As the university wraps up this year’s Fleur Cowles Symposium “Gabriel García Márquez: His Life and Legacy,” it’s worth noting the Libraries (specifically the Benson Latin American Collection and LLILAS Benson) involvement in support of the noted Colombian author’s archive at the Harry Ransom Center.
The Benson’s Mexican materials bibliographer Jose Montelongo accompanied Ransom Center director Stephen Ennis on a trip to Mexico City, where García Márquez spent his final years, to review the archive materials, and upon the announcement of the acquisition, Montelongo responded to media inquiriesproviding perspectives on the importance of the archive to the university and researchers, and on the author’s station in the literary canon.
As the premiere Latin American special collection in the western hemisphere, the Benson will provide the complementary resources and support for researchers who come to Austin to utilize the García Márquez archive, further strengthening the partnership between the two institutions.
D’aroma’s book follows four generations of women in Galveston whose lives are molded by one of nature’s most destructive forces from the great hurricane of 1900 (the deadliest in U.S. history, taking between 6,000-12,000 lives) to Ike in 2008 (the second costliest in U.S. history).
An excerpt from the interview:
How did you develop such a strong love for Galveston and hurricane culture?
When I was younger, my grandparents had a vacation house on the West end of Galveston and we spent a lot of time there. It was way less developed back then. I think Galveston is a really fascinating place because it has an interesting mix of characteristics that make for strange bedmates — a Victorian aesthetic mixed with an existential, end-of-the-world feeling.
I was also fascinated just how much the island lives in the shadow of the 1900 Storm. In that way it is almost polar opposite of its neighbor Houston, where I come from. We take pleasure in tearing down any signs of our history and starting over while Galveston at some point made a decision that it was better to be defined by a tragedy than to risk having no identity at all.