Category Archives: People

Alicia Gaspar de Alba

Chicana Feminist Scholar and Writer Alicia Gaspar de Alba to Read at Archive Exhibit

BY DANIEL ARBINO

White, heterosexual men have long dominated archival records. However, the Nettie Lee Benson Latin American Collection has a new archival exhibition that indicates the times are changing.

The Benson Collection is pleased to commemorate the acquisition of the Alicia Gaspar de Alba Papers in the Rare Books and Manuscripts Reading Room on Thursday, May 2, at 4 p.m., with a visit from the author herself. During the presentation, Gaspar de Alba will read from her published creative writings as well as participate in a discussion with Mexican American and Latina/o Studies faculty member and community activist Lilia Rosas. Additionally, a selection of the Alicia Gaspar de Alba papers will be on view in an exhibition titled “This is about resistance”: The Feminist Revisions of Alicia Gaspar de Alba. The Benson acquired these papers in fall of 2017 through a generous donation from the notable Chicana feminist scholar, professor, and author.

The exhibit highlights the intersections of Gaspar de Alba’s scholarly and creative endeavors. Early poetry, essays on identity as a queer Chicana feminist, journal entries, research notes for novels and scholarly work like Desert Blood (2005) and Making a Killing (2010), correspondence with UT Press, novel manuscripts, and photographs will all be on display for visitors.

Notes for Gaspar de Alba’s first book-length academic publication, "Chicano Art: Inside/Outside the Master’s House" (1998)
Notes for Gaspar de Alba’s first book-length academic publication, “Chicano Art: Inside/Outside the Master’s House” (1998)

Gaspar de Alba is a native of El Paso/Ciudad Juárez, but has lived for over twenty-five years in Los Angeles, where she is a founding faculty member and former chair of the UCLA César E. Chávez Department of Chicana/o Studies. She is currently the Chair of the LGBT Studies Program and has affiliate status with the English Department. A celebrated writer and scholar, she has won various awards, including the Lambda Literary Award for Best Lesbian Mystery Novel (Desert Blood) and the American Association of Higher Education Book Award for [Un]framing the “Bad Woman” (2015).

The acquisition of the Gaspar de Alba papers further strengthens the Benson’s holdings in U.S. Latina feminism and literature, which also include the Gloria Anzaldúa Papers, the Carmen Tafolla Papers, and the Estela Portillo Trambley Papers.

Gaspar de Alba at the San Jerónimo Convent in Mexico City
Gaspar de Alba at the San Jerónimo Convent in Mexico City

Attend The Event

View the event here: https://www.lib.utexas.edu/events/270

This event is co-hosted by the University of Texas Libraries and LLILAS Benson Latin American Studies and Collections, who gratefully acknowledge the following co-sponsors: the Center for Mexican American Studies and the Center for Women’s and Gender Studies.

About the Benson Latin American Collection

The Nettie Lee Benson Latin American Collection is one of the foremost collections of library materials on Latin America worldwide. Established in 1921 as the Latin American Library, the Benson is approaching its centennial. Through its partnership established with the Teresa Lozano Long Institute of Latin American Studies in 2011, the Benson continues to be at the forefront of Latin American and U.S. Latina/o librarianship through its collections and digital initiatives.

PCL Media Lab

The Unseen Library: Technology

As we’ve spent the last several months gathering information and feedback from the campus community regarding the future of the University of Texas Libraries, more than once we’ve encountered the response, “I wasn’t aware the Libraries did that.”

Too often, the support that libraries provide to users goes unnoticed. Much like electricity or running water, the services and resources that backstop the central work of research and learning at the university don’t get much attention unless something prevents them from being available. Students routinely assume that the Libraries’ website just leads them to other websites that have the articles they need. Researchers who access journals directly from web searches in their offices can’t understand why going to those same links when they’re off campus generates a page requesting payment for a resource. Users rarely conceive how a book requested through interlibrary service can arrive in their hands from points across the globe in a few short days.

Libraries tend not to focus much attention on blowing their respective horns. Mostly they’re too busy bootstrapping the work they’re expected to do. But they’re also doing the unexpected, especially in areas of need associated with reliance on modern technology. So let’s take a look at how the Libraries Information Technology (LIT) team spends their time when they’re not keeping a website that serves 10 million people a year running or managing the hundreds of computers and providing support for the untold volume of hardware and software required by a top-tier academic library.

Dan Rather - American Journalist. Website from the Briscoe Center.

