimas de la Virgen.” This prize-winning photo by Monika Husodo was taken in Antigua, Guatemala.

A panel of faculty and staff judges chooses two outstanding images from the collection. This year, the prize-winning photographers are Jesús Nazario (MA student, LLILAS) and Monika Husodo (BA student, Architectural Interior Design).

"Walking Ahead Toward Justice," by Alvaro Céspedes, was taken in Ayacucho, Peru, at a mass grave known as La Hoyada.
“Walking Ahead Toward Justice,” by Alvaro Céspedes, was taken in Ayacucho, Peru, at a mass grave known as La Hoyada.

The exhibition is free and open to the public during library hours. View the entire photo album on Facebook.


Featured: “Mecatla,” by Jesús Nazario. This prize-winning photo was taken in The Land of Fresh Water, Guerrero, Mexico.

 

Harold W. Billings

The Tomorrow Librarian: Harold Billings’s Legacy, 1978-2003

The cover of Billings' book Magic & Hypersystems: Constructing the Information Sharing Library.
The cover of Billings’ book Magic & Hypersystems: Constructing the Information Sharing Library.

Few can claim a career as long or legacy as lasting as Harold Billings. He began working for the University of Texas Libraries as a cataloger in 1954 while still pursuing his Master’s in Library Science and by 1978 was the director of the general libraries. He remained in that position until his retirement in 2003. Throughout his career Billings was able to navigate the immense changes in technology and constant challenge of keeping faith in value of libraries. Billings achieved this by inviting innovations that others of his time resisted. As a result of his leadership, UT Libraries thrived, growing its collections, introducing new digital services, and building its reputation as one if the highest ranking research libraries in the nation.

Today, technology and UT Libraries seem inextricably intertwined as students conduct research using their access to hundreds of online databases, use software in the computer labs, and create 3-D printed projects in the Foundry makerspace. When Billings first entered the field, libraries looked and functioned very differently. Throughout his career, Billings pushed UT libraries toward incorporating innovative technology from early searchable databases and the online card catalog to resource sharing and partnership with other libraries through TexShare.

Library staff member gestures to a poster titled "Searching the Database" that lists database queries.
Library staff member gestures to a poster titled “Searching the Database” that lists database queries.

While leading the general libraries forward in incorporating new technologies, Billings simultaneously continued to build the print and research collections at UT Libraries. A literary scholar himself, Billings’ love of research and books carried over into his many roles over his career at UTL. He maintained a close relationship with Harry Ransom, acquiring collections for the Center, and corresponded with several authors both regarding his own scholarship and to help bring literary collections to UT. The general libraries also saw tremendous growth of their collections over his career, from acquiring their 1 millionth volume while Billings was still a cataloger to holding over 7 million volumes by the end of his tenure as director.

A hand-colored drawing of an owl by Barbara Holman on the linen cover of Billing's book Texas Beast Fables.
A hand-colored drawing of an owl by Barbara Holman on the linen cover of Billing’s book Texas Beast Fables.

Billings’ love of books, research, and collecting extended beyond his role at UT. Inspired by his admiration for and friendships with writers and artists, Billings published literary works and criticism throughout his career and well after. Some of these publications include a biography of one of his favorite poets, Edward Dalhberg, and Texas Beast Fables, a bestiary of Texas folklore. Billings also built a personal collection of art favoring local artists as well as Newcomb pottery and Elvis memorabilia. From his early education through his retirement, two facts are undeniable: Harold Billings loved libraries and he loved Texas.

Harold Billings looking over a large manuscript of sheet music.
Harold Billings looking over a large manuscript of sheet music.

An exhibit highlighting these aspects of Billings’ career and life will be on display in the Scholars Commons beginning November 1st, and an online component can be viewed on Scalar. Borrowing the title of his 1995 essay on the future of libraries, we’ve given the exhibit a name that we think embodies Billings’ role as an innovative leader in the field: The Tomorrow Librarian.

Virginia Barnes and Rachael Zipperer are graduate research assistants from the university’s School of Information.

In Memoriam: Harold W. Billings

Small press hero image.

