Category Archives: Whit’s Picks

Records in the stacks of the HMRC.

Whit’s Picks: Take 4 – Gems from the HMRC

Resident poet and rock and roll star Harold Whit Williams is in the midst of a project to catalog the KUT Collection, obtained a few years ago and inhabiting a sizable portion of the Historical Music Recordings Collection (HMRC).

Being that he has a refined sense of both words and music, Whit seems like a good candidate for exploring and discovering some overlooked gems in the trove, and so in this occasional series, he’ll be presenting some of his noteworthy finds.

Earlier installments: Take 1Take 2, Take 3


Free Electric State / Caress

Available at Fine Arts Library On Site Storage

 Not your typical ethereal shoegaze, Durham, NC’s Free Electric State lays its smoky slab of Carolina alt-rock down heavy upon your picnic plate. Shirlé Hale’s lead vocals stun alongside her band’s densely distorted drone. The song structure and guitar wash of Ride or MBV, but with a more radio-friendly fist-pumping feel. Crank it, of course.

 

  

Willie Buck / The Life I Love

 Available at Fine Arts Library On Site Storage

Chicago blues legend Willie Buck steps out from the shadows of Muddy, Buddy, and Howlin’ Wolf on this high-spirited lowdown collection of classics. A native of Houston, Mississippi, Buck drives his boogie-woogie combo further on up the road with a mixture of juke joint whimsy, suave Windy City certainty, and undeniable Delta-cred.  

 

The Eighteenth Day of May

Available at Fine Arts Library On Site Storage

The self-titled debut album by this London psych-folk outfit made quite the critical splash across the pond with its shaggy-bearded nods to Fairport Convention, Incredible String Band, Pentangle, and the Byrds. Behold the acoustic Celtic shimmer! The chiming electric jangle! Behold those bittersweet Summer of Love harmonies! 

 

Brigitte DeMeyer / Something After All

Available at Fine Arts Library On Site Storage

California’s Brigitte DeMeyer serves up some serious heartland soul on this Brady Blade-produced roots rock record. The Buddy Miller and Steve Earle covers (with backing appearances by both) lend an Americana helping hand, but it’s DeMeyer’s own tracks here that truly stand out and shine. 

 

John Stetch / Ukrainianism

Available at Fine Arts Library On Site Storage

Haunting solo piano from Canada’s fellow traveler jazz genius, John Stetch. Classically avant-garde at times (only to be leavened by his family’s ancestral folk songs), Ukrainianism thrills with life-affirming highs, then breaks the heart with slow and dissonant lows. Contains historical notes for each song. A masterful work of art for a nation and its people.

[Harold Whit Williams is a Library Specialist in Music & Multimedia Resources Cataloging for Content Management. He writes poetry, is guitarist for the critically acclaimed rock band Cotton Mather, and releases lo-fi guitar-heavy indie pop as DAILY WORKER.]

Boxes of CDs from the KUT Collection.

Whit’s Picks: Take 3 – Gems from the HMRC

Resident poet and rock and roll star Harold Whit Williams is in the midst of a project to catalog the KUT Collection, obtained a few years ago and inhabiting a sizable portion of the Historical Music Recordings Collection (HMRC).

Being that he has a refined sense of both words and music, Whit seems like a good candidate for exploring and discovering some overlooked gems in the trove, and so in this occasional series, he’ll be presenting some of his noteworthy finds.

Earlier installments: Take 1, Take 2


Snowdrift / Starry All Over

Available at Fine Arts Library On Site Storage

Icy, ethereal dream pop from the Pacific Northwest. Kat Terran’s ghostly vocals haunt and swoop high above her band’s north wind din of swirling looped guitars and bass/drum drone. Classic 4AD followers take note.

 

Champian Fulton / The Breeze and I

Available at Fine Arts Library On Site Storage

Award-winning jazz pianist/vocalist leads her top-notch trio through a thoughtful batch of standards. Tickling the ivories à la Monk while crooning like Sarah Vaughan, thirty-something Fulton champions bebop and bravely marches it forward into the 21st century.

 

Near the Parenthesis / Music for the Forest Concourse

Available at Fine Arts Library On Site Storage

From the excellent Oakland electronica label n5MD comes this natural world-inspired ambient theme album. San Francisco-based artist Tim Arndt filters his soft piano through leafblown beats and pulsing synths. To be aurally absorbed as an autumn dusk falls – ask your doctor if Near the Parenthesis is right for you.

 

The Sojourners / The Sojourners

Available at Fine Arts Library On Site Storage

Vancouver, B.C.’s powerhouse gospel trio strips it all down to the very essence of soul with roots-rock producer/multi-instrumentalist Steve Dawson at the helm. Dense rich harmonies uplifted over a backporch stomp. Whether believer or skeptic, the listener is promised joy, peace, and transcendence.

 

International Jetsetters / Heart is Black

Available at Fine Arts Library On Site Storage

This side project of Jesus & Mary Chain guitarist Mark Crozer and drummer Loz Colbert thrills with a filled to the brim imperial pint-sized EP of bittersweet Brit-pop. Not quite shoegaze, not quite psychedelia, just amped-up, fuzzed-out rock and roll glory.

Harold Whit Williams is a Library Specialist in Music & Multimedia Resources Cataloging for Content Management. He writes poetry, is guitarist for the critically acclaimed rock band Cotton Mather, and releases lo-fi guitar-heavy indie pop as DAILY WORKER.