The Libraries has discernible connections to complementary organizations on campus like the Harry Ransom Center and the Briscoe Center for American History; the historical ties to these collections are long-standing, and the Libraries is an ever-present supplementary resource for researchers at those campus gems. But our LIT team also provides the technical backend support for the HRC and Briscoe Center that allows them to focus efforts and resources on more essential work. They administer the Ransom Center’s staff portal that provides support for the professionals that care for the center’s world-class collections. And our team have helped to build and manage several sites that provide web access to the Briscoe Center’s high profile collections, including the archives of journalist Dan Rather and former Texas Governor Bill Clements and provide the digital versions of the center’s Sanborn Fire Maps collection.

Global Middle Ages Project website.

LIT also plays a central role in developing digital scholarship tools with researchers and faculty from across campus, but especially heavily in the area of digital humanities. For more than 10 years, the Libraries has worked in the creation and management of Voces, a Latino/a experience oral history site developed by Dr. Maggie Rivas-Rodriguez of the Moody School of Communications; Voces celebrated a relaunch of their enhanced website last year. The Libraries worked with associate professor of English and comparative literature Geraldine Heng to build a web portal for to the digital resources collected through the Global Middle Ages Project for collaboration among scholars to weave together independent work into a cohesive resource. LIT has also worked with Liberal Arts Instructional Technology Services (LAITS) to support the digital efforts of the Archive of the Indigenous Languages of Latin America (AILLA), which will include resultant work from an NEH grant AILLA received last year.

Voces website.

Libraries’ technology expertise is also deployed in service of academic units around campus in support of learning and research on campus, by helping to provide access to departmental-specific digital collections. Faculty in the College of Fine Arts (COFA) relies heavily upon the Fine Arts Library’s digital image collections for teaching, and staff in the library coordinate with LIT to make those resources available through the portal to the Visual Resources Collection.

Source: Colección Conflicto Armado del Museo de la Palabra y la Imagen
Source: Colección Conflicto Armado del Museo de la Palabra y la Imagen. Available in LADI.

The support our LIT staff provides extends far afield of campus, too. Significant global partnerships — especially those connected to efforts at the Benson Latin American Collections — have been reliant on core contributions from the Libraries. Initial work developing a landing site (Kigali Memorial Centre) for the Kigali Genocide Memorial, where digital records of the survivor testimonies reside, were handled by Libraries’ IT staff in coordination with Benson archivists and KMC staff. The Libraries’ also provided the resources for the construction of Primeros Libros, an international effort by collecting institutions to digitize the first books published in the Americas. One of the most notable and controversial projects endeavored by the Libraries was to help facilitate the digital preservation of the Guatemalan Police Archive (AHPN), a cache of over 10 million documents that provides evidence of human rights violations in the Central American country between 1960-1996; LIT has helped to build, maintain and enhance the web resources of this project since its inception, ensuring that this important record won’t be lost to sociopolitical transitions in the region. More recently, staff from LLILAS Benson Latin American Studies and Collections and the LIT team have been building upon a project — initially funded from a 2014 Mellon grant award — that takes a more comprehensive approach to preserving the culture and history of Latin America. The Latin American Digital Initiatives (LADI) repository represents multiple collections shared through the practice of post-custodial archiving to catalog digital resources provided by our southern neighbors.

Francisco Bravo’s "Opera Medicinalia" (1570).
Francisco Bravo’s “Opera Medicinalia” (1570). Available at Primeros Libros.

Beyond their hands-on expertise, Libraries’ technology professionals have accepted roles on various committees across campus to help guide university policies in technology and digitization, currently holding seats on the Central IT Executive Commission and Identity & Access Management Committee. Our staff are not just regarded for their excellence in libraries, they are recognized as leaders in the field.

The stereotype still prevails at times, but it’s worth reinforcing: the library is not simply a book storehouse. It is an active participant in the digital environment, and essential – though much of the time, behind the curtain  – to the successful work of others.

Though the lights will on occasion go off, and the water may cease to flow, our committed experts doing their best to make sure that on normal days, things are working better than they should and library users are none the wiser.

 

 

Michael Shensky.

Meet the Talents: GIS and Geospatial Data Coordinator Michael Shensky

Michael Shensky joined the Libraries last year as the GIS and Geospatial Data Coordinator to enhance the resources available from the Research Data Services unit with added expertise in Geographic Information Systems, which are increasingly becoming central to our online lives. Shensky took some time to talk about the importance of GIS and where he sees it in the future.

GIS and Geospatial Data Coordinator Michael Shensky.
GIS and Geospatial Data Coordinator Michael Shensky.