Discovering the Texas Small Press

Ask A Librarian GRA Mitch Cota curated an exciting exhibit for the PCL Scholars Commons and Poetry Center called “Lone Star ImPRESSions: A History of Small Press in Texas.” This exhibit is the fruit of many months’ labor and the culmination of Mitch’s iSchool Capstone project, and features books published by small presses in Austin, Houston and San Antonio.

When I began my degree in information studies, one of the many reasons that drove my decision was the tension between libraries and the corporate publishing and copyright model. I do not believe that anyone really enjoys having materials chosen for them or having materials withheld from them while pursuing research and education. While literature has its own unique set of complications between authors rights and non-traditional content, it too is affected by this tension. My project to examine small press was an exploration into the individuals who are fighting for the right to publish content they view as valuable and different. Texas small press is born out of a denial by large publishing houses to acknowledge underrepresented voices and content that defies easy categorization.

Lone Star imPRESSions: A History of Small Press in Texas

We are getting ahead of ourselves though. Small press is a term that often inspires a multitude of definitions in everyone’s mind. For the exhibit, small press was defined as a press that is truly home grown. Some of these presses began in Texas, while others started somewhere else and now call Texas home. There are presses in the exhibit with a more historical presence and others that have begun in the last five years. They all share one core goal, to publish content that is different and voices they believe deserve to be heard.

Group discussion at Slough Press.

Historically, presses like Wings, Thorp Springs, and Slough were created in an effort to publish content that each saw as pushing against the large publishing house model. Many of the materials utilized in the research of the exhibit are located right here on campus. The Dolph Briscoe Center for American History has a portion of the archival collection of Joanne Whitebird, the original owner of Wings press. The Harry Ransom Center has the entire archival collection of Thorp Springs press. While Slough and Wings are still currently publishing work, Thorp Springs has now gone defunct with the loss of their original creator and editor John Paul Foreman. Each of these presses were created in order to publish specific work, whether that be female authors, Southwest/Texas authors, or authors of color. The small presses of today have broadened their approach to include voices from queer and trans authors. Without someone focusing on producing this type of content, there would be far less work to represent these different communities.

Wings press books.

The PCL collections serve to preserve these materials for generations to come. One of the largest hurdles small publishing faces are financial constraints. In conducting interviews and combing through archives, I found that many of the papers and materials from different presses were never preserved. Work was lost in time. The University of Texas Poetry Center and the general collection here at the PCL now serve as a medium to protect these small presses from fading into history. Not only do these materials represent unique voices, they also serve our students in critical theory research in literature. Whether they are looking through a historic, feminist, racial, or queer lens, these collections here at the PCL serve to not only preserve the presses, but provide examples for beliefs and ideologies of the times in which they are situated.

The exhibit — Lone Star imPRESSions: A History of Small Press in Texas — also examines different authors situated throughout the history of small press. One of these authors, a poet actually, worked right here at the PCL and has work that speaks to his time while employed here. Some voices like Jim Trainer and Andrew Hilbert represent fresh voices from today who refuse to play by the rules. A few of these authors own their own small presses while publishing their work through other small presses. The content produced by authors and presses alike includes multiple different genres, mediums, and formats. Many of the items are handcrafted with hand sewn bindings. When you purchase an item from a small press, you are getting an item that is one of a kind.

Lone Star imPRESSions: A History of Small Press in Texas

So, come visit! The exhibit has been extended into January, and we have items in both the Scholars Commons and University of Texas Poetry Center.

Besides what is on display, there are items in the PCL collection to read and check out. I have also taken the liberty of producing an exhibit catalog that has a more extensive examination of each press and author. One of the other great services this exhibit provides is a link in the catalog to each small press that is accepting open submissions. Students and faculty looking to publish work can review each press and see which one would best suit the content they have to offer.

Texas small press is home grown from the sweat and tears of the hard-working editors that believed in the content they were producing. Come visit the PCL and see the fruits of their hard work, support small press but furthermore support the idea that large publishing houses do not have the right to choose content for everyone.