Michael Shensky: Whenever I’m asked what GIS is, and I often am when I tell people what I do for a living, I always start with a very simple definition and expand from there. I typically tell people that GIS is an acronym that stands for geographic information systems and that it is the technology that is used to manage the data behind many of the maps they encounter online and in mobile apps. I also find it helpful to explain that the “geographic information” part of GIS refers to geospatial data (data that features both coordinate information identifying a place on Earth and attribute information that describes something located at that place) while “system” refers to the software and hardware components that are used together to manage this unique type of data effectively.

GIS is incredibly important in our daily lives because it is used to guide and facilitate much of the work that local governments, state and federal government agencies, utility companies, non-profit organizations, and academic researchers carry out. If all GIS software were to suddenly stop working tomorrow, it would be very difficult for those who rely on geospatial data to effectively manage their operations and this would have a dramatic impact on the lives of everyone, not just GIS users. For instance, cities might have difficulty assigning work crews to conduct road repair work if they cannot access their database of pothole locations, fire departments might struggle to respond to the locations of emergencies if they can’t quickly look up the location of an address, and technology companies would see apps that include mapping functionality suddenly break as the data fails to load properly.

While most people do not realize the significant role that GIS software plays behind the scenes in the operations of many organizations, if they look closely enough they can find traces of its impact in their daily lives. If they come across a map when browsing the web, there is a very good chance that GIS software was used to design its layout and manage the data behind the features depicted in it. If a new store or restaurant opens in their neighborhood, it is likely that GIS software was used to analyze demographic and consumer spending data for their local area to determine that this would likely be the most profitable location. If they use the routing functionality built into their car dashboard, the street data used to route them was likely created or edited with GIS software. If they visit the website of their local city or county, it is quite likely they will find a web page designed specifically for sharing geospatial data that has been developed with their taxpayer money and which has been made publically available for anyone to download and use in GIS software.

 

Given the organic nature of its development, how can standards be developed to manage the proliferation of GIS data?

shensky extraMS: In the GIS world, there are open standards developed by non-profit organizations like the Open Geospatial Consortium (OGC) and there are often competing proprietary standards developed by for-profit companies like Esri, whose software products dominate the GIS industry in the United States and many other countries. While we are very fortunate that these standards exist so that there is agreement on how data should be structured and how it should be read by GIS software, there are downsides to having multiple standards to choose from. Having multiple standards to choose from puts GIS professionals in a tough position when we want to share data with others, since we often need to ensure that data is available in multiple standard formats to make it easy for other GIS users to work with the data regardless of whether they are using open source software or Esri’s ArcGIS software.  This situation is further complicated by the fact that the popularity of specific standards can fluctuate over time and occasionally completely new standards are developed while older standards may fall into disuse and become functionally obsolete.

For the geospatial data in the UT Libraries’ collections that we are currently in the process of trying to make more easily accessible, we are aiming to share the data in every common standard format that we can.  Our goal is to facilitate access to our data for all GIS users, regardless of which software they use or standards they prefer. This approach of making shared datasets available in multiple formats has become quite common on data portals operated by other universities as well as those developed by cities, counties, and federal government agencies. As any good organization would, we plan to stay on top of the latest geospatial data standards and ensure that we are making datasets available in the formats that GIS users expect to find and like to work with.

 

How did you become a specialist in GIS?

MS: That’s actually a really interesting question, because I sometimes look back on the last decade and wonder that myself. The career path I envisioned for myself shifted quite a bit during my college years and a few chance decisions that didn’t seem particularly significant at the time ended up playing a very substantial role in leading me to the position I’m in today.

As a junior, I was contemplating my changing my major to anthropology or geography since I had really enjoyed taking classes in both disciplines, and I ended up selecting geography partly because I knew that GIS was a required class in that program and that this class would provide me with a technical skill upon graduation. At the time, I had never used or even seen GIS software but I knew it was used to make maps and that sounded really interesting to me. I didn’t actually end up taking that required GIS class until my last semester as an undergraduate and I did I was a surprised to find it a little less exciting and more challenging than I had originally expected. Right after graduation I started applying for a variety of jobs that I thought I might qualify for and the first one I was offered was a paid GIS internship. I didn’t find the job all that interesting at first and during my first few months there did not see myself making a career out of GIS.

This initial lack of fulfillment actually even ended up being a contributing factor in my decision to enroll in a Geography graduate program – I wanted to develop new skills that would open up different job opportunities. While in grad school I continued to work at this same GIS job part time and found that I started to become more interested in the work I was doing as I was assigned more advanced and challenging projects. Because of the GIS skills I gained in this role, I was offered a GIS research assistant position during my last two years of graduate school and then ended developing my master’s thesis project from the work that I did in this role. By the time I completed the work for my master’s degree, my perspective on GIS had changed dramatically, and when I was offered a full time job teaching GIS classes and managing the GIS computers labs for the Geography department at California State University, Long Beach, I was thrilled to have the opportunity to advance my career in GIS. I ended up spending several years in this position which allowed me to further develop my technical skills, gain teaching experience, and develop an even greater respect for the value of GIS software in academic research – all of which prepared me for well for my current role here at the UT Libraries.

What sort of projects have you been working on at UT?

MS: I’ve been working on a few different projects since I started here at UT, the biggest of which is focused on developing a new geospatial data portal that will be part of the UT Libraries website. This portal will allow users to search for geospatial data in our Libraries’ collections that can be used with GIS software. We have been referring to this project internally as the “GeoBlacklight” project because it uses open source software of that name to provide a web interface and data search capabilities. We are optimistic that this project will be completed in the first half of 2019 and that it will be available to the campus community before the start of the fall semester. Once it is rolled out, visitors to the website will be able to search through a variety of geospatial datasets including georeferenced scanned map images from our PCL Map Collection and vector datasets developed from items in other collections like the Benson Latin American Collection and Alexander Architectural Archives. I’m really excited to be a part of this project because I know this portal has the potential to benefit everyone in the campus community regardless of their role and area of specialization. Once the portal is finished and made available, it should be easy for faculty to find data that they can use to develop instructional materials, for students to find data they can use in research projects, for Libraries staff to find data they can use to highlight notable collections, and for everyone in general to browse through when curious about the interesting maps and datasets we have available here at the UT Libraries.

San Salvador map from the PCL Map Collection.
San Salvador map from the PCL Map Collection.
Screenshot of the search results page in a still-under-development version of the UT Libraries GeoBlacklight portal
Screenshot of the search results page in a still-under-development version of the UT Libraries GeoBlacklight portal.

addition to the GeoBlacklight project I have also been working on a program of coordinated outreach and education about GIS both internally within the libraries and externally with departments across campus. As part of this effort I have helped organize events like our recent Local Perspectives on the State of Open Data discussion panel which brought GIS experts from the City of Austin, Travis County, Texas General Land Office, and Texas Natural Resources Information System here to campus to share their thoughts on GIS and open data. I’ve also taught several GIS focused workshops that provided an opportunity for all members of the campus community to learn about GIS and further develop their geospatial research skills. In order to introduce library personnel to some of the capabilities of GIS I’ve also spoken at and helped organize a series of linked data information learning group meetings. I’ve been glad to see that this multifaceted approach has been successful in helping get the word out about GIS on campus and I’ve noticed that I am starting to hear from more and more people each week who are looking to learn more about how they might be able to use GIS in their work.

 

What are some of the interesting ways GIS will be used in the future?

MS: While it’s impossible to know exactly how the way in which we use GIS might change in the future, I think there are a few developments that are all but certain. One of the major developments I foresee is growing awareness of GIS and rapid improvement in the capabilities of open source GIS software like QGIS leading to greater adoption of GIS software in a variety of disciplines and industries. If this prediction proves accurate, the lowering of financial and technical barriers that currently hold people back from using GIS software would greatly benefit small businesses, startups, non-profits, municipalities with limited resources, and more. It should also have a profound impact in the academic world as it will make it easier for researchers to incorporate GIS into their work. I think we will see GIS software being used much more widely in fields like history, journalism, linguistics, ethnic studies, and in the humanities more generally. If this does in fact happen, it will not only open up new avenues for research in these fields but will also make it easier for those working in these different disciplines to work together with each other across departments because they are using a shared technology. Even in disciplines where GIS is already widely used, like geology, biology, geography, and anthropology, I think there will be increased rates of adoption, especially among researchers in developing countries who can start using open source GIS software without having to worry about expensive software licensing or significant software limitations. From my experience in a previous GIS position at another university, I saw firsthand how difficult it could be for researchers in my department to work with colleagues from universities in other countries whose institutions could not afford access to the same proprietary software resources until they all started using open source software to facilitate collaboration.

Example of a QGIS project
Example of a QGIS project.

In addition to the many benefits I think we will see from growing awareness of GIS software and open source GIS software in particular, I think GIS technology will become more useful and powerful as technology continues to improve. Perhaps the biggest impact on GIS will come from new and emerging categories of mobile devices that will make it possible to view and interact with geospatial data in ways that are quite different from the manner in which we engage with geospatial data now on the flat screens of our computer monitors and cell phones. In the 9 years that I have been in this field, there have been several completely new categories of devices that have been released (smart watches, augmented reality glasses, and virtual reality headsets being the most notable) all of which can be used to display new types of maps and I think we will see these technologies mature in a way that will affect how maps are made.