 

 

 

UT Treasures at LBJ

Paul Cret's campus master plan. Alexander Architectural Archives.
Paul Cret’s campus master plan. Alexander Architectural Archives.

Great universities have great libraries, and great libraries have great collections, so it follows that great universities have great collections. In the case of The University of Texas at Austin, those collections extend far beyond the walls of the Libraries, a fact made plain by the publication of the significant tome “The Collections” in 2015 by the UT Press, and more recently by the opening of a new exhibition at the LBJ Presidential Library and Museum.

Deep in the Vaults of Texas” brings together rarely presented artifacts from archives, museums and repositories across the university representing a cross-section of areas of scholarship at UT in a modest but wide-ranging exhibit on the entry level of the presidential library. Collections as disparate as the Blanton Museum of Art and the Stark Center for Physical Culture and Sport commingle in a fascinating juxtaposition that provides the public with a sampling of what lies hidden on shelves and in drawers mostly behind closed doors — though largely accessible — in collections that serve a distinct research and learning purpose for the UT community.

letter from F.Scott Fitzgerald to Blanche Knopf in which he lists all the tenses of a made-up verb "to cocktail." Harry Ransom Center.
 Letter from F.Scott Fitzgerald to Blanche Knopf in which he lists all the tenses of a made-up verb “to cocktail.” Harry Ransom Center. Photo by Jay Godwin.

Featured highlights of the exhibit include journalist/writer Dominick Dunne’s notes from O. J. Simpson trial (Briscoe Center for American History), Tom Landry’s iconic fedora (Stark Center) and painter Peter Dean’s 1982 interpretation of the Oswald assassination, “Dallas Chaos II” (Blanton Museum) and crayon drawings by Caroline and John Kennedy, Jr. (LBJ Presidential Library). “Deep in the Vaults” also includes samples from our own holdings in the Fine Arts Library (A Brief History of the Ukulele, housed within an old soprano ukulele

A Brief History of the Ukulele. Fine Arts Library. Photo by Jay Godwin.
A Brief History of the Ukulele. Fine Arts Library. Photo by Jay Godwin.

(“A Brief History of the Ukulele,” housed within an old soprano ukulele), the Alexander Architectural Archives (Paul Cret’s masterful architectural drawing of UT’s Tower clock) and the Benson Latin American Collection (Santa Anna’s memoirs from exile, which partners nicely with the Briscoe’s Secret Treaty of Velasco).

Visitors can view these and other items from the aforementioned collections as well as the Harry Ransom Center, the John L. Warfield Center for African & African American Studies, the Tarlton Law Library and th eTexas Archeological Research Laboratory.

The exhibit runs through September 6 and is included with admission to the LBJ.

See more images from “Deep in the Vaults” on the LBJ’s Flickr page

Read Like A Librarian: Staff Poetry Recommendations

Sarah Brandt, Librarian for First-Year Programs, shows off her selection (including the creepy illustrations), The Complete Works of Edgar Allan Poe from 1945.
Sarah Brandt, Librarian for First-Year Programs, shows off her selection (including the creepy illustrations), The Complete Works of Edgar Allan Poe from 1945.

Poetry can be intimidating – it can be vague, filled with too many metaphors, caught up in form. We’ve tried to de-mystify poetry with our latest display at the UT Poetry Center, Read Like A Librarian: Staff Poetry Recommendations. Library staff found a great range of selections, including 19th century classics by Edgar Allan Poe and Elizabeth Barrett Browning and recently published volumes by poets like Alexis Pauline Gumbs and Peter Macuck.

Here’s a selection of staff recommendations and what they had to say about these books:

Fat Girl Finishing School by Rachel Wiley
Selected by Stephanie Lopez, Weekend & Evening Desk Supervisor

“Fat Girl Finishing School pulled me in with its cheeky cover, and once I started reading I was hooked! Wiley’s words are so powerful and thought-provoking that I found myself looking around to see if anyone else felt the earth shift under them. Before long, I was chasing down everyone I saw so that they, too, could read the words that caused such a visceral reaction in me. Do yourself and favor and read this. Your heart will thank you.”