Virtual reality is the currently the most significant of these technologies for working with geospatial data due to the availability of relatively affordable consumer grade headsets and their ability to give users a three dimensional immersive map experience. While I think virtual reality maps will become increasingly common and useful, I think augmented reality devices ultimately hold the most promise of any emerging technology. Right now augmented reality glasses are held back by their high price points, large size, and limited field of view but companies like Microsoft, Google, and Apple have all indicated that they are working on addressing these challenges. If any of these companies (or newer companies like Magic Leap who are also focusing on augmented reality technology) can create a wearable device similar in size to a pair of regular sunglasses, sell it for close to the price of a high end cell phone, and have it effectively overlay 3D objects on top of a user’s normal field of view, I think this would revolutionize how GIS professionals manage data and produce maps. It would also of course open up enormous opportunities for researchers who are looking for new ways to explore geospatial data and visualize their research findings. While a breakthrough like this may not happen this year or next, I think it is just a matter of time before our technology reaches this point and GIS software will have to adapt to facilitate the production of geospatial content for these new types of devices.

 

 

 

A Firsthand Experience in the Black Diaspora Archive

Natalie Hill is one of the inaugural members of the Consuelo Artaza and Dr. Carlos Castañeda Diversity Alliance Residency Program. She is currently in her second semester of the residency.

Rachel Winston and Natalie Hill.
Rachel Winston and Natalie Hill.

While I’ve been working in the Black Diaspora Archive (BDA) for just under two months now, I’ve already experienced and learned so much. BDA’s mission is to document the Black experience in the Americas and Caribbean. Under the guidance of our inaugural Black Diaspora Archivist, Rachel Winston, I’ve been given the opportunity to do my part in accomplishing this mission.

Currently, I’m processing the Judith Bettelheim Papers and making that collection available for researchers to use. Dr. Judith Bettelheim is a retired university professor, curator, and art historian, specializing in Afro-Caribbean festival and performance arts. Throughout her long and accomplished career, Dr. Bettelheim has helped to expand the field of art history beyond the limited lens of Western art and has pushed for the increased prominence of African and African Diasporic art in published scholarship.

Caribbean festival performer from the Judith Bettelheim collection.
Caribbean festival performer from the Judith Bettelheim collection.
Correspondence from the Judith Bettelheim collection.
Correspondence from the Judith Bettelheim collection.

Among other materials, the Judith Bettelheim Papers include handwritten field notebooks and interview transcripts from her trips to Caribbean nations, hundreds of photo slides of Caribbean festival performers, and research relating to her exhibitions and publications on Cuban visual artists like José Bedia and Eduardo “Choco” Roca Salazar. Being able to handle these records has allowed me to gain a better understanding not only of Dr. Bettelheim, but also of the people and places on which she’s focused so much of her life’s work. Preserving cultural heritage and making the records of historically underrepresented individuals and groups widely accessible is definitely a privilege, and it makes coming to work every day something to look forward to.

Photo from the Judith Bettelheim collection.
Photo from the Judith Bettelheim collection.

Beyond gaining valuable hands-on experience with archival materials and all the steps present in making them ready for research use, I’ve also been able to shadow Rachel in her daily work and better understand what it means to be an archivist not simply in theory, but in practice. And I’ve learned that depending on the day, it means a lot of different things – deinstalling exhibitions, providing reference support in the Reading Room, preparing materials for the next exhibition, visiting classes to discuss the work we do as archival professionals and how students can incorporate archival practices into their own documentary efforts, installing a new exhibition, and so on.

In my short time in the Black Diaspora Archive, I’ve already found myself involved with an active and dedicated community focused on providing a space for those who historically have not had any and a voice for those who have often been silenced. It’s been an inspiring and eye-opening experience, and I’m looking forward to becoming even more involved over the coming months.

 

 

In the Pursuit of Discovery: Crowdfunding for the Librarian Ambassadors Fund

Arnakali bazaar - Tex Libris 1
Book stall in the Anarkali Bazaar Pakistan, one of the oldest surviving markets in South Asia. Taken by librarian Mary Rader on an acquisition trip.

When it comes to acquiring research materials at the tier-1 research level, not everything can be delivered to your front door. There are no routes librarians can explore online to purchase materials because countries do not have the same framework as the US.  And even if a librarian discovers a method for shipping, in reality, often it is cheaper for librarians to pack collections with them on airplanes.

To maintain UT’s subject expertise and to help build and steward effective networks abroad, librarians need to go overseas to make negotiations — face-to-face — for one-of-a-kind purchases that distinguish and develop UT’s collections.

Along with acquiring materials, even more important, it is the responsibility of the librarian to set in motion international relationships, and nurture  them, and create mutual education with our partners abroad on behalf of the Forty Acres.

National Museum - Tex Libris 1
Librarian Mary Rader with her international colleagues at the National Museum of Pakistan, which stewards the cultural history of Pakistan.

The University of Texas at Austin is unique.  We are the only university in Texas where librarians travel and function like ambassadors. As a result, our collections serve all researchers in Texas and many of our collection items serve as the only copy for the US. Library projects in South & Central America, Europe, Asia and the Middle East keeps the Forty Acres active in the global community.

This spring, the University of Texas Libraries will embark on a crowdfunding campaign to ensure that $20,000 is raised by April 19 so librarians may make  acquisition trips in 2020.

For 134 years, the University of Texas Libraries have committed to building one of the greatest library collections in the world.  New knowledge emerges only if we continue to expand the universe of information we make available to the Forty Acres, Texas and the world.

Will you help us build and  keep our bridges with the international community intact?

Pre-schedule your gift here: https://tinyurl.com/y7wajbpp

 

 

Inside Senthil Lending Library.

Vibrant but Vanishing Lending Libraries of South Asia

Inside Eashwari Lending Library.
Inside Eashwari Lending Library.

Throughout the fall of 2018, I was honored to be able to convene UT South Asia Institute’s Seminar Series, “Popular | Public | Pulp: form and genre in South Asian cultural production.”  Throughout the series, speakers explored printed examples of South Asian popular culture—mysteries, romances, comics—as they underscore and grapple with historical and contemporary concerns such as identity, power, & representation.  In addition to interrogating literary approaches, speakers in the series further addressed questions of gender, of sexuality, of caste & religion, and of authority, helping readers and scholars alike challenge what qualifies as “worthy” both in terms of style and substance.

One goal of the series was to draw attention to UT Libraries growing collection of popular and pulp fiction in South Asian languages, a collection that is nationally and internationally unique in gathering and preserving popular materials and subsequently making them available for users.  Beyond publicity, however, the series was also intended to uncover reading and distribution networks for these materials so that I might continue to creatively and productively acquire them while on acquisitions and networking trips to South Asia.  In November and December, and with the generous funding of both UTL and the South Asia Institute, I was privileged to travel to India and more deeply explore a venue repeatedly invoked in the fall speaker series: small lending libraries.

Small lending libraries are a cultural phenomenon throughout South Asia which support themselves through highly localized, neighborhood-based memberships.  Unlike UT Libraries which has a long-term and “long-tail” research agenda, the mission of these lending libraries is to support current and highly popular reading practices, not unlike many small public libraries in the U.S.

Senthil Lending Library.
Senthil Lending Library.

While in Chennai, I was able to visit two lively lending libraries—Easwari and Senthil—to observe their operations, to ask questions about the popularity of particular authors, and to acquire second-hand materials.  Both libraries carry all the bestsellers—in English [Mills and Boon, Harry Potter, James Patterson] and in Tamil [Rajesh Kumar, Indira Soundarajan, Raminichandran]—and experience high circulation of their books.  Because preservation is not part of their mission, the libraries are willing to sell the most ephemeral of their materials, namely monthly periodicals which include crime, detective and “women’s” fiction (romances as well as family dramas).

Eashwari Lending Library.
Easwari Lending Library.
Inside Eashwari Lending Library.
Inside Easwari Lending Library.

Despite the vibrant activity I observed at both these libraries, I am told that lending libraries are slowly vanishing from the South Asian landscape, ceding space to other entertainments and ways of “time pass.”  I was happy to have had the chance to visit these libraries and I do hope they will still be open and serving their readers on my next visit.  If not, though, I am comforted knowing that UT Libraries is participating in documenting and preserving some of this literary and cultural history for researchers long into the future.

 

 

 

 

"Mecatla," by Jesús Nazario. This prize-winning photo was taken in The Land of Fresh Water, Guerrero, Mexico.

“Field Notes” Student Photography Exhibit on View at Benson Collection

The Benson Latin American Collection is proud to host Field Notes: The 9th Annual LLILAS Benson Student Photography Exhibition. Thirty prints that comprise the show will adorn the Benson’s first-floor gallery through January.