Aurora Leigh by Elizabeth Barrett Browning
Selected by Sarah Morris, Learning & Assessment Librarian

“Barrett Browning is best known for two things: Marrying Robert Browning and writing Sonnets from the Portuguese. But she’s also the author of Aurora Leigh, a feminist epic that explores issues of class, gender, art, and the challenges women face in finding opportunities for work, and respect for their work, in a restrictive society. Groundbreaking at the time, it’s still a great read today.”

Come visit the UT Poetry Center in PCL 2.500 to see more staff picks and read the books in person!

To Better Know Ford’s “Little Chapel”

Little Chapel in the Woods” at Texas Woman’s University (TWU) in Denton is the next featured work in the archive’s “To Better Know a Building” exhibit series that draws on the rich collections of The University of Texas at Austin’s premiere architecture special collection.

The small nonsectarian chapel — ninety feet long and forty-two feet wide, constructed of grey fieldstone and brick from nearby Bridgeport — was intended to reflect the indigenous style of the region while harkening to more modern sensibilities. The chapel is an early reflection of the role of craft in Ford’s career as well.

A design competition in 1938 resulted in the selection of the newly partnered O’Neil Ford and Arch Swank as architects, with Gerald Rogers chosen to devise a method to formulate the arches for the working drawings for the project. They were to be assisted by college architect Preston M. Geren, Sr., of Fort Worth.

The project was funded by an initial donation of $15,000 from the W. R. Nicholson family of Longview, Texas, with an additional $10,000 raised by students, faculty and alumni of the college.

Despite its relatively low budget, the project benefitted from the participation of a public works’ project — the National Youth Administration — which provided construction trainees as laborers; the workforce was augmented by more than 300 TWU students and faculty members, allowing construction of the chapel to be completed in late 1939.

The building has been designated one of the state’s 20 most outstanding architectural achievements by the Texas Society of Architects.

The Alexander Architectural Archive — a special collection of the Architecture & Planning Library — has among its materials the original construction drawings from the offices of Ford and Swank in the O’Neil Ford collection. The exhibit will present correspondence, notes, sketches, drawings and printed materials related to the design and construction of the building.

“To Better Know A Building” seeks to explore buildings through the drawings and other visual items found in the archive and library, promoting the records of a single building.  Plans, elevations and sections visually communicate design intent and can also be used as a vehicle in teaching through example.

An opening reception will take place at 6 p.m., Monday, February 16, in the reading room of the Architecture & Planning Library, located in historic Battle Hall. The event is free and open to the public.

UT alumnus Brantley Hightower — an educator, author and founding partner in the San Antonio firm HiWorks — will lead the exhibit opening by offering remarks about the “Little Chapel in the Woods.”

Attendees to the reception will have an opportunity to vote — along with students, faculty and staff in the School of Architecture — to help determine the next building featured in the series, chosen from a list of holdings of the Alexander Architectural Archive.

To Better Know a Building: Little Chapel in the Woods” will be on view in the reading room of the Architecture and Planning Library through August 31, 2015.

 

Hamilton Winners at PCL

_MG_9070

Last fall, almost sixty beautiful, full-color book cover reproductions in poster form of titles nominated for the University Co-op’s annual Robert W. Hamilton Book Author Awards were put on display in the UFCU Student Learning Commons room at the Perry-Castañeda Library.  The posters were originally produced for presentation in folding frame screens at the awards presentation dinner, but through a promotional partnership with the Libraries, the nominees for the university’s highest literary award now have an annual home in the university’s flagship library.

The 2014 grand-prize winner, along with the 4 runner-up prize-winners, were announced Wednesday, October 15, and the Co-op has again provided the Libraries with posters of each of the nominated titles for display at PCL.

The exhibit serves as acknowledgement of the research, scholarly and creative accomplishments of the world-class faculty and staff of the university — many of whom are reliant on the collections, resources and services provided through the Libraries to support their notable contributions to a better understanding of the world.

The posters will be on display until the 2015 winners are announced next year.