"Niebla de Verano," by Gerónimo Barrera, LLILAS PhD student. Photo taken in San Juan Lachao communal forest, Oaxaca.
“Niebla de Verano,” by Gerónimo Barrera, LLILAS PhD student. Photo taken in San Juan Lachao communal forest, Oaxaca.

Each fall, LLILAS Benson invites graduate and undergraduate students from all departments and disciplines to submit photographs to the exhibition. Through these images, student photographers document moments from their summer research on Latin America or US Latina/o communities.

"Lágrimas de la Virgen." This prize-winning photo by Monika Husodo was taken in Antigua, Guatemala.
“Lágrimas de la Virgen.” This prize-winning photo by Monika Husodo was taken in Antigua, Guatemala.

A panel of faculty and staff judges chooses two outstanding images from the collection. This year, the prize-winning photographers are Jesús Nazario (MA student, LLILAS) and Monika Husodo (BA student, Architectural Interior Design).

"Walking Ahead Toward Justice," by Alvaro Céspedes, was taken in Ayacucho, Peru, at a mass grave known as La Hoyada.
“Walking Ahead Toward Justice,” by Alvaro Céspedes, was taken in Ayacucho, Peru, at a mass grave known as La Hoyada.

The exhibition is free and open to the public during library hours. View the entire photo album on Facebook.


Featured: “Mecatla,” by Jesús Nazario. This prize-winning photo was taken in The Land of Fresh Water, Guerrero, Mexico.

 

Celebrating the Benson Centennial kickoff. From left, LLILAS Benson Director Virginia Garrard, Adriana Pacheco, Fernando Macías, Vice Provost and Director of Libraries Lorraine Haricombe, and Consul of Mexico Carlos González Gutiérrez. Photo: Daniel Hublein.

The Benson Centennial Endowment: An Invitation from Adriana Pacheco

“The first time I walked into the fourth floor of the Nettie Lee Benson library, as a recently admitted PhD student, tears ran down my cheeks. I remember that moment, when I was there, alone, looking at that iconic corridor with hundreds of shelves and thousands of books. My tears were for excitement because I understood that that place was going to be a second home for me for many years to come.”

Celebrating the Benson Centennial kickoff. From left, LLILAS Benson Director Virginia Garrard, Adriana Pacheco, Fernando Macías, Vice Provost and Director of Libraries Lorraine Haricombe, and Consul of Mexico Carlos González Gutiérrez.
Celebrating the Benson Centennial kickoff. From left, LLILAS Benson Director Virginia Garrard, Adriana Pacheco, Fernando Macías, Vice Provost and Director of Libraries Lorraine Haricombe, and Consul of Mexico Carlos González Gutiérrez. Photo: Daniel Hublein.

With these heartfelt words, spoken at a September 6 dinner announcing the centennial campaign for the Benson Latin American Collection, Adriana Pacheco Roldán exhorted assembled guests to join her in a project involving both the heart and the preservation of memory. Pacheco is chair of the International Board of Advisors established by University of Texas at Austin President Greg Fenves. She and her husband, Fernando Macías Garza, both hold doctorates from Texas. The couple has donated $50,000 to establish the Benson Centennial Endowment, which officially kicks off the countdown to the collection’s 2021 Centennial.

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Pacheco was a keynote speaker at An Evening of Discovery, a gala dinner hosted by the University of Texas Libraries and the Provost’s Office to officially kick off the Benson Centennial campaign. As is fitting for a PhD in literature, she began her speech by evoking Aureliano Buendía, the patriarch of Gabriel García Márquez’s One Hundred Years of Solitude, who “fought against the plague of memory loss suffered by all inhabitants of Macondo” by labeling every object he could. “For almost 100 years, the Nettie Lee Benson Latin American Collection has been a place to keep our memories and our heritage,” said Pacheco.

From left: Lorraine Haricombe, Univision news anchor Enrique Acevedo, and Benson Collection Director Melissa Guy. Photo: Daniel Hublein.
From left: Lorraine Haricombe, Univision news anchor Enrique Acevedo, and Benson Collection Director Melissa Guy. Photo: Daniel Hublein.

Yet the recent tragic loss at Brazil’s National Museum of virtually all of its contents means that we must take responsibility for protecting the treasures of the Benson, Pacheco continued. Again invoking family and generational ties, she laid out a challenge to the assembled guests:  “As we say in Spanish, you are the padrinos, the godfathers and godmothers, of the Benson Centennial Endowment launch, and I invite you to join our efforts: Give now, give today, give later, find somebody willing to give, promote, spread the word, come and visit, join the events, make the Benson Collection part of your lives.”

Whit Williams playing guitar

Whit’s Picks: Take 1 — Gems from the HMRC

Resident poet and rock and roll star Harold Whit Williams has recently taken on a project to catalog the KUT Collection, obtained a few years ago and inhabiting a sizable portion of the Historical Music Recordings Collection (HMRC).

Being that he has a refined sense of both words and music, Whit seems like a good candidate for exploring and discovering some overlooked gems in the trove, and so on occasion, he’ll be presenting some of his finds here on the blog.


Recently added (and highly-recommended) Music from the KUT Collection at the HMRC

Angela Faye Martin / Pictures From Home

North Carolina singer/songwriter turns Appalachian music on its head with odd synth and fuzz burbling background. Quietly brooding and beautiful. Produced by Sparklehorse’s Mark Linkous.

 

Ruxpin / Where Do We Float From Here?

IDM electronic musician Jónas Thor Guðmundsson hails from Iceland and creates blips and bleeps as Ruxpin. Less frenetic than Autechre, not as dark as Aphex Twin, Where Do We Float From Here shines with bright and melodic northern lights.

   

Olivier Messiaen / Visions de l’Amen

French avant garde composer’s challenging suite of seven pieces for two pianos. Marilyn Nonken (piano I) and Sarah Rothenberg (piano II) in a brilliant performance captured at Stude Hall, Shepherd School of Music, Rice University.  

Jews and Catholics / Who Are? We Think We Are!

 Following in that grand Southeastern tradition of rock duos (House of Freaks, Flat Duo Jets), Winston-Salem’s Jews and Catholics bring their amped-up indie pop to spike the punch at your summer backyard party. Audacious, nervy, overdriven. Produced by the legendary Mitch Easter of Let’s Active.

 

Georgia Anne Muldrow (as Jyoti) / Ocotea

 Muldrow takes a break from her breathtaking vocals and rhymes on Ocotea, as she deftly experiments with avant jazz swirled around inside chill electronica.

Harold Whit Williams is a Library Specialist in Music & Multimedia Resources Cataloging for Content Management. He also writes poetry, is guitarist for Cotton Mather, and records ambient electronic music under the solo name The French Riot.

Other installments: Take 2

 

Graduates

Graduated? Don’t Forget Your Libraries

You did it! (Or your graduate did.) Congratulations. After four years (more or less) of hard work and long nights in PCL, you’ve earned your degree and are looking toward the next phase of life as you head out into the world.

And though your time at UT has officially come to a close, you’ll still have some access to library resources on which you’ve come to rely through the summer.

Spring Graduates

Hold on to your student ID card, as you’ll retain privileges through the following summer. These privileges include:

  • regular student check-out privileges
  • access to interlibrary loan services
  • access to most UT Libraries electronic resources
  • use of study rooms, carrels. or lockers under the same guidelines that apply to enrolled students
  • online renewal

Your privileges will remain active until the 12th day of classes in the fall semester.

Courtesy Borrower Privileges

There are several options for getting a Courtesy Borrower card:

Join the Texas Exes

There are several alumni membership levels available–sign up quick, recent grads get special deals! After you’ve joined, bring a photo ID to Courtesy Borrower Services to apply for your card. You’ll also get remote access to three article databases, Academic Search Alumni Edition, Business Source Alumni Edition, and JSTOR Alumni Edition.

Get a TexShare card

The TexShare Library Card Program is a reciprocal borrowing program, coordinated by the Texas State Library, which provides access to materials from many Texas libraries. If you’re a patron in good standing at a participating public library, you can get a TexShare card from that library and bring it to Courtesy Borrower Services to apply for your UT Libraries courtesy card. While the card is free, each participating library has its own qualifications for eligibility. For example, Austin Public Library requires their patrons to be in good standing for a period of six months before qualifying for a TexShare card. Check with your local library for details.

Are you a Texas resident?

If you are a Texas resident, but you don’t qualify for a TexShare card, just bring proof of address, a photo ID, and $100 to Courtesy Borrower Services to apply for borrowing privileges at UT Libraries.

Courtesy borrowers can:

  • check out print and media materials from all UT library branches
  • access most electronic databases from onsite library workstations
  • access online renewal and recall services

Courtesy borrowers cannot:

  • access databases remotely
  • check out equipment
  • use interlibrary loan services
  • access Jamail Center for Legal Research, the Harry Ransom Research Center, or the Center for American History

For additional resources, bookmark the “Access the Library After Graduation” LibGuide.