A View Through the Student Lens

Student photo exhibit poster final w-bleeds

Dark clouds gathered in the late afternoon sky in anticipation of the last storm of the summer. Inside, a DJ set the needle down on the 45-rpm version of a Jorge Ben classic just as the rain began to fall. Flecked by the light of a disco ball on the circulation desk, a convivial crowd had gathered to chat, snack, and enjoy the fact that it was almost Friday. The occasion was Field Notes, the fifth annual LLILAS Benson student photography exhibit and competition, held in the Nettie Lee Benson Latin American Collection on the third Thursday in September.

peng
Photo by Ruijie Peng, LLILAS

Photographs from a summer of study, both abroad in Latin America and in Latina/o communities in the United States, hung in the Benson’s first-floor corridor, and visitors took in the images with interest and curiosity. The photos themselves expressed the range of experiences, viewpoints, and settings encountered by the student photographers: Ruijie Peng’s prize-winning photograph, taken in Ecuador, depicts Chinese and Ecuadoran workers standing in hard hats among rocky debris at the site of a hydroelectric construction project; the other prize winner, by Mariana Morante Aguirre, was snapped in Guadalajara, Mexico, outside a hostel along a railroad route used by Central American migrants and transient Mexican nationals alike.

In Mario Mercado’s photo, a trumpeter plays on a San Juan sidewalk in front of exuberant graffiti that invokes the instrument’s brassy sound. In a lovely image by Charles Wight, a lone boat floats on the Rio Negro near Manaus, Brazil. Our gaze turns skyward via the lens of Felipe Fernández Cruz, who photographed airplanes flying in formation against a clear blue sky above the Christ statue in Rio, the wings in identical posture to the outstretched arms of O Redentor. (A history student, Fernández went to Brazil to study how the twentieth-century state built air routes to colonize the interior.) A stunning black-and-white image by MFA film student Álvaro Torres Crespo shows two boys fishing from a pier under a cloudy sky at dusk in Puerto Jiménez, on Costa Rica’s southern Pacific Coast.

tasker
Photo by Kaitlin Tasker, Department of Geography and the Environment

Some student researchers encountered roadblocks both expected and unexpected…

(Continued at the LLILAS blog.)

Benson Goes for Baroque

Iglesia de Santa María Tonantzintla, Puebla. Caroyln Brown.
Iglesia de Santa María Tonantzintla, Puebla. Caroyln Brown.

The extravagance of the Baroque period in Spanish America is currently on display in an exhibition at the Benson Latin American Collection.

Inside the Baroque illuminates the splendor and diversity of Mexican arts and letters in the seventeenth and eighteenth centuries, and their enduring legacy. A selection of photographs by Carolyn Brown accompanies rare books and manuscripts from the Benson’s collections to present the Baroque period’s ornate style as it was manifested in the Spanish colonies of the Americas.

A complementary documentary film by Quin Mathews presents arresting views of Mexico’s baroque churches against a backdrop of life in modern-day Mexico. Mathews traveled with photographer Carolyn Brown in 2008, recording scenes of daily devotional and festive practice, and the film captures the centrality of local churches.

Wedding at Catedral de Zacatecas. Carolyn Brown.
Wedding at Catedral de Zacatecas. Carolyn Brown.

Originating in 16th century Italy as a European Catholic response to the austerity of the Protestant Reformation, the Baroque style found purchase in the art, architecture and music of the period, and made its way to the Western Hemisphere by the end of the 1600s.

Catedral de Zacatecas at dusk. Carolyn Brown.
Catedral de Zacatecas at dusk. Carolyn Brown.

What made the movement particularly unique as it was expressed in the Americas was the influence of indigenous populations, craftsmanship and resources on the decorative style of religious structures that were erected as monuments to Spanish colonial power in the New World.

The exhibition will be on display through January 31, 2015, in the Benson Second Floor Exhibition Gallery, and is free and open to the public. Check the Benson website for a complete listing of hours.

Concurrently on view in the Benson’s first floor gallery is the 5th Annual LLILAS Benson Student Photography Exhibition featuring photography by University of Texas at Austin graduate and undergraduate students highlighting their expansive research, fieldwork, and volunteer activities within Latin American and U.S. Latina/o communities during the previous